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| | :: rogerebert.com :: Great Movies :: Fanny and Alexander (xhtml) (Site not responding. Last check: 2007-10-12) |
 | | Ingmar Bergman's "Fanny and Alexander" (1982) was intended to be his last film, and in it, he tends to the business of being young, of being middle-aged, of being old, of being a man, woman, Christian, Jew, sane, crazy, rich, poor, religious, profane. |
 | | Now Fanny and Alexander are taken to a new world, the bishop's house, which he inhabits with his mother, his sister and his aunt, and which is whitewashed and barren, with only a few necessary pieces of furniture, locks on every door, bars on the windows. |
 | | In another sense, the events in "Fanny and Alexander" may be seen through the prism of the children's memories, so that half-understood and half-forgotten events have been reconstructed into a new fable that explains their lives. |
| rogerebert.suntimes.com /apps/pbcs.dll/article?AID=/20041205/REVIEWS08/412050302 (1382 words) |
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