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 | | It is suggested that, for synthesis purposes, the spectral representation known as "spectrogram filtering" be used, although the "dft" spectrum is useful if one wishes to compare individual harmonics, and the "critical-band" spectrum is useful if one wishes to use filters with wide bandwidths at the higher frequencies to combat statistical fluctuations in noise spectra. |
 | | Since formants are the natural resonant frequencies of the vocal tract, and frequency locations are independent of source location, the formant frequencies of cascade and corresponding parallel resonators must be identical. |
 | | Formants associated with the cavity in back of the constriction should have their amplitudes set to zero initially, (The amplitude of the first parallel formant,’a1’, is therefore zero for all English fricatives.) and then all parallel formant amplitudes should be adjusted on a trial-and-error basis, comparing synthesized frication spectra with a natural frication spectrum. |
| www.indiana.edu /~acoustic/klsynman.html (6813 words) |
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