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| | The Foonly F1 |
 | | Jim Rapley, who was one of the maintenance guys who knew the Foonly, and had worked with many of the people as it was developed at Triple-I came onboard first, followed soon by Art Durinski, a designer who had worked on TRON, Adam the Juggler, and many other Foonly projects. |
 | | Probably the worst moment of my life with the Foonly came after we had managed to get it moved to Paramount Studios and were cranking through the film for a long sequence for Flight of the Navigator, a Disney film. |
 | | Since the Foonly only had enough disk storage to hold the frame being computed and the frame being printed, the numbers worked out like this: 30 seconds of film at 24 frames per second works out to 720 images each computed and printed at 6000 x 4000 pixels. |
| accad.osu.edu /~waynec/history/externalpages/Foonly.html (2061 words) |
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