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| | Part 4: Editing |
 | | As her interest grows, the eyeline match (that is the connection between looker and looked) is stressed with matching close-ups of Anna's face and Icarus's falling into the ocean in the painting.Again, this implies that Anna is looking directly at Icarus's body. |
 | | Depending on how much movement is included, a long take can make a film tense, stagnant and spell-binding, or daring, flowing and carefree.Indeed, directors like Altman, Welles, Renoir, Angelopoulos, Tarkovski or Mizoguchi have made long takes (usually in combination with deep focus and deep space) an essential part of their film styles. |
 | | One of the film's theme songs is played in its entirety, from a slow, elegiac beginning to a frenzy crescendo that is abruptly cut off by the first gunshot. |
| classes.yale.edu /film-analysis/htmfiles/editing.htm (3300 words) |
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