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 | | The mobility of the face is very important for the dancer to bring out the right emotions through the expressions. |
 | | For example, to depict the term 'beauty' in Bharatanatyam, by combining a smiling expression on the face and the hand gesture, 'alapadma' one immediately communicates with the audience, whereas in Kathakali, it may be a long drawn out process. |
 | | Love while sporting with the daughter of Goddess earth, heroism while breaking the bow, humour on seeing the face of Shoorpanaka, fear of sins, disgust for another lady's face, compassion in the kakasura episode, wonder while placing the mountain on the ocean, anger while killing Raavana, tranquility towards sages. |
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