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Topic: Fortitude (Botticelli)


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In the News (Mon 28 Dec 09)

  
 CATHOLIC ENCYCLOPEDIA: Sandro Botticelli
Botticelli contributed the enthroned "Fortitude" and "Spring" to the allegorical style of painting so popular in his day.
Botticelli was too unassuming to sign and date his works in most instances, so that the order in time of his paintings has to be judged from the canvasses themselves.
Among the twenty-four portraits of popes in the Sistine chapel five are by Botticelli In the church of the Ognissanti at Florence there is a celebrated picture of St. Augustine by Botticelli opposite to a St. Jerome by Ghirlandajo.
www.newadvent.org /cathen/02708b.htm   (1316 words)

  
 Sandro Botticelli
Botticelli was soon commissioned to paint the famous Allegory of Fortitude.
Sandro Botticelli was a Florentine painter of the Renaissance.
Botticelli's style of delicate coloring can be seen in such early works as the Adoration of the Kings, and Chigi Madonna.About 1470, he decided that he was talented enough as a painter to go out on his own.
www.fine-arts-prints.com /sandrobotticelli.html   (439 words)

  
 CATHOLIC ENCYCLOPEDIA: Sandro Botticelli
Botticelli contributed the enthroned "Fortitude" and "Spring" to the allegorical style of painting so popular in his day.
Botticelli was too unassuming to sign and date his works in most instances, so that the order in time of his paintings has to be judged from the canvasses themselves.
Among the twenty-four portraits of popes in the Sistine chapel five are by Botticelli In the church of the Ognissanti at Florence there is a celebrated picture of St. Augustine by Botticelli opposite to a St. Jerome by Ghirlandajo.
www.newadvent.org /cathen/02708b.htm   (1316 words)

  
 Sandro Botticelli
By 1470 Botticelli was back in Florence and the first of his paintings was the figure of the “Fortitude”.
Alessandro di Mariano was then called "Alessandro Botticelli" from the nickname of one of his brothers, there were 5 of them, which stuck to all brothers and comes from the word “Botte” (Keg).
Botticelli is a great painter of naked bodies: Holofernes's body in the picture looks a bit too young but it’s a great scene with many details and a wonderful horse.
www.angelfire.com /art2/roberto/sandro_botticelli.htm   (1316 words)

  
 Botticelli
"While still a young man Botticelli painted in the Mercanzia of Florence, among the pictures of virtues executed by Antonio and Piero Pollaiuolo, a figure representing Fortitude." I-224
Sandro Botticelli was a very good-humoured man and much given to playing jokes on his pupils and friends.
"Botticelli was commissioned by the Guild of Porta Santa Maria to do a panel picture for San Marco showing the Coronation of Our Lady surrounded by a choir of angels, which he designed and executed very competently." I-225
easyweb.easynet.co.uk /giorgio.vasari/sandro/sandro.htm   (180 words)

  
 Sandro Botticelli
That Botticelli could work in more than one manner at a time (perhaps, like the Fortitude, adapting it for the context) is shown in his fresco of St.
Botticelli was Florentine and extremely successful at the peak of his career, with a highly individual and graceful style founded on the rhythmic capabilities of outline.
So well did this work establish Botticelli's reputation that in 1481-82 he was commissioned to join Perugino, Ghirlandaio and Rosselli (the most celebrated painters of the day) to paint frescoes for the Sistine Chapel.
www.artchive.com /artchive/B/botticelli.html   (180 words)

  
 Antiques, Art, Collectibles & More - GoAntiques
That Botticelli could work in more than one manner at a time (perhaps, like the Fortitude, adapting it for the context) is shown in his fresco of St. Augustine in his Study, painted in 1480 for the Florentine church of the Ognissanti and in rivalry with Ghirlandaio's nearby St. Jerome (both still in situ).
This Figure is related to two others of his angels, one in the Ambrosiana tondo, and the other in the predella of the “Coronation.” BOTTICELLI: "Italian painter.
Botticelli was Florentine and extremely successful at the peak of his career, with a highly individual and graceful style founded on the rhythmic capabilities of outline.
search.hudsonhouseantiques.com /detail,antique-sandro-botticelli,864409.html   (180 words)

  
 Sandro Botticelli - Encyclopedia Glossary Meaning Explanation Sandro Botticelli
A different influence was the new scuptural monumentality of the Pollaiuolo brothers, who were doing a series of Virtues for the Tribunale or meeting hall of the Mercanzia, a cloth-merchants' confraternity, and Botticello contributed to the set the Fortitude, dated 1470 in the Uffizi Gallery.
Less than a hundred years later, this moment, under the patronage of Lorenzo de' Medici, was characterized by Giorgio Vasari as a "golden age" a thought, suitably enough, he expressed at the head of his Vita of Botticelli.
Sandro did his job there, was well paid by the Pope, spent all that he earned in his characteristic generous impractical manner, unveiled the paintings, which were a revelation to Roman patrons and artists.
www.encyclopedia-glossary.com /en/Sandro-Botticelli.html   (1070 words)

  
 CATHOLIC ENCYCLOPEDIA: Sandro Botticelli
Botticelli contributed the enthroned "Fortitude" and "Spring" to the allegorical style of painting so popular in his day.
Of Botticelli's other Biblical pictures mention may be made of the "Birth of Christ", which was intended to be a memorial of Savonarola.
In celebration of a wedding Botticelli painted in the villa of the Tornabuoni near Fiesole an allegorical scene representing the Seven Arts and the Virtues paying their homage to the newly married pair.
www.newadvent.org /cathen/02708b.htm   (1316 words)

  
 J.-E Berger Foundation: Sandro Botticelli
Finally, in 1470, he decided that he was accomplished enough as a painter to go out on his own, and it was at that moment, in an extraordinary stroke of luck, that he was commissioned to paint the famous Allegory of Fortitude which we have already seen, and which we shall look at again.
It went from Lorenzo the Magnificent to all of Florence's humanism of this second half of the 15th century to finally be given to Botticelli, who thus scrupulously followed a text: the profane Birth of Venus and the coronation of the sacred Venus.
The 19th century art historians would have liked us to believe that Botticelli came from nowhere to become a god of painting - this is untrue.
www.bergerfoundation.ch /Home/high_botticelli.html   (1316 words)

  
 Sandro Botticelli
A difference influence was the new scuptural monumentality of the Pollaiuolo brothers, who were doing a series of Virtues for the Tribunale or meeting hall of the Mercanzia, a cloth-merchants' confraternity, and Botticello contributed to the set the Fortitude, dated 1470 in the Uffizi Gallery.
He was influenced in his art by Fra Filippo Lippi and Antonio Pollaiuolo.
The repeated contacts with the Medici family were undoubtedly useful for granting him political protection and creating conditions ideal for his production of several masterpieces.
www.asinah.net /articles/content/s/sa/sandro_botticelli.html   (1316 words)

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