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| | Christopher Palmer- Galactic Empires and the Contemporary Extravaganza: Dan Simmons and Iain M. Banks |
 | | In addition, Feersum Endjinn is one of those novels, like Banks’s The Bridge, where vast constructions fill the world and it is hard not to read the constructions, with their multiple depths, as allegories of the psyche. |
 | | Technology, disdained in the archaic, stalled society of the Fastness (which uses high-tech but never develops it), is the basis of the counterlife in the Crypt, with its alternate spaces, times, and ways of being a self (the parallel personality constructs). |
 | | Relevant here, but too complex to discuss in detail, is the proliferation of waifs and street kids, usually female, in recent sf: sometimes an agent, sometimes swept along in her adventures, but usually unaffected by the kind of trauma that shapes the main characters in the novels under discussion. |
| www.depauw.edu /sfs/backissues/77/palmer77.htm (8580 words) |
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