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	Filippo Baldinucci (Getty Museum)
		Born into a prominent Florentine family, Filippo Baldinucci received a Jesuit education and hoped to pursue a religious career.
		Best known as a writer, Baldinucci's most important publication was the fundamental Notizie de' professori del disegno da Cimabue in qua (Notes on teachers of drawing from Cimabue until now).
		Baldinucci's well-informed biographies of Italian and northern European artists comprise the first universal history of European figurative arts, expanding and increasing the accuracy of Giorgio Vasari's Lives of the Artists.
	www.getty.edu /art/gettyguide/artMakerDetails?maker=3108&page=1 (192 words)

	Reference.com/Encyclopedia/Filippo Baldinucci
		Filippo Baldinucci (1624– January 1 1696/7), was the most significant Florentine biographer/ historian of the artists and the arts of the Baroque period.
		For Cardinal Leopoldo de' Medici (1617-1675), brother of Ferdinando II de' Medici, Grand Duke of Tuscany and a scholar and patron of the arts, he began as bookkeeper in 1664 and developed, after the Cardinal's death, into virtually the curator of the Grand Ducal collections.
		From this grew his Notizie, in which he consciously intended to build upon the Vite of Giorgio Vasari; Baldinucci's was the first art history to trace the lives and work of artists not only of one region (Vasari was predjudiced towards Tuscan artists) but all Italy, and indeed beyond.
	www.reference.com /browse/wiki/Abate_Filippo_Baldinucci (731 words)

	Filippo Baldinucci - LoveToKnow 1911
		FILIPPO BALDINUCCI (1624-1696), Italian writer on the history of the arts, was born at Florence.
		Baldinucci's whole works were published in fourteen vols.
		This page was last modified 14:06, 6 Oct 2006.
	www.1911encyclopedia.org /Filippo_Baldinucci (83 words)

	Filippo Baldinucci (1625 - 1697) Artwork Images, Exhibitions, Reviews
		Baldinucci was most famous as a writer and his most notable publication was the Notes on teachers of drawing from Cimabue until now.
		Filippo Juvarra, The Garden, plate 20 of the libretto for Scene III of the opera by Filippo Amidei, Teodosio il Giovane, 1711
		Filippo Tarchiani - The Supper at Emmaus c.
	www.wwar.com /masters/b/baldinucci-filippo.html (740 words)

	Abate Filippo Baldinucci - Encyclopedia.com
		Abate Filippo Baldinucci, 1624-96, Italian art historian and philologist.
		Baldinucci was a pioneer in research techniques and among the first to emphasize the aesthetic importance of the print.
		An artistic adviser to the Medici court, he also wrote the first dictionary of art terminology.
	www.encyclopedia.com /doc/1E1-Baldinuc.html (285 words)

	AllRefer.com - Abate Filippo Baldinucci (European Art, 1600 To The Present, Biography) - Encyclopedia
		Abate Filippo Baldinucci, European Art, 1600 To The Present, Biographies
		Abate Filippo Baldinucci[AbA´tA fElip´pO bAldEnOOt´chE] Pronunciation Key, 1624–96, Italian art historian and philologist.
		Baldinucci was a pioneer in research techniques and among the first to emphasize the aesthetic importance of the print.
	reference.allrefer.com /encyclopedia/B/Baldinuc.html (208 words)

	Bob Jones University Museum&Gallery
		As David Steel has aptly described it, the detailed rendering of the textures, the delicate handling of light crowned with the use of gold leaf in the halos, and the permeating sentimentality places this painting among the artist's very best devotional works.
		Baldinucci writes that when Giordano visited Dolci's studio in 1682 he unwittingly intimated that Dolci painted much too slowly to be financially successful.
		According to Baldinucci, Dolci "was assailed by a host of sad thoughts," which seemingly led to deep depression and death.
	www.bjumg.org /collections/old_masters/it_baroque/dolci.htm (398 words)

	Filippo Baldinucci (1625 - 1697) Artwork Images, Exhibitions, Reviews
		Baldinucci was most famous as a writer and his most notable publication was the Notes on teachers of drawing from Cimabue until now.
		Filippo Juvarra, The Garden, plate 20 of the libretto for Scene III of the opera by Filippo Amidei, Teodosio il Giovane, 1711
		Filippo Tarchiani - The Supper at Emmaus c.
	wwar.com /masters/b/baldinucci-filippo.html (740 words)

	Vol. 12, No. 3 Cover \| CDC EID
		The "ugly and plebeian face by which he was ill-favored, was accompanied by untidy and dirty clothes, since it was his custom, when working, to wipe his brushes on himself, and to do other things of a similar nature" (1), wrote Tuscan biographer Filippo Baldinucci about Rembrandt van Rijn.
		Though impatient with social conventions and lackadaisical with his own appearance, the artist became known for his impeccable rendition of character and sympathetic view of humanity in his portraits and historical paintings.
		Once, while he painted the portrait of a couple with their children, he included in the work the corpse of his monkey, which had just died, to memorialize the pet.
	www.cdc.gov /Ncidod/eid/vol12no03/about_cover.htm (1309 words)

	[No title]
		Filippo Baldinucci was the curator of the Medici ducal collection.
		As a result, Baldinucci now provides fourteen definitions of style using eighty different terms (Sohm actually counts the number of terms used).
		Baldinucci welcomed this seicento expansion of style as a "market response by artists to satisfy the demands of collectors who had refined and narrowed their tastes" (p.
	www.italystl.com /ra/1835.htm (2110 words)

	Desiderio and Diletto: Vision, Touch, and the Poetics of Bernini's Apollo and Daphne Art Bulletin, The - Find Articles
		In Filippo Baldinucci's Life of Gian Lorenzo Bernini (1682), the marble group of Apollo and Daphne (Fig.
		All three of these events generated catalogues containing beautiful photographs, probing essays, and bibliographies listing such a quantity of secondary literature that one might reasonably ask if anything remains to be said about the Apollo and Daphne.
		[3] (Indeed, one might dispute Baldinucci: the work's visual meraviglie seem to compel words rather than inhibit them.) Yet in spite of the ample documentary evidence relating to the statue group's creation, the picture that emerges of its meaning and context is anything but clear.
	www.findarticles.com /p/articles/mi_m0422/is_2_82/ai_64573522 (604 words)

	Fine Art Oil Painting Reproduction (Site not responding. Last check: 2007-10-15)
		Tassi taught Claude the basic vocabulary of his art-landscapes and coast scenes with buildings and little figures-and gave him a lasting interest in perspective and, thus, in landscape painting.
		Although most paintings executed before 1635 and a few executed afterward are not included, the Liber Veritatis was compiled throughout in chronological order and thus forms an invaluable record of Claude's artistic development, as well as revealing his circle of patrons.
		Undertaken, as he told Baldinucci, as a safeguard against forgery of his paintings, the book gradually became Claude's most precious possession and a work of art in itself; he may also have used it as a stock of motifs for new compositions.
	www.aspectart.com /Artists/Lorrain/Lorrain.php (1478 words)

	Rembrandt van Rijn: The Legend and the Man
		In 1686 an Italian churchman and art historian, Filippo Baldinucci, who obtained his information from one of Rembrandt' pupils, published a brief commentary about him as part of a volume dealing with many graphic artists.
		Sandrart had implanted the legend that Rembrandt was an ignoramus who "could but poorly read Netherlandish and hence profit but little from books." Baldinucci left the misinformation that Rembrandt worked for the court of Sweden.
		When it was Houbraken's turn to set down the facts, he mislocated the artist's birthplace, added five years to his life and noted that he was an only son (Rembrandt had four brothers).
	www.rembrandtpainting.net /rembrandt_van_rijn_legend_and_man.htm (4353 words)

	Goldberg, E.L.: After Vasari: History, Art, and Patronage in Late Medici Florence.
		In After Vasari, Edward Goldberg focuses on Filippo Baldinucci (1625-1696), the chief curator of Leopoldo's remarkable collections.
		For many years after his patron's death, Baldinucci struggled to realize this great art historiographic project but was continually frustrated by a lack of financial support and by the bitter enmity of other writers on art.
		In tracing the pattern of Baldinucci's successes and failures, Goldberg sheds much new light on the values and customs of late Medici Florence, and on the human dimension of contemporary art historical controversies.
	press.princeton.edu /titles/4344.html (195 words)

	ARTH381/581 - Baroque Art - Quiz 4
		How does Baldinucci describe the iconography of the chapel of Cardinal Cornaro in Santa Maria della Vittoria?
		Baldinucci affirms that Bernini was "singular in the arts" because he possessed in high measure what skill?
		Baldinucci mentions the widespread opinion that Bernini was the first to attempt what?
	www.louisville.edu /a-s/finearts/VRC/buser381/quiz4.html (530 words)

	ARTH381/581 - Readings
		Filippo Baldinucci, The Life of Bernini, Florence, 1682
		I am certain that future ages will envy our fortune because we have seen, thanks to Bernini, these three most noble arts [painting, sculpture, architecture] maintained in the legitimate possession of their ancient dignity, to which, after an almost total abasement and ruin, the never-sufficiently-praised Michelangelo restored them.
		But a complete grasp of this is not a game for children.
	www.louisville.edu /a-s/finearts/VRC/buser381/berninitext.html (4303 words)

	Amazon.com: "Filippo Baldinucci": Key Phrase page (Site not responding. Last check: 2007-10-15)
		Borromini was his rival's most caustic critic, delivering, Filippo Baldinucci writes in his biography of Bernini, "his opinion without esteem or respect.
		appearance of the genuine part of the lodestone is carefully noted in a description that rivals those later made by Filippo Baldinucci of different types of jasper and marble," and the "spots of color" off-handedly compared to "any very dense,...
		For many years it was believed that Baldinucci was exag- gerating, but the truth of his...
	www.amazon.com /phrase/Filippo-Baldinucci (522 words)

	Judith with the Head of Holofernes by ALLORI, Cristofano
		By contrast, the version in the Palazzo Pitti is slicker and more self-assured as a result of following an established design.
		The painting's reputation is derived from the autobiographical aspect of the treatment of the subject as recounted by Filippo Baldinucci (1625-96) in his Notizie de' professori del disegno da Cimabue in qua.
		Baldinucci records that Allori was essentially a libertine who was given to occasional bouts of piety.
	gallery.euroweb.hu /html/a/allori/cristofa/judith.html (416 words)

	Filippo Baldinucci: The Life of Bernini
		Initially published by Penn State Press in 1965, Catherine Enggass’s translation of Filippo Baldinucci’s Life of Bernini was the first English-language edition of this historic biography.
		Out of print for many years, The Life of Bernini is now available in a new paperback edition with an introduction by Maarten Delbeke, Evonne Levy, and Steven F. Ostrow, the editors of Bernini’s Biographies.
		Baldinucci’s unusual stand-alone biography of Bernini, begun while his subject was still alive, offers important insights into contemporary perceptions of the artist, the motivations of its author, and the nature of literary biography
	www.psupress.org /books/titles/978-0-271-73076-9.html (123 words)

	Rembrandt Etchings
		In his etchings he used to mark the word Rembrandt with badly composed, formless and scrambled letters."
		wrote Filippo Baldinucci in his Cominciamento e progresso dell'arte dell'intagliare a rame, one of the first general histories of engraving, being a collection of a series of "Lives" of the most important Italian, French, German, Flemish and Dutch engravers and etchers.
		Published in 1686, less than twenty years after Rembrandt's death, Baldinucci's work includes a life of the Dutch artist, based mainly on information provided by his former pupil, the Dane Eberhard Keilhau; it contains some criticisms of his adherence to nature rather than to classical ideals.
	www.rembrandtpainting.net /rmbrdnt_selected_etchings/rembrandt_etchings.htm (322 words)

	Bernini, Gianlorenzo (Site not responding. Last check: 2007-10-15)
		His father, Pietro Bernini, a talented sculptor of the late Mannerist style, was his son's first teacher (see Mannerism).
		Young Gianlorenzo soon surpassed his father in excellence, however, as is known from the principal sources of information on Bernini: the biography by Filippo Baldinucci in 1682 and the biography by the artist's son Domenico in 1713.
		Many of Bernini's early sculptures were inspired by Hellenistic art (see Greek Art and Architecture).
	www.history-world.org /bernini.htm (829 words)

	claudelorrain.html
		Claude Gellée, better known as Claude Lorrain, was born in Chamagne, France (the Duchy of Lorraine) in 1600, the third of five sons.
		The primary source of information on Claude’s early life comes from his two biographers, Joachim von Sandrart and Filippo Baldinucci, both of whom knew Claude during his lifetime.
		These accounts can be found in Teutsche Academie (published in Nuremberg in 1675) and in Notizie de'Professori del Disegno (published in Florence in 1728) respectively.
	www.students.sbc.edu /vandergriff04/claudelorrain.html (2008 words)

	Florentine Baroque Art Bibliography -- Artists
		CAMPBELL, Malcolmn, Baldinucci, Passignano, Empoli, Volterrano and Giovanni da San Giovanni's finti rilievi in the Salone degli Argenti, in Studi di storia dell'arte in onore di Mina Gregori, Milano, Silvana editore, 1994, pp.
		MATTEOLI, Anna, Filippo Baldinucci disegnatore, <>, XXXII, 1988, 3, pp.
		CHIARINI, M., Filippo Napoletano pittore di natura morta, <>, 4, 1977, pp.
	mlchap.people.wm.edu /bblsec5.htm (8730 words)

	History of Art: Baroque and Rococo - Claude Lorrain
		Tassi taught Claude the basic vocabulary of his art—landscapes and coast scenes with buildings and little figures—and gave him a lasting interest in perspective and, thus, in landscape painting.
		But, in the winter of 1626–27, Claude returned to Rome and settled there permanently.
		Although most paintings executed before1635 and a few executed afterward are not included, the Liber Veritatis was compiled throughout in chronological order and thus forms an invaluable record of Claude's artistic development, as well as revealing his circle of patrons.
	www.all-art.org /history252-15a.html (2569 words)

	Rembrandt
		Born of a common miller in Holland, a young, quasi - democratic nation, Rembrandt never catered to conventional norms in his art or physical appearance.
		The influential historian Filippo Baldinucci said, "The ugly and plebian face with which Rembrandt was ill-favoured, was accompanied by untidy and dirty clothes, since it was his custom, when working, to wipe his brushes on himself and to do other things of a similar nature."
		Judging from the quality of his prints, we would envision Rembrandt calm and controlled.
	www.dangheno.net /pwritingspg3.htm (1303 words)

	Filippo Baldinucci on artnet
		Find works of art, auction results & sale prices of artist Filippo Baldinucci at galleries and auctions worldwide.
		Find unknown or rarely seen works by important artists
		sample: Here are the top 3 of 3 past auction results for Filippo Baldinucci:
	www.artnet.com /artist/605657/filippo-baldinucci.html (144 words)

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