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| | Confessio Amantis, Vol. 2: Introduction |
 | | This "common inheritance" of framing is evident in medieval stage practices as diverse as processionals, street scenes, architecture, decorated manuscripts, and the framing of ideas in logic and theology, where history itself is framed by eschatology. |
 | | The tale is told with pleasing variation of syntax, run-on rhythms, witty wordplay, aphorism, and rhetorical questions; it has two well-placed speeches, and an abundance of charming details and touching pathos, whereby any reader would regret with heart-felt pity the hastiness of each lover's suicide. |
 | | Gower gives him his only speech in the tale at this point as he melodramatically accuses himself of "felonie" and concludes that he is the cause of her death (3.1431-33). |
| www.lib.rochester.edu /camelot/teams/cav2int.htm (0 words) |
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