| |
| | Appendix 5 |
 | | As his judgment was excellent, he felt that all figures which do not stand with their feet flat and foreshortened, but are on the tips of their toes, are destitute of all excellence and style in essentials, and show an utter ignorance of foreshortening. |
 | | he used no perspective or foreshortening or any fixed point of view, devoting his energies rather to adapting the figures to the disposition than the disposition to the figures, contenting himself with the perfection of his nude and draped figures....Men are stupefied by the excellence of the figures, the perfection of the foreshortening. |
 | | We are told that Uccello's next challenge was to represent "some columns foreshortened in perspective, which bend round and break the sharp angle of the vaulting" and that he: "continued to perservere with his vanishing point, doing everything which he saw: fields, arable land, ditches and other details of nature in his sharp, dry style". |
| www.sumscorp.com /perspective/Vol3/ap5.htm (8637 words) |
|