
	Where results make sense

Topic: First inversion

Related Topics

First World War

First ascent

first person shooter

First Lady of the United States

First Nations

First Lord of the Admiralty

First Age

First Amendment

first past the post

First Crusade

First Ladies

First past the post electoral system

In the News (Thu 16 Feb 12)

EXECUTIVE POWER

Iran

ANALYSIS

Pakistan

Family compact

	Chord (music) - Wikipedia, the free encyclopedia
		The first element is called the root note of the chord, the second note is called the "third" of the chord, and the last note is called the "fifth" of the chord.
		In the first scale degree this is marked 'I' First inversion: The third is in the bass, and above it are the fifth and the root.
		Second inversion: The fifth is in the bass, and above it are the root and the third.
	en.wikipedia.org /wiki/Chord_(music) (3674 words)

	Chord (music) - Facts, Information, and Encyclopedia Reference article
		First inversion is when the third of the chord is in the bass, with the fifth of the chord next above, and the root highest.
		Listen to some triads: the first three chords played are C major root position, first inversion, second inversion; then C minor root position, first inversion, second inversion.
		The chord is referred to as a "sixth" because it is almost always found in first inversion (first inversions being traditionally named like this, from their characteristic interval of a sixth from the bass).
	www.startsurfing.com /encyclopedia/c/h/o/Chord_(music).html (2084 words)

	Tonality
		The first inversion would be E-G-C, and the second inversion would be G-C-E. Since inverted chords are also chords in their own right, in context a chord is sometimes thought to be inverted only when voice leading implies it.
		The traditional form of tonal music begins and ends on the tonic of the piece, and many tonal works move to a closely related key, such as the dominant of the main tonality (for example sonata form).
		In tonal music chords which are moved to different keys, or played with different root notes are not perceived as being the same, and thus transpositional equivalency and far less still inversional equivalency are not generally held to apply.
	www.brainyencyclopedia.com /encyclopedia/t/to/tonality.html (4681 words)

	Guitar Files® Triad Inversions using the DOM 7th Chord
		In theory a First Inversion chord is using the third interval of the chord as the Root.
		In theory a Second Inversion chord is using the fifth interval of the chord as the Root.
		In theory a Third Inversion chord is using the seventh interval of the chord as the Root.
	www.theguitarfiles.com /guitarfile19.html (234 words)

	Giraldus Cambrensis
		During the first millenium of the Christian era, western Europe knew nothing of harmony as we connote this term.
		Against this there is the earlier evidence of the 12th century Cornish manuscript in the Bodleian Library, whilst reference to the so-called Anonymous IV manuscript (c.1273-80), where the use of thirds is said to be used mostly in the "[Celtic] west of England," seems to strengthen the British claim.
		While the first paragraph describes the general agreeableness of Irish performance, the second seems to describe the playing of florid elaborations in impeccable rhythm, proportion and clarity.
	www.standingstones.com /giraldus.html (3091 words)

	CLASSICAL MUSIC ARCHIVES: Definition of HARMONY
		INVERSION of a chord: the removal of the root from the bass to an upper part.
		FIRST INVERSION: that in which the 3rd becomes the bass (e.g.
		THIRD INVERSION: in a 4-note chord that inversion in which the fourth note becomes the bass (e.g., in the chord G-B-D-F the form of it that consists of F-G-B-D or F-B-G-D, etc.).
	www.classicalarchives.com /dict/harmony.html (1098 words)

	Bach's Notation of Tempo and Early-Music Performance by Bernard D. Sherman
		First, what I've been able to discern suggests that in general, HIP tempos in Bach tend to be more historically defensible than slower mainstream ones.
		They note, first, that this is how the musical world in which he grew up used time signatures.
		First, the declamation of the Christe is on the crotchet, while that of the 'Et in unum' is on the quaver; second, the two lines of 'Christe' move in parallel, while those of the 'Et in unum' move imitatively.
	www.bsherman.org /bachtempo.htm (7515 words)

	CTheory.net
		From 1948, in his first edition of Cybernetics or Control and Communication in the Animal and the Machine, Norbert Wiener already rebelled against the vain hopes held by some of his friends who thought they could derive some sort of social efficacy from the theses of his work.
		According to Wiener, their reasoning was based on the observation of a growing differential between human control of material and social environments: where natural science allowed the former, social science ought to allow the latter.
		Its first manifestation was the palace; its second, the poem.
	www.ctheory.net /articles.aspx?id=433 (4140 words)

Try your search on: Qwika (all wikis)