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| | Aisle Say: FLOYD COLLINS |
 | | And there is sad irony in the fact that it comes in the wake of another (albeit minor) media circus, the one that has insisted upon lionizing Jonathan Larson, the composer-lyricist of "Rent", in the wake of his death the night before that show's first public preview. |
 | | Second: Though of course, a country idiom pervades "Floyd Collins"' music, the score has something much more serious in mind: the bluegrass and western motifs are merely punctuation or stylistic springboards for more complex musical forms and techniques that have their antecedents in the likes of Bartok, Janacek and Stravinsky. |
 | | Floyd (Christopher Innvar) is entering the cave, lowering himself on a rope (via Tina Landau's remarkable symbolic-rather-than-literal staging), singing exuberantly about his hopes and dreams, and decides to test the depth of the place by listening to the echo of his voice. |
| www.aislesay.com /NY-FLOYD-COLLINS.html (1354 words) |
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