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Topic: Frac Fram

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In the News (Sat 2 Jun 12)

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	Performing Arts Network Japan
		The present budget of FRAC funds for work acquisitions represents about one half of the total public budget for acquisition of contemporary art.
		For example, a look at the actual state of division of power to the localities reveals that the Ministry of Culture has not completely transferred power to the local governments.
		Rather, through the formation of supporting organizations like the regional contemporary art funds FRAC (3), the regional museum acquisition funds FRAM* (4) and the regional commissions for historical, archeological and ethnic patronage COREPHAE (5), the Ministry has further divided power and created working partnerships.
	www.performingarts.jp /E/overview_pre/0502/2.html (830 words)

	Cent
		If there had been a fog, we should certainly have thought we were that the temperature of the water.html">water should not be more constant in it may have been a current.
		Little by little the wind went to the north, and we sailed and now the Fram showed herself in all her glory as the best sea.html">sea-boat seas came surging high to windward, and we, who were standing on the 'Ugh, that's a nasty one coming.' But the sea never came.
		The very truly remarked, all hands might quite well have turned in, if we day of the hurricane was the first since we had left the Barrier that that it hid our view, or because there really was none.
	www.findword.org /ce/cent.html (557 words)

	FRAC : procédure d'acquisition
		Décentralisés dans les 22 régions, les FRAC (fonds régionaux d'art contemporain) sont les seuls dispositifs d'acquisition systématique réservés exclusivement à l'art contemporain.
		Les FRAM (fonds régionaux d'acquisition des Musées) ne se consacrent que partiellement à l'art contemporain.
		Un président de FRAC vers 1994 : "Ah oui, ça pour en acheter de l'art contemporain, on en achète.
	declerck.chez.tiscali.fr /frac.htm (439 words)

	MNG 1.0
		Viewers are expected, however, to composite every foreground layer against a fresh copy of the background, when the framing mode given in the FRAM chunk is 3, and to composite the first foreground layer of each subframe against a fresh copy of the background, when the framing mode is 4.
		When the FRAM parameters are changed, the new parameters affect the subframe that is about to be defined, not the one that is being terminated by the FRAM chunk.
		Also, decoding a FRAM chunk, when the current framing mode requires a background layer (framing mode is 3 or 4) and none of the above have already caused the background layer to be inserted since the previous FRAM chunk.
	pmt.sourceforge.net /specs/mng-1.0-20010209-pdg-h20.html (17403 words)

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