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| | Fidelio - Ludwig van Beethoven |
 | | If Fidelio is not the finest argument that opera transcends the sum of its parts, what is? The story has a ridiculous premise: a woman, whose husband has been unjustly kidnapped by a prison commandant, disguises herself as a boy and takes a job assisting the jailer. |
 | | The two jailers, Rocco and Fidelio, enter to dig the grave, and Pizarro attempts murder only to be thwarted by Fidelio-Leonore, who reveals herself at last, and by a trumpet call signaling the arrival of the royal Minister. |
 | | The new staging is vaguely contemporary, the prisoners in white pajamas, the guards in modern uniforms, Pizarro, Rocco and Don Fernando in suits and ties, the women (Marzelline and the chorus in the final scene) in drab flowered dresses that recall the 30s, or perhaps Iron Curtain countries. |
| www.culturevulture.net /Opera/Fidelio.htm (1720 words) |
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