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| | Teaching mise en scene |
 | | For example, in the first edition of another classic text, Film Art (1979), David Bordwell and Kristin Thompson state that mise en scène consists of setting, lighting, costume and figure expression and movement (that is behaviour and movement in the scene); they consider camera placement (framing) in a separate chapter. |
 | | Whilst camera movement also changes the way we see the pro-filmic space, it draws attention to itself and so attention is split between what is ‘in the picture’ and how the camera is transforming what we see. |
 | | Filmstock, too, can alter the look of the scene; however, it is exterior to it. |
| www.mediaed.org.uk /posted_documents/Teaching_mise_en_scene.htm (1692 words) |
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