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| | Review of Body Play |
 | | The frontispiece of this book shows a full-front fl-and-white portrait of the young adult Fakir Musafar in Buddy Holly glasses, dark pressed slacks, and a dark tie over a starched white French cuff shirt, his right arm raised to hold a cigarette near his mouth, his left elbow resting on a candle-shaped lamp. |
 | | Moshe Feldenkrais, Ida Rolf, Joseph Heller, and their colleagues and disciples used "body awareness" as a biofeedback mechanism and a teaching tool; kinesiology and dance therapy are based on it, as, in a different way, are all the distinctly American forms of modern dance, from Martha Graham and her descendants to Keith Hennessy's contact improvisation. |
 | | Like the best of these psychologists and movement artists, Fakir has had an original vision, the ability to execute that vision in forms that communicate with other people, and the grace to move beyond the limits of his own history, reputation, triumphs, and fears. |
| www.sexuality.org /l/wh/whfakir.html (657 words) |
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