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	Felix Salzer - Wikipedia, the free encyclopedia
		He was one of the principal followers of Heinrich Schenker, and did much to refine and explain Schenkerian analysis after Schenker's death.
		In 1939 Salzer emigrated to the United States, and became a citizen in 1945.
		Salzer's works include Structural Hearing (1952 and 1962), Counterpoint in Composition: The Study of Voice Leading (with Carl Schachter, 1969), and the periodical The Music Forum (initiated 1967).
	en.wikipedia.org /wiki/Felix_Salzer (255 words)

	SchenkerPilot: Salzer, Felix
		Born in Vienna into the Wittgenstein family (his mother, Helene Salzer, was the sister of the philosopher Ludwig Wittgenstein and the pianist Paul Wittgenstein), Salzer began his studies with Schenker in 1931.
		Salzer also studied musicology with Guido Adler at Vienna University, writing a dissertation “Die Sonatenform bei Franz Schubert,”; and receiving a doctorate in 1926.
		Salzer’s major publications include Sinn und Wesen der abendländischen Mehrstimmigkeit (Vienna: Saturn-Verlag, 1935), Structural Hearing: Tonal Coherence in Music (New York: Boni, 1952; reprinted New York: Dover, 1962 and 1982), and Counterpoint in Composition: The Study of Voice Leading, with Carl Schachter (New York: McGraw-Hill, 1969; reprinted New York: Columbia University Press, 1989).
	www.columbia.edu /~idb1/schenker/001851.html (506 words)

	Schenker Analysis for Pantonal Composition
		Salzer's "Harmony" may be limited and historically based, but harmony does exist naturally in music.
		Salzer's harmonic spectrum has at its core a small cluster of tone-relationships, the beatless Octave, relatively pure Fifth and Fourth, rich and buzzy Third/Sixth, while the rest fall in the class of the so-called "dissonances" of various sorts.
		There is a reason for use of graphic display, as Salzer notes: There are relationships which the ear hears well, but the eye understands quite differently, and in some ways more coherently.
	community.middlebury.edu /~harris/MusicPapers/Schenker.html (2215 words)

	Tonal Counterpoint
		Felix Salzer and Carl Schachter, Counterpoint in Composition (New York: Columbia University Press, 1989).
		It is worth looking at, but you will get the same information from other texts such as Salzer and Schachter in a more straight-forward way.
		Salzer, Felix and Carl Schachter, Counterpoint in Composition.
	employees.csbsju.edu /bcampbell/ctpt2004.htm (1685 words)

	Channan Willner: Biography
		I studied privately with a splendid American teacher, the composer Irvin ("Buzz") Brusletten, who was on the faculty of the Villa Schifanoia Graduate School of the Arts.
		It was Buzz who introduced me to the wonders of Schenkerian analysis, through Allan Forte's Tonal Harmony in Concept and Practice and through Felix Salzer and Carl Schachter's Counterpoint in Composition, which had just come out (1969).
		Wanting to study Schenker at the college and conservatory level, I returned to the United States in 1972 to pursue a B.S. in theory at the Mannes College of Music in New York.
	www.channanwillner.com /bio.htm (1013 words)

	William Harris: On Analysis
		I have always been interested by Schenker analysis of music, after a protreptic from Larry Read on Salzer's development and interpretation of Schenker ideas, I plunged into this area again and burned some midnight oil with a stack of formidable reading.
		A quick look at Schenker's Five Graphic Music Analyses with introduction by Felix Salzer (Dover reprint 1969 from the 1933 edition from the Mannes College of Music) shows a brilliant visual way of approaching music.
		Music can be taken apart this way, but probably not put together thus, as Salzer openly admits.
	kalvos.org /harress2.html (1993 words)

	Lucia Dlugoszewski - Biography - AOL Music
		American composer Lucia Dlugoszewski enjoyed a long career as a non-traditional composer of music for the dance, "underground" films and for theater productions utilizing instruments of her own make, or finding unique and new ways to compose for established instruments.
		Born in Detroit in 1934 (some biographies place the date at 1931), Dlugoszewski attended Wayne State University with the intention of entering into pre-med school, but instead settled in New York in 1953, studying analysis with Felix Salzer, piano with Grete Sultan and composition with Edgar Varèse.
		Even before her departure to New York, Dlugoszewski was composing in an experimental idiom in such works as the early 50 Transparencies for everyday sounds (1951).
	music.aol.com /artist/lucia-dlugoszewski/2987/biography (458 words)

	Moot Thoughts & Musings: Schenker, Analysis, and Early Music
		Stating that there was no conception of harmonic thinking in medieval music, which is no surprise to us, Salzer asserts the thesis that it is a contrapuntal tonality that is present.
		Many graphs by Felix Salzer, and some by Carl Schachter, support this agenda of Schenkerianism in mid-20th century American early music analysis.
		Cristle Judd in her book Reading Renaissance Music Theory traces analyses from the 1960’s and 70’s of a Josquin motet Magnus es tu domine/Tu pauperum refugium by Salzer/Schachter, Wallace Berry, and Charles Joseph, all neo-Schenkerian to some degree or other, and places them in line with the “emerging tonality” thesis.
	covblogs.com /diber/archives/001934.html (1316 words)

	THE BEETHOVEN A MAJOR SONATA: A CLOSER LOOK -- PART II
		Twelve to fifteen years later, between 1904 and 1907, Steger's holdings were dispersed, and the Wittgenstein family bought the autograph.
		Later still it came into the possession of Felix Salzer, Lockwood's teacher and one of the founding editors of The Music Forum.
		After Salzer assumed the joint editorship, a decision was made that the journal would be a suitable venue for publishing a study of the autograph along with a facsimile.
	www.cello.org /Newsletter/Articles/beetham/beetham2.htm (2185 words)

	Amazon.ca: Structural Hearing : Tonal Coherence in Music: Books: Felix Salzer (Site not responding. Last check: 2007-10-10)
		This is probably the first and most famous book that approaches the monumental work of Schenker in a fundamentally systematic and pedagogical fashion.
		It must be noted, however, that there are parts of the book where he approaches Stravinsky, Bartok, Hindemith, and others, with tonic-dominant relationships in mind; some of Salzer's propositions regarding this music are preposterous.
		It's still an excellent introduction to the Shenkerian world, with great pedagogical value- it's simply important to keep things in proper context when reading this book.
	www.amazon.ca /Structural-Hearing-Tonal-Coherence-Music/dp/0486222756 (873 words)

	t551 Course Page
		Understand the difference between what Felix Salzer has called chord grammar (what a chord 's name is) and chord significance (what a chord does, that is, how it functions).
		Taking a decidely Salzerian point of view (Salzer was a student of Heinrich Schenker), it provides many good and clear examples of how tonal passages are activated contrapuntally.
		Melody in tonal music has been considered by some to be the “surface of harmony,” meaning that it is strictly governed by harmony.
	www.music.indiana.edu /som/courses/t551/t551.htm (4270 words)

	Felix Morley ESSAYS ON INDIVIDUALITY
		Felix Salzer - Counterpoint in Composition: the Study of Voice Leading
		Felix R Paturi - Harenberg Schluesseldaten Astronomie von den Sonnenuhren der Babylonier bis zu den Raumsonden im 21 Jahrhundert
		Felix Stern - Penthesileas Toechter was will der Feminismus
	www.searchbooktitle.com /78284_felix-morley.html (269 words)

	Undergraduate Composition - Assignments - Fall 2005
		97-254 of Structural Hearing by Felix Salzer (discussions of structure, prolongation, and form), on reserve in the AMC.
		The letters pmnsdt correspond in size, in semitones, to each of the possible intervals (reduced to their smallest distance): 543216.
		This is the introductory reading for his discussions of structure, prolongation, and form in later pages.
	music.arts.uci.edu /dobrian/Music150assignments.htm (1826 words)

	Amazon.com: Counterpoint in Composition: Books: Felix Salzer,Carl Schachter (Site not responding. Last check: 2007-10-10)
		by Felix Salzer, Carl Schachter "The study of counterpoint is the study of voice leading..." (more)
		Structural Hearing: Tonal Coherence in Music (Two Volumes Bound As One) by Felix Salzer
		The Salzer counterpoint book is a must for any serious musician.
	www.amazon.com /Counterpoint-Composition-Felix-Salzer/dp/023107039X (1655 words)

	The Intellectual Activist
		Zachary Johnson is a freelance composer and musicologist living in the New York City area.
		He received undergraduate degrees in music theory and composition with high honors from the University of Michigan, and a masters degree in music theory from the Mannes College of Music, where he attended on full tuition scholarship and, upon graduation, was awarded the Felix Salzer Prize for Excellence in Music Theory.
		He worked for several years as a staff musicologist for a New York firm that licences Broadway musicals.
	www.intellectualactivist.com /php-bin/news/showArticle.php?id=995 (903 words)

	Harvard Gazette: Memorial Church appoints organist and choirmaster
		The Rev. Professor Peter J. Gomes, Plummer Professor of Christian Morals and Pusey Minister in the Memorial Church, announced Jones' appointment at the Easter morning service.
		Jones, a native of Wales, holds degrees from Cambridge University and the Mannes College of Music in New York, where he graduated with a master's degree in choral conducting and was recipient of the Felix Salzer Memorial Award.
		He has directed numerous choral, orchestral, and operatic performances from a wide range of repertoires, and is a frequent organ recitalist.
	www.news.harvard.edu /gazette/2004/04.22/09-jones.html (360 words)

	Textbooks by Felix Salzer - Direct Textbook (Site not responding. Last check: 2007-10-10)
		Author: William J. (Editor); Salzer, Felix (Editor) Mitchell
		Structural Hearing: Tonal Coherence in Music [2 volumes] by Felix Salzer
		Author: William J. Mitchell & Felix Salzer [eds.]
	www.directtextbook.com /author/felix-salzer (434 words)

	Felix Salzer Books, Book Price Comparison at 130 bookstores
		Search Felix Salzer from our rare/out-of-print book search system.
		Search Felix Salzer from UK database and other international databases.
		All such content is provided to you "as is." this content and your use of it are subject to change and/or removal at any time
	www.bookfinder4u.com /search_author/Felix_Salzer.html (522 words)

	Lamson Library » Blog Archive » Five Graphic Music Analyses (Fünf Urlinie-Tafeln) With A New Introduction ...
		Five Graphic Music Analyses (Fünf Urlinie-Tafeln) With A New Introduction And Glossary By Felix Salzer
		Contains analyses of the chorale, Ich bin’s ich sollte büssen from the St. Mathew Passion and Prelude no. 1 in C major from the Well-tempered clavier, v.
		tags: analysis, appreciation, piano music, piano music — analysis, appreciation, salzer, felix, schenker, heinrich, 1868-1935
	www.plymouth.edu /library/opac/record/1099290 (389 words)

	Classical Net - Publishers - Columbia University Press
		Counterpoint in Composition: The Study of Voice Leading, Felix Salzer, Carl Schachter.
		Music Forum, Part 1 Vol 6, Felix Salzer, Carl Schachter (Editor).
		The Music Forum, Part 1 Vol 6, Felix Salzer.
	www.classical.net /~music/books/pubs/columbia.html (486 words)

	Saxophone Music of M. Zachary Johnson - New, Melodic, Tonal, Romantic, Serious Art Music
		According to About.com classical guide Aaron Green, "If this is the direction classical music is heading, well, I'd say the future will be full of wonderful music."
		Johnson received undergraduate degrees in music theory and composition from the University of Michigan and a masters degree in music theory from the Mannes College of Music in New York, where he was awarded the Felix Salzer Prize for Excellence in Music Theory.
		He received additional training at the University of Salzburg and at the Schola Cantorum in Paris.
	www.mzacharyjohnson.com /bio (188 words)

	Counterpoint in Composition by Felix Salzer, Carl Schachter (Site not responding. Last check: 2007-10-10)
		Ask and It Is Given: Learning to Manifest Your Desires
		This book adresses counterpoint not as a theoretical abstraction but as a concrete musical experience.
		Write an online book review of Counterpoint in Composition by Felix Salzer, Carl Schachter
	www.book-summary-review.com /Counterpoint-in-Composition-023107039X.htm (937 words)

	About the Musicians (Site not responding. Last check: 2007-10-10)
		Vita plays baroque violin in Philomel, ARTEK, and Foundling Baroque Orchestra and Women’s Advocacy Project.
		won the Felix Salzer Award at the Mannes College of Music, where she studied with Felix Galimir.
		Ishmael, a graduate of the Curtis Institute of Music and Mannes College, studied with Richard Goode.
	www.frederickcollection.org /Orfeo.html (244 words)

	ttgapers store - USA - Structural Hearing: Tonal Coherence in Music (Two Volumes Bound As One) - Felix Salzer - Product ... (Site not responding. Last check: 2007-10-10)
		ttgapers store - USA - Structural Hearing: Tonal Coherence in Music (Two Volumes Bound As One) - Felix Salzer - Product Details :: ttgapers.com
		Salzer's work is a continuation & extrapolation on Heinrich Schenker's work on music theory.
		The only drawback is it is not fully consistent when dealing with post-Romanticism (but then Schneker's theory is not always applicable in later musical contexts, & in some cases not completely internally-consistent).
	www.ttgapers.com /module-ttStore-product-asin-0486222756-locale-us.html (938 words)

	Sonic Garden :: M. Zachary Johnson
		M. Zachary Johnson is a freelance composer living in the New York City area.
		He received undergraduate degrees in music theory and composition with high honors from the University of Michigan and a masters degree in music theory from the Mannes College of Music, where he was awarded the Felix Salzer Prize for Excellence in Music Theory.
		His music has been performed in New York, Paris, Michigan, and Tennessee.
	www.sonicgarden.com /sonic-web/artist.cfm?artistid=21803 (152 words)

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