| |
| | Film Narrative Techniques: Flight and Pursuit |
 | | The narrative pattern of the film is simple, with the action falling under three basic spatial groupings which range from Chicago, to the train, and finally to Florida. |
 | | The sexual confusion of the central section of the film is resolved by the reinstitution of cear-cut sexual differences, in the form of the excessively masculine gangsters, who, unlike Osgood, see through Joe's and Jerry's masquerades. |
 | | Yet the film suggests that their stereotypical male sexuality is inadequate, much as is that of Sugar's ideal man, who she envisions as "gentle, sweet, and helpless." Sugar's ideal proves to be pure fantasy, and she is ultimately forced to recognize and give in to her irrational desire for tenor saxophone players (Joe). |
| www.sandhills.cc.nc.us /english/shared/160narrative-fandp.html (961 words) |
|