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| | The Austin Chronicle: Screens: Body of Work |
 | | And then, of course, there's Dallesandro, he of the Andy Warhol/Paul Morrissey films Flesh, Trash, Heat, Flesh for Frankenstein, and Blood for Dracula (among others); "Little Joe" of Lou Reed's "Walk on the Wild Side"; beefcake icon; and all-around merchant of menace. |
 | | Possessed of a serenely decrepit mise-en-scène of weathered and flyblown locations that positively cry out for the insertion of doomed, damned love, this lyrical epithet of a film plays like a sex-mad Shakespeare on Sergio Leone's dime. |
 | | Stalking through the film like a rippling gay golem with a hard-on for trouble, he deftly holds his own against the rapturously gamine Birkin and even a young Gérard Depardieu, who appears briefly, but oh-so-memorably, as the "Man on Horse." You do the myth. |
| www.austinchronicle.com /2005-08-05/screens_feature7.html (315 words) |
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