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Topic: Extended chord

	Extended chord - Wikipedia, the free encyclopedia
		Thus, seventh, ninth, eleventh and thirteenth chords are extended chords.
		In practice however, extended chords do not typically use all the chord members; when it is not altered, the fifth is often omitted, as are notes between the seventh and the highest note (i.e., the ninth is often omitted in an eleventh chord; the ninth and eleventh are usually omitted in a thirteenth chord).
		Chords extended beyond the seventh are rarely seen in the Baroque era, and are uncommon in the Classical era.
	en.wikipedia.org /wiki/Extended_chord (467 words)

	Chord (music) - Wikipedia, the free encyclopedia
		Chords are also distinguished and notated by the scale degree of their root note or bass note.
		In the key of C major, where the dominant (V) chord is G major, this secondary dominant is the chord on the fifth degree of the G major scale, i.e.
		All pop-music chords are assumed to be in root position, with the root of the chord in the bass.
	en.wikipedia.org /wiki/Chord_(music) (3667 words)

	chordalteration
		A triad can be extended to its 7th, 9th, 11th, and 13th (which together contain all the notes of the scale from which the chord pitches are chosen.) Alterations of chord pitches thus imply new, altered scales by which the tension of the music is increased.
		A chord which functions as a tonic represents closure and is typically built on the 1st degree of the scale.
		Traveling, dominant, and tonic chords are placed in appropriate parts of the phrase to regulate the direction of the music and the relationships between tension and relaxation.
	hum.lss.wisc.edu /jazz/chordalterations.html (720 words)

	Power Chords-Today (Site not responding. Last check: 2007-10-31)
		Extended forms build on the basic triad by adding an assortment of 7th, 9th, 11th, and 13th tones.
		Extended chord forms are often altered to create a tension and to provide smooth voice leading in chord progressions.
		As Power Chords and Alternative chords can modify each common chord tone, it is a good idea to be able to identify each component of the chords that you currently utilize.
	www.power-chords.com /PC-Set6.html (225 words)

	Simplified chords.
		Extended chord types have a fourth note and double extended chord types a fifth.
		In the chord "F#m", "F#" indicates the root note of the chord and "m" the chord type.
		So the chords we are dealing with include 12 rootnotes (for each fl and white key in an octave) and 4 chord types.
	www.1manband.nl /notereading/chords.htm (612 words)

	Guitar Masters - Chord Tutorial (Site not responding. Last check: 2007-10-31)
		The chords are presented in the form of diagrams.
		Example: C major chord = C, E, G common structure, G, E, C, would be an open voiced variation.) An interesting aspect of these structures is the ability to modify the chord by moving one tone at a time.
		This is primarily done with the 3rd (E in a C chord) and/or root (name: C in a C chord).
	guitar-masters.com /Chords/Chords-Tutorial.html (640 words)

	Tonality and Harmony: Chord Types (Site not responding. Last check: 2007-10-31)
		An extended tertian chord, however, is often built on scale degree 5 to function as a dominant; 9th and 11th chords may be built on scale degree 2 and serve as a subdominant chord.
		Pre-Dominant Chords: are chords that precede the dominant (or sometimes the tonic six-four and then the dominant) in a cadence.
		Borrowed chords are also referred to as "mode mixture." 19th-century composers often used borrowed chords to expand harmonic color and to modulate to distantly related keys, especially the chromatically 3rd related keys.
	www.music.indiana.edu /som/theory/t511/chords.html (756 words)

	Guitar Chord Theory (Site not responding. Last check: 2007-10-31)
		They are: true extended chords and altered extended chords.
		is not generally considered an extended chord (although it is an altered chord tone).
		This is often very effective because the root and the fifth tones are heard in the natural "overtone" series or are being played by a bass.
	guitar-masters.com /Theory/Chords-03.html (186 words)

	What comprises a 13th chord - The Steel Guitar Forum
		That's right - a 13th chord is a 6th chord with a dominant 7th - just as an 11th chord is a sus4th chord with a dominant 7th - and to get note-picky, a 9th chord is a "2nd" chord with a dominant 7th.
		Two: How is a 13th chord played or suggested when one is playing on an instrument that has limitations of some sort that would make it impossible to play, i.e what can be left out (5th, 9th 11th) in a playing situation and still suggest the flavor of the 13th chord.
		The true spelling of a chord is what it is..the tonal characteristics are what you hear and you may prefer to ommit a note or two and just play part of the chord so it actually sounds good and fits within the music you are playing.
	steelguitarforum.com /Forum10/HTML/005129.html (4231 words)

	Extended Guitar Chords (part two)
		Extended chords add the 7th, 9th, 11th and 13th notes from the dominant scale to the base chords.
		Some purists will insist on calling a 7th chord a "flatted 7th", and a 6th as a "double-flatted 7th", but this (fortunately) is not in common use.
		Because 9th, 11th and 13th chords (more details later!) all imply the 7th note, the 7th is often written anyway for clarity, to separate the root note from one or more flattened or sharpened extensions.
	users.chariot.net.au /~gmarts/chords2.htm (756 words)

	Extended Chords by Tom Serb
		Extended chords are the 9 th, 11 th, and 13 th chords.
		Extended chords are most often in the dominant form, so that's what I'll cover in this article - just lower the 3 rd for a minor form, and raise the 7 th for a major form when you need them.
		Subtracting a note from a chord might be a new idea to you, but it's useful, and sometimes essential, in forming extended chords - the formula for a 13 th chord is 1-3-5-b7-9-11-13, which is seven notes...
	www.guitarnoise.com /print_article.php?id=489 (905 words)

	Other Chord Family Members (Site not responding. Last check: 2007-10-31)
		The chord quality of the last two are the same - they both contain the seventh, and so are both dominant seventh chords, the difference being that the suspended one should really resolve - classically on to the A7 chord itself.
		If the writer were to use standard root position extended chord symbols, the full chord would be attempted to be played, and this might be too rich, or otherwise unsuitable, for the setting.
		As with slash chords, the idea is to create these complex sounds with the minimum of fuss - and they are instantly identifiable, and leave nothing to the imagination as far as building the chords is concerned.
	members.aol.com /gsrjls/lesson6.html (2279 words)

	Extended guitar chords
		These chords have an extra note, namely the seventh note of the scale, added to the (1), (3) and (5).
		These chords have a new quality, an unresolved quality that seems to demand changing to a new chord, and indeed are used to lead to a new chord.
		The (3) of the chord is actually replaced by a (4), which you will remember is only one fret away, so these chords aren't really "extended" so much as "altered".
	www.guitarforbeginners.com /extchords.html (429 words)

	Guitar Lessons: Chords: Chord Construction Using the Major Scale
		Notice that this chord does indeed fit the C Major scale, therefore this is the chord that will occur when you harmonize the scale in diatonic sevenths.
		As in the last lesson, take the chord spelling, and (this is very important) while working with the MAJOR scale built on the root note, modify the notes as indicated on the chart.
		In these cases, it is permissible to remove notes, withthe 9th and the 5th being the notes most often removed from the 11th chord, and the 11th and the 9th being removed from the 13th chord.
	www.guitarists.net /lessons/view.php?id=47 (1145 words)

	PIANO LESSON 18 JAZZ CHORDS (Site not responding. Last check: 2007-10-31)
		A major 7th chord is formed by adding the 7th note of the scale to the basic triad of the chord.
		Extended chords are great to use in chord substitution and this is the chief activity of jazz accompanists as they are always searching for extended chords to fill in underneath the melodic line.
		Minor 7th chords are formed by taking the 7th note of the minor scale and adding it to the basic triad of a minor chord.
	users.wireweb.net /green/pianolesson18.htm (1304 words)

	Sunshine State Acoustic Music Camp: Lessons (Site not responding. Last check: 2007-10-31)
		A C major chord includes C, E, and G. A minor chord consists of the 1, 3b, and 5 notes of a scale.
		A C minor chord includes C, Eb, and G. An augmented chord consists of the 1, 3, and 5# notes of a scale.
		Extended chords (the 6ths, 9ths, and so on) are frequently substituted for the standard chords).
	www.cgmusicman.com /camp/lesson.htm (1016 words)

	Chords galore. Catalog Page 1
		Extended chords are chords which are bigger than a triad (a 3-note chord).
		-- everything from diminished chords to chords with sharp 9ths and flat 7ths, plus 11th and 13th chords -- and then on the video Duaneshows you how to voice the chords in various ways ("voice" means to position them on the keyboard for certain sounds) and combine certain chords for polytonality.
		Each of these chord styles is also reproduced in printed form in the booklet, so the learner can see as well as hear how to apply these chords to various songs.
	www.playpiano.com /catalog/pianomusicchords01.htm (2468 words)

	Chord Construction
		The most common Extended chord is the Dominant Seventh (7).
		The chord spelling for this chord type is root, perfect fourth, perfect fifth.
		Notice that in the 13th chord, the 11th is an optional interval.
	www.learning-guitar.info /articles/Chord-Construction--.html (825 words)

	Extending Chords
		A Basic Chord consist of three tones, An extended chord is the Basic Chord plus one additional tone from the same key.
		This may sound confusing so lets clear that up, Lets work with a chord that Uses all six strings and one that is in the Key of C. We use the Key of C exclusively in our lessons because it doesn't use any Flats or Sharps.
		A basic chord uses three tones, which leaves you four tones that you are not using for the any of the basic chords.
	www.guitarweek.com /lessons/extending.php (347 words)

	Now are there any questions? (Site not responding. Last check: 2007-10-31)
		The lyrics are in the same place as the tabs or chords or whatever.
		It may signify a chord of the type I call "extended power chord", which is a normal power chord with a seventh added by fretting the G string with the middle finger, like so:
		But if you call it a G chord you run into problems because there is a G chord already, 320001.
	www.crummy.com /music/notation.shtml (393 words)

	Chord Wizard
		This Chord Wizard provides tools for playing various chords on the mountain dulcimer.
		Two sections are provided: the first section, Fret Choice, allows you to input a known chord while the second section, Chord Finder, allows you to enter 1 to 4 notes of an unknown chord.
		Select the chord you want to play by first selecting the root note then select a chord type in one of the chord groupings.
	www.strothers.com /chords.htm (245 words)

	[No title]
		When you start talking about extended chords, guitarists run out of strings and fingers pretty fast so we have to rely on the ear to round things out.
		It could be thought that the generator of this chord is E making it an E7b9 but the problem is that the bass note is probably an F. Unless it is designated as an E7b9 in which the bass note is an E which progresses to an Amin7 in the cycle.
		It is not so much the alteration of a given chord, but the alteration of the harmonic progression by inserting additional chords.
	www.justjazz.com /discussion-digest/digest-sep-96/digest-01-25.txt (3162 words)

	AERADE
		Furthermore, if they were considered as functions of the device deflection angle and the ratio of the device chord to the extended aerofoil or wing chord, they formed a consistent family with the increments of corresponding devices that do not extend the chord.
		To allow for the effects of chord extension, the flap chord ratio and lift coefficients are based on an aerofoil extended chord.
		Some allowance for the effects of chord extension was made by using flap chord ratio and lift coefficients based on aerofoil extended chord but further adjustments were required to adapt to the considerable departure for slotted flaps from the model, possibly involving large chord extensions.
	aerade.cranfield.ac.uk /subject-listing/esdu/ES66.html (2371 words)

	cyberfret.com: Classic Internet Guitar Lessons
		For a C Major Seventh, you will end up with: C-E-G-B Notice that this chord does indeed fit the C Major scale, therefore this is the chord that will occur when you harmonize the scale in diatonic sevenths.
		For example: Chord Chord Name Spelling ^ ^ D Sus4 (D suspended fourth) : 1, 4, 5 So, take the D Major Scale : D E F# G A B C# D The chord spelling for this chord type is root, perfect fourth, perfect fifth.
		In these cases, it is permissible to remove notes, with the 9th and the 5th being the notes most often removed from the 11th chord, and the 11th and the 9th being removed from the 13th chord.
	www.cyberfret.com /classic/more_chd_con_using_maj_scl.htm (1129 words)

	Scot Ranney's LearnJazzPiano.com archive: Lydian concept paper online
		This Chord has an ambivalent tonality and differs from the dim6 in that the 5th is perfect rather than diminished.
		Somewhere he implies that the only time that a dim3 is used in a chord is in the instance of the diminished 7 which he wishes to abolish.
		Somewhere he implies that the only time that a diminished interval (unrelated to a 5th) is used in a chord is in the instance of the diminished 7 chord which he wishes to abolish.
	www.learnjazzpiano.com /citadel/archive/threads/9177.html (2055 words)

	Untitled Page (Site not responding. Last check: 2007-10-31)
		The intensity builds up to the second-to-last chord, and this is followed by a pleasing resolution down to the last chord, which the orchestra then holds out for measure after measure, until the conductor finally cuts it off with a final movement of his arms.
		During the final chord that the orchestra holds, you are aware of the chord as being held through time; second after second passes, but at every moment you still hear it as part one single, extended chord.
		The pleasure that we feel in response to the melody or the chord progression is a behavioral response to a change, a temporally-extended event; we do not simply react to the V chord or to the I chord, but also to the duration between them.
	www.princeton.edu /~msamberg/time.html (9676 words)

	WOMANROCK.com \| music resources \| practical theory: lesson 8, chord extensions
		You may have noticed that a 9th is the same note as a 2nd, the 11th, as the 4th and the 13th the same as a 6th.
		To review, these are chords where you substitute a 2nd or a 4th for the 3rd of the basic triad, thereby changing the entire QUALITY (major, minor, diminished, augmented or suspended) of the triad.
		The dominant 7th is the most commonly extended chord, in fact, if you see an extended chord the 7th underneath the extension is assumed to be a flatted (dominant) 7th, unless otherwise indicated.
	www.womanrock.com /music_resources/practical_theory_1003.html (839 words)

	Deluxe Encyclopedia of Mandolin Chords - by John Baxter (Site not responding. Last check: 2007-10-31)
		This encyclopedia of mandolin chords was originally published in 1997 by John Baxter of the Mandozine web site.
		Also included are some handy practice tips, scales for every key and starter chord sets for bluegrass and jazz.
		For those mandolinists who think there isn't possibly a thing they could learn from a chord book I suggest you try using John's extended chord patterns for drawing up chord solos.
	www.mandolincafe.com /archives/chordbook.html (142 words)

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