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| | Film Fest Journal: Building Heaven, Remembering Earth: Confessions of a Fallen Architect, 1999 |
 | | Oliver Hockenhull's voluptuous, textural, and thematically (and experientially) dense essay film is an intricately constructed, stream-of-consciousness meditation on architecture, memory, immortality, and transcendence. |
 | | From the film's introductory anecdote on the first book of architecture, a ten-volume documentation of buildings, machines, and timepieces, Hockenhull presents an implicit interconnection between architecture and time, both serving as materialized representations of projection, shadows, and geometric space. |
 | | It is this complex interconnection of functionality and meaning that is inevitably embodied by the egg-shaped stone that punctuates the film, an eternal, indefinable object that curiously encapsulates the genesis, mortality, human imprint, and metaphysical enigma of a greater, and unfathomably more complex, immortal design. |
| filmref.com /journal/archives/2005/03/building_heaven_remembering_ea.html (773 words) |
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