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| | Stravinsky's Topology: CHAPTER 6 Threni: Large-Scale Musical-Poetical and Formal Row Employment with Objects |
 | | In M. 112, the first tenor sings R-11 from the Third Object as the second sings P-0 from the First Object; in M. 113, the first tenor sings I-0 from the First Object as the second sings RI-5 from the Third Object. |
 | | Possibly the first two pitches were transcribed from the treble clef, and should have been E and C (9 and 10), and the F (11) in M. 258 should have been a G. Nevertheless, the wrong-ordering in the score seems to convey the words about the individual's a lienation from society. |
 | | The row is first sung by the soprano and alto soloists, and the tenor and bass soloists answer with a hexachord made of the outer notes from the row (3, 2, 1, 12, 11, 10). |
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