
	Where results make sense

Topic: Exposition Internationale des Arts et Techniques dans la Vie Moderne (1937)

Related Topics

Sino Japanese War 1937 1945

1937 in aviation

1937 in film

1937 in sports

1937 in music

1937 in literature

Workers International League 1937

List of state leaders in 1937

Baseball Hall of Fame balloting, 1937

Lost Horizon 1937

other events of 1937

Flint Sit Down Strike 1936 1937

In the News (Fri 17 Feb 12)

EXECUTIVE POWER

Iran

ANALYSIS

Pakistan

Family compact

	Nazi Architecture Encyclopedia Articles @ 216.92.11.26 () (Site not responding. Last check: 2007-10-22)
		Germany pavilion at the Exposition Internationale des Arts et Techniques dans la Vie Moderne in Paris, 1937.
		Speer intended to produce this result by avoiding the elements of modern construction as steel girders and reinforced concrete, which are subject to weathering and by designing his buildings to withstand the impact of the wind even if the roofs and ceilings were so neglected that they no longer braced the walls.
		The political theme of a globe gripped by an eagle was rendered in bronze by the sculptor Ernst Andreas Rauch for the exhibition of art in the House of German Art in 1940 (Scobie 65).
	216.92.11.26 /encyclopedia/Nazi_architecture (6261 words)

	CONFRONTATION
		The title of the 1937 exposition breaks down the real meaning inherent in the earlier term "universal" into its component parts: the nationalism inherent in the competition for prestige, the fundamental duality between the arts and technics, and the transforming power of art and science.
		Art is not the vessel of immortal truth, whose purpose is to "instruct by pleasing": it is a decorator of the useful.
		Art could profit by advances in industry – the use of photography in portrait painting was the most often-cited example – and industry borrowed liberally from the arts to lend grace to utility.
	charon.sfsu.edu /publications/PARISEXPOSITIONS/1937EXPO.html (5695 words)

	ExpoMuseum / Exposition Internationale des Arts et Techniques dans la vie moderne, Paris 1937
		The other expositions were held in 1855, 1867, 1878, 1889, and 1900.
		It is remember mostly for the contrasting pavilions of Nazi Germany and the Soviet Union which literally "faced off" in front of the Eiffel Tower.
		Exposition Internationale et Universelle de Paris 1937 - from the BIE
	expomuseum.com /1937 (87 words)

	Structurae [en]: Exposition Internationale 1937
		Rivoirard, Philippe L'Exposition internationale de 1937, in Les expositions universelles à Paris de 1855 à 1937 ; pp.
		Roorda, Alice L'Exposition internationale de 1937, in Les expositions universelles à Paris de 1855 à 1937 ; pp.
		Texier, Simon L'Exposition internationale de 1937, in Les expositions universelles à Paris de 1855 à 1937 ; pp.
	en.structurae.de /projects/data/index.cfm?ID=p00423 (209 words)

	Magazine (Site not responding. Last check: 2007-10-22)
		Preparations for Czechoslovak participation at the 1937 "Exposition Internationale des Arts et Techniques dans la vie Moderne" [International Exposition of Arts, Crafts and Sciences in Modern Life] in Paris were running behind schedule in part because the Seine had flooded the exhibition grounds.
		Then, only a small team was involved in the preparations and the exhibition's success was based on the careful selection of a small number of exhibits and their ideal presentation.
		This failure was all the more painful because prior to 1937 serious consideration was being given at the highest ministerial levels to holding an international exhibition in Prague in 1942.
	www.expo2005.cz /en/magazine/magazine_200405/article_06.shtml (1151 words)

	Paris 1937: Worlds on Exhibition. - Review - book reviews Art in America - Find Articles
		The project commonly referred to as "Paris 1937," encompassing six different shows and museum openings dominated by L'Exposition Internationale des Arts et Techniques dans la Vie Moderne, remains one of the most intriguing expositions of the 20th century.
		The Exposition was meant to be supplemented from the outset by permanent museums that were constructed at its periphery.
		Down the street, the Palais de Tokyo was built to house a modern art museum for the city of Paris, after first hosting the French government's official survey of French art ("Chefs-d'oeuvre de l'Art Francais") from Gallo-Roman beginnings through the great 17th- and 18th-century painters to the end of the 19th century.
	www.findarticles.com /p/articles/mi_m1248/is_9_87/ai_56458951 (389 words)

	Frank Lloyd Wright's Stained Glass
		Theirs was a lifelong friendship and Ashbee, in 1901, in his journal quoted Wright, "My god is machinery, and the art of the future will be the expression of the individual artist through the thousand powers of the machine...
		The creative artist is the man who controls all this and understands it." This emphasizes one of the most interesting aspects of the age, the preoccupation with machinery as evidenced in art.
		Exposition Internationale des Arts et Techniques dans la Vie Moderne
	www.shawcreekbirdsupply.com /stained_glass_wright_machine_age.htm (374 words)

	Paris 1937 World's Fair
		Essay on the 1937 fair – by Arthur Chandler
		Alvar Aalto: the glass-blower – presented at the 1937 Fair
		Palais de Tokyo (CITY OF PARIS –; webpages)
	www.geocities.com /bolnaya/paris.html (141 words)

	Culture.ca: Showcase (Site not responding. Last check: 2007-10-22)
		With art as one of its themes, it is not surprising that Canadian art and handicrafts were selected as part of Canada's contribution to the Paris exposition of 1937.
		Modern art from various provinces, including pottery, metal work, bookbinding, weaving, quilts, rugs, and paintings, were selected to demonstrate Canada's emerging art scene.
		The Canadian textile industry, with its slogan "Cotton by the Mile," was featured in Canada's exhibits at the 1951 exposition in Lille.
	www.culture.ca /topic-theme-e.jsp?data=200502/shp412000022005e.html (198 words)

	FLAIR - GALLERY
		The stylised forms of Art Deco were already broken with in the 1937 Paris exhibition, Exposition Internationale des Arts et Techniques dans la vie Moderne in Paris.
		The geometrical designs of the Art Deco style were replaced with a deliberate opulence, in which wit and whimsy reflected the need of a people to laugh and indulge themselves.
		New jewellery techniques emerged, improved by the mechanical demands of the war.
	www.expressindia.com /ie/daily/20001107/st12.htm (476 words)

	Exposition Internationale des Arts et Techniques... - Wikipedia, the free encyclopedia
		Please search for Exposition Internationale des Arts et Techniques...
		Search for "Exposition Internationale des Arts et Techniques...
		Look for Exposition Internationale des Arts et Techniques...
	en.wikipedia.org /wiki/Exposition_Internationale_des_Arts_et_Techniques... (179 words)

	Happy Dogs Clup, The biggest dog resource center,breeds,cloths (Site not responding. Last check: 2007-10-22)
		It is the traditional symbol throughout northern Europe of the end of winter and of the reawakening of nature and the focus of community events.
		At the doors of the German Pavilion at the 1937 Paris Exhibition were two sets of seven meter high statues that symbolized family and community.
		On September 19, 1933, Hitler told the mayor of Berlin that his city was "unsystematic", but it was not until January 30, 1937, that Speer was officially put in charge of plans for the reshaping of Berlin, although he had been working on them unofficially in 1936.
	www.happydogsclub.com /sdmc_Nazi_architecture (8321 words)

	Exposition Internationale des Arts et Techniques dans la vie Moderne 1937
		To the left is the German Pavillion - The largest Pavillion at the Exposition.
		Across the Seine is the Belgium Pavillion in front of the North leg of the Eiffel Tower.
		Statistics for Exposition International Des Arts et des Techniques dans la Vie Modern 1937
	www.photoart.plus.com /expos/paris371.htm (305 words)

	The streamline style
		Streamline Moderne, sometimes referred to by either name alone, was a late branch of the Art Deco style.
		This style dangled the promise before consumers, racked by the economic crisis, that they were still on the way to a glorious future with prosperity for everybody, at least if they continued to consume.
		The Brooklyn Museum of Art presents a reprint of the catalogue to its benchmark 1986 exhibit The Machine Age in America: 1918-1941 by scholars Richard Guy Wilson, Dianne H. Pilgrim and Dickran Tashjian.
	www.jahsonic.com /Streamline.html (989 words)

	Expolinks: 1920 to 1939 (Site not responding. Last check: 2007-10-22)
		Empire of the Republic: the Exposition Coloniale Internationale de Paris, 1931
		Exposition Internationale des Arts et Techniques dans la vie Moderne 1937 (Paris, 1937)
		Welcome to a tribute to the Golden Gate International Exposition held on Treasure Island in San Francisco Bay in 1939 and 1940.
	expolinks.expoarchive.com /1920-1939.php (660 words)

	artnet.com: Resource Library: Neidhardt, Juraj (Site not responding. Last check: 2007-10-22)
		He also won second prize in a competition for the Yugoslav Pavilion at the Exposition Internationale des Arts et Techniques dans la Vie Moderne, Paris (1937).
		In 1937 he returned to Zagreb, where he designed and built the Theological School for the Zagreb Diocese.
		His buildings and major urban schemes were all concerned with the synthesis of traditional building elements and modern technological and artistic developments, with a strong emphasis on the integration of architecture with landscape.
	www.artnet.com /library/06/0616/T061607.asp (341 words)

	artnet.com: Research Library Van den Broek & Bakema (Site not responding. Last check: 2007-10-22)
		They were among the leading Dutch modernists of the 1950s and 1960s: through their membership of CIAM and Team Ten they were at the forefront of contemporary architectural debate, and their work reflected trends in European architecture in the first two decades after World War II.
		Van den Broek studied at the Technische Hogeschool, Delft (1919–24), and worked in private practice in Rotterdam from 1927 to 1937, building several housing schemes and achieving a reputation as a practitioner of the International Style with his Netherlands Pavilion at the Exposition Internationale des Arts et Techniques dans la Vie Moderne (1937), Paris.
		From 1937 to 1948 he worked in partnership with J. Brinkman (see BRINKMAN, (2)), who was an important and elegant exponent of the Modern Movement.
	www.artnet.de /library/08/0878/T087810.asp (365 words)

	1937 - new and used books
		An account of the arrangements and procedure in Westminster Hall, Friday 7 May 1937 on the occasion of the luncheon of the Empire Parliamentary Association...
		Livre D'Or Officiel de l'Exposition Internationale des Arts et Techniques dans la Vie Moderne.
		Coronation 1937) - Coronation of King George VI May 1937: Programme of Celebrations,Birmingham.
	www.isbn.pl /A-1937 (817 words)

	artnet.com: Resource Library: Amaral, Keil do (Site not responding. Last check: 2007-10-22)
		He studied with Carlos Ramos in the early 1930s and his first significant work was a Modernist pavilion (1937; destr.) for the Exposition Internationale des Arts et Techniques dans la Vie Moderne, Paris (1937), a commission he won in competition against Raul Lino.
		The latter are intimate, modernist and successfully integrated projects, for example restaurants in the Campo Grande park (1948; destr.), in the Florestal de Monsanto park (1940; altered) and in the Eduardo VII park (altered).
		He was the main instigator of the survey of vernacular architecture in Portugal (1956–61), carried out collectively by the professional association of architects.
	www.artnet.com /library/00/0022/T002236.asp (311 words)

	"Paris 1937 Exposition Internationale - Art et Techniques Dans La Vie Moderne" (Site not responding. Last check: 2007-10-22)
		"Paris 1937 Exposition Internationale - Art et Techniques Dans La Vie Moderne"
		[ the Danish Pavilion at "L'Exposition Internationale de Paris 1937" ]
		Travel brochure for "Paris 1937 Exposition Internationale - Art et Techniques Dans La Vie Moderne." Signed "Villemot Bouissoud," printed by "Reboul and Fils, paris."
	www.travelbrochuregraphics.com /France_Pages/France_2/Paris1937-1.htm (133 words)

	Exposition Internationale de Arts et Techniques dans... - Wikipedia, the free encyclopedia (Site not responding. Last check: 2007-10-22)
		Please search for Exposition Internationale de Arts et Techniques dans...
		Search for Exposition Internationale de Arts et Techniques dans...
		Look for Exposition Internationale de Arts et Techniques dans...
	en.wikilib.org /wiki/Exposition_Internationale_de_Arts_et_Techniques_dans... (201 words)

	NGA - Photo Archives: Photographs of International Expositions
		Spectacular architecture, displays of technological innovations, both scientific and mechanical, and exhibitions of fine art are documented by these historic images.
		1937, Paris, Exposition Internationale des Arts et Techniques dans la Vie Moderne (Expo 1937)
		Send comments and questions specifically related to the Photographic Archives collection of exposition photographs.
	www.nga.gov /resources/expositions.htm (165 words)

	The Paris Exhibitions - Exposition Universelle de Paris (Site not responding. Last check: 2007-10-22)
		The Paris Exhibitions - Exposition Universelle de Paris
		Paris - Exposition Internationale des Arts et Techniques dans la vie Moderne 1937
		Some illustrations for 1867, 1878, 1889, 1900, 1925 and 1937 are available Click links or Image Map above.
	www.photoart.plus.com /expos (133 words)

	A Century Exhibited: 1930s
		Exposition Internationale des Arts et Techniques dans la vie moderne, Paris: 1937
		Industries et metiers d'art en Belgique Kunst-Ambachten en Nijverheid in Belgie 1937 Belgie, 1937: Main Library K14-x.33
		Catalogue of European and American paintings 1500 - 1900: masterpieces of art: New York World's Fair, May to October, 1940 New York, 1940: Sp Coll Whistler EC1940.2
	special.lib.gla.ac.uk /teach/century/propaganda.html (174 words)

	Latin America at the World's Fair
		1930 Exposition Internationale Coloniale, Maritime et D'Art Flammand Antwerp, Belgium
		1937 Exposition Internationale des Arts et Techniques dans la Vie Moderne Paris, France
		Special thanks to the following libraries for lending materials used in this project: The Library of the University of Texas at Austin, the University of Maryland Libraries, the Skillman Library of Lafayette College and the Libraries of the Smithsonian Institution.
	ww2.lafayette.edu /~shuppr/wfair/wfair.htm (358 words)

	Poster B. Bocianowski, Wall Decorations & Art at Poland by Mail
		Awards: 1937 -Grand Prize, Posters -L'Exposition Internationale des Arts et Techniques dans la Vie Moderne, Paris, FRStyle: lively interpretations; creative hand lettering.
		Click Here to be the first person to review this item
		If you need help with an order, please contact Customer Service.
	www.polandbymail.com /get_item_pla126_poster-b-bocianowski.htm (186 words)

	LRP Research and Analysis: Entertainment: World's Fairs
		To access a partial list of articles and television programs including commentary from Laguna Research Partners, please click here.
		Donald G. Larson Collection On International expositions And Fairs, 1851-1940
		International Expositions Bureau / Bureau International des Expositions
	www.lrponline.net /research/entertainment/worldsfairs.htm (255 words)

	Welcome to the decorative arts society web site
		Michael Barker, International Exhibitions at Paris culminating with the Exposition Internationale des Arts et Techniques dans la vie moderne Paris 1937
		Donato Esposito, From ancient Egypt to Victorian London: the impact of ancient Egyptian furniture on British art and design 1850-1900
		Nicola Gordon Bowe, A Costwold-inspired venture towards Modernism in Ireland: Edward Richards Orpen (1884-1967) and the Grange Furniture Industry 1927-1932
	www.decorativeartssociety.org.uk /journal27.html (123 words)

Try your search on: Qwika (all wikis)