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Topic: Francesco Soriano

	Francesco Soriano - Wikipedia, the free encyclopedia
		Francesco Soriano (1548 or 1549–1621) was an Italian composer of the Renaissance.
		Soriano worked with Felice Anerio to revise the Roman Gradual in accordance with the needs of the Counter-Reformation; this work was left incomplete by Palestrina.
		Stylistically, Soriano's music is much like Palestrina's, but shows some influence from the progressive trends prevalent around the turn of the century.
	en.wikipedia.org /wiki/Francesco_Soriano (337 words)

	San Francesco Museum Greve in Chianti
		The Convent of San Francesco was built in the first half of the 16 C for the monks from the convent of Santa Croce at San Casciano and stands on a prominitory just past the start of the old road that leads up to Montefioralle.
		Bartholomew and Francis is thought to be a youthful work by Francesco Granacci, dating from the last decades of the 15 C. The only sculpture in the room is a bas-relief of St. Francis in marble that comes from the Church of San Piero at Sillano.
		Lucy and Anthony of Padua by Francesco Curradi.
	www.greve-in-chianti.com /en/museum_san_francesco.htm (1980 words)

	Summi et Aeterni ORDER
		Giovanni Francesco Anerio Giovanni Francesco Anerio (c.1567—buried June 12, 1630) was an Italian composer of the Roman School, of the very late Renaissance and early Baroque eras.
		Francesco Soriano Francesco Soriano (1548 or 1549—1621) was an Italian composer of the Renaissance.
		Rome was the birthplace of the oratorio, in the work of Giovanni Francesco Anerio and Emilio de' Cavalieri; the score for Cavalieri's Rappresentatione di Anima et di Corpo is the earliest printed score which uses a figured bass.
	jeff.ostrowski.cc /productions/summi/order.htm (14963 words)

	[No title]
		Francesco Lleal (ESP) 6-1 6-7(3) 6-4 (2)Mario Munoz-Bejarano (ESP) d.
		Francesco Lleal (ESP) 4-6 6-1 6-4 (q)Roberto Menendez (ESP) d.
		Francesco Lleal (ESP) 6-4 7-6(5) (4)Carlos Rexach-Itoiz (ESP) bye (6)Marc Marco (ESP) bye Laszlo Fono (HUN) d.
	www.stevegtennis.com /results/2001/sa-spain7.txt (5156 words)

	Francesco Soriano - Free Music Downloads, Videos, Lyrics, CDs, MP3s, Bio, Merchandise and Links (Site not responding. Last check: 2007-10-21)
		This Italian composer was a student of Zoilo, Roy, Montanari and very possibly Palestrina who claimed Soriano as one of his students in written correspondence.
		As a composer Soriano wrote motets, masses, madrigals, a passion and psalms.
		Soriano made a revision of Palestrina's six-part "Missa Papae Marcelli" for four voices by scoring it for eight voices.
	www.artistdirect.com /nad/music/artist/bio/0,,543176,00.html (258 words)

	Tables for bounds on covering codes
		Soriano found better bounds than the previus ones for 3-surjective codes such as
		Authors: Riccardo Bertolo, Roberto di Nasso, Franco Di Pasquale, Alessandro Jurcovich and Francesco Santisi (2004).
		Riccardo Bertolo, Roberto di Nasso, Franco Di Pasquale, Alessandro Jurcovich and Francesco Santisi (2004).
	www.sztaki.hu /~keri/codes (316 words)

	[No title]
		Francesco Lleal/David Marrero 6-1 5-7 6-4 (2)Carlos Rexach-Itoiz/Gabriel Trujillo d.
		Francesco Lleal/David Marrero 7-6(5) 7-6(2) (4)Marc Fornell/Juan Giner d.
		Francesco Lleal/David Marrero 6-2 3-6 6-3 Lorenzo Coll/Laszlo Fono d.
	www.stevegtennis.com /results/2000/sa-spain6.txt (2172 words)

	1548 - Encyclopedia, History, Geography and Biography
		September 7 - Catherine Parr, queen of Henry VIII of England
		December 27 - Francesco Spiera, Italian protestant jurist (b.
		Juan Diego Cuauhtlatoatzin, Mexican Catholic saint (born 1474)
	www.arikah.com /encyclopedia/1548 (214 words)

	Pro Loco di Soriano nel Cimino :: History
		The first documents about Soriano go back to the VIIIth century: the most ancient is the "Chronicon", in which are named a "Fundus Seriani" and a "Fundus Corbiani", given to the Benedictine monastery of S. Andrea in Fulmine in 747A.D. by Carlomanno; there is also a "Decreto" of the Longobard king Desiderio (773 A.D.).
		Until 1441, year in which it went back under the Church of Rome, Soriano was the theatre of quarrels for its possession among various mercenary captains as: Francesco Sforza and Niccolò Fortebraccio.
		During the pontificate of Innocenzo VIII (1482-1492), Soriano was given as perpetual vicariate to cardinal Rodrigo Borgia who, once become Pope as AlessandroVI, gave the castle to cardinal Giovan Battista Orsini.
	www.prolocosoriano.it /En/Storia.asp (915 words)

	GMCD 7158 - Magnificat Lincoln College Oxford
		Such plainsong melodies, the oldest form of setting, are still heard in some of the pieces recorded here, from Palestrina’s of the 16th century to Dupré’s of our own.
		From the first period represented in the present programme come the works of Palestrina, Soriano, Eccard, Parsons and Byrd.
		The first two spent most of their professional lives in Rome, Eccard was a Lutheran German, Parsons and Byrd were Catholic Englishmen.
	www.guildmusic.com /catalog/gui7158z.htm (1061 words)

	Miss Representation: April 2004 Archives (Site not responding. Last check: 2007-10-21)
		Francesco Dal Co presents a lecture "Architecture and the Economy of Means: the Lesson of Raphael Soriano" this evening.
		Soriano is a 'Case Study' architect of whom I confess complete ignorance.
		But my unmitigated admiration of anything and all case study (even the glib appropriation of it, wrought well) should count for something.
	www.missrepresentation.com /archives/2004/04 (4293 words)

	Special Collections: Gorham CollectionBrandeis University Libraries \| LTS \| Brandeis University (Site not responding. Last check: 2007-10-21)
		The Brandeis copy comes from the library of the Italian composer Gualfardo Bercanovich (1840-1908), a well-known theoretician and singing teacher who had all of his books identically bound--which in the case of the Zarlino volume, cut away the last letters of the marginalia during the trimming.
		Further distinguishing Guidetti's edition is the inclusion of seven falsobordone psalm settings for four, five, six, and eight voices, four of which are known to be written by Palestrina.
		The 1619 edition, revised by Palestrina's pupil and friend Francesco Soriano (1548 or 1549-1621), was published by the Roman ecclesiastical printer Andrea Phaeus.
	lts.brandeis.edu /research/archives-speccoll/collections/gorham.html (4167 words)

	Soriano - Wikipedia, the free encyclopedia
		Alfonso Soriano, Dominican baseball left fielder, currently with the Washington Nationals (b.
		Rafael Soriano, Dominican baseball pitcher, currently with the Seattle Mariners (b.
		This disambiguation page lists articles associated with the same title.
	en.wikipedia.org /wiki/Soriano (86 words)

	Programme notes (Site not responding. Last check: 2007-10-21)
		Not a great deal is known about Soriano (1548 – 1621), but he may have studied with Palestrina, and he certainly also worked at the Cappella Giulia at St Peter’s.
		His reworking of Palestrina’s model is a fascinating study in stylistic evolution.
		In the Salve Regina, however, we hear Soriano’s own style far more clearly.
	homepage.ntlworld.com /shipsey/concerts/prog_notes/allegri.htm (803 words)

	Journal of Seventeenth-Century Music \| Vol. 11 No. 1 \| Stephen R. Miller Seventeenth-Century Italian Sacred Music
		Finally, less obvious but no less important, is a string of dissertations devoted to specific Italian composers of masses, in particular four Roman-orbit composers: Giovanni Francesco Anerio, Francesco Soriano, Gregorio Allegri, and Angelo Berardi.
		By taking these additional editions and their sources into account, a more complete sketch of the seventeenth-century mass emerges, one that includes masses without continuo and masses in manuscript sources.
		This was precisely the case with Schnoebelen’s decision not to publish any masses by Francesco Foggia, along with Benevoli the leading composer of masses in seventeenth-century Rome.
	sscm-jscm.press.uiuc.edu /jscm/v11/no1/miller.html (4252 words)

	DBLP: Paolo Rosso
		José Manuel Gómez Soriano, Manuel Montes-y-Gómez, Emilio Sanchis Arnal, Luis Villaseñor Pineda, Paolo Rosso: Language Independent Passage Retrieval for Question Answering.
		Davide Buscaldi, Paolo Rosso, Francesco Masulli: Integrating Conceptual Density with WordNet Domains and CALD Glosses for Noun Sense Disambiguation.
		Paolo Rosso, Francesco Masulli, Davide Buscaldi: Un Método Automático para la Desambiguación Léxica de Nombres.
	www.sigmod.org /dblp/db/indices/a-tree/r/Rosso:Paolo.html (377 words)

	Alibris: Compline
		A New Series Fills a Void in 17th-Century Italian Music Drawing on the riches of a largely unknown repertoire, this innovative series makes available in modern score a large selection of Italian sacred music scored from printed part-books that has never before been published in modern editions.
		Vesper and Compline Music for Four Principal Voices: Agestino Agazzari, Giovanni Francesco Anerio, Giovanni Battista Bassani, Giovanni Battista Biondi Da Cesena,...
		Drawing on the riches of a largely unknown repertoire, this innovative makes available in modern score a large selection of Italian sacred music scored from printed part-books that have never before been published in modern editions.
	www.alibris.com /search/books/subject/Compline (794 words)

	9th Biennial Baroque Conference at TCD, July 2000
		To service all of this it supported a staff of nearly 100 canons and beneficed clergy, as well as the members of the Cappella Giulia.
		Though mention of music is sporadic, the diary throws some valuable light on performance practice as well as providing a context for the music of Francesco Soriano (maestro di cappella 1602-20) and Girolamo Frescobaldi (organist 1608-1643).
		This paper will examine some of the information available in the diary and what it tells us about the function and performance of plainchant and polyphony during the first years of the newly-completed basilica.
	www.music.qub.ac.uk /tomita/baroque/abstracts/ORegan.htm (237 words)

	Journal of Seventeenth-Century Music \| Vol. 6 No. 1 \| Oregan: Asprilio Pacelli, Ludovico da Viadana and the Origins of ...
		On the octave of the feast of Corpus Christi in 1606 the maestro Francesco Soriano was paid three scudi for three papal singers who made up a choir nell'organo; this might, however, refer to a polychoral performance, where it was common for one choir, made up of solo singers, to sing with the main organ.
		At San Spirito in Sassia in 1604 a contract with the organ builder Stefano Blasi asked that the organ should be adapted "so that the singers can stand around the balcony [of the organ] without damaging the said balcony, removing only the bellows and placing them where they will be more convenient."
		He has also dealt with the music of Giovanni Francesco Anerio, another composer very much in the vanguard of both small- and large-scale concertato writing.
	sscm-jscm.press.uiuc.edu /jscm/v6/no1/Oregan.html (7031 words)

	LMU Library Storage Selection project, Fall 2005: Books in Music
		Two settings of Palestrina's Missa Papae Marcelli / Giovanni Francesco Anerio and Francesco Soriano ; edited by Hermann J. Busch.
		Dieci cori antichi : ten antique choruses, for mixed voices / [edited by] G. Francesco Malipiero.
		The Coffee cantata : Schweigt stille, plaudert nicht : for soli and three-part chorus of mixed voices with piano accompaniment / by Johann Sebastian Bach ; vocal score.
	lib.lmu.edu /storage2005/music.html (3134 words)

	PIPE List -- "V" Ensembles
		Named after the famous association of musicians (Palestrina, Felice Anerio, Luca Marenzio, Annibale Stabile, Ruggero Giovannelli, Francesco Soriano, etc.) founded in 1585 in Rome.
		Description : An open vocal and instrumental ensemble dedicated to the performance of chamber music of 17th and 18th centuries on period instruments with a focus on French composers.
		Francesco Gasparini (1661-1727) : "Il Vecchio Avaro" (intermezzi per musica) and instrumental works - Bongiovanni GB 2210
	gfhandel.org /bleissa/pipe/pipev.htm (1574 words)

	Music room two
		It was the product of a long and concerted effort initiated by Pope Gregory XIII in 1577 to reform the musical settings of liturgical texts and to rid the melodies of certain perceived barbarisms that had crept into sacred music over the centuries.
		Contributors to this important revision of the liturgical chant included the composers Palestrina, Annibale Zoilo, and, later, Felice Anerio and Francesco Soriano.
		The page shown is an introit for Christmas Day.
	www.ibiblio.org /expo/vatican.exhibit/exhibit/e-music/Music_room2.html (560 words)

	ionarts (Site not responding. Last check: 2007-10-21)
		The story was also set as an opera (L'Arlesiana) by Francesco Cilea with a libretto by Leopoldo Marenco, premiered in Milan in 1897 with a young tenor named Enrico Caruso as Federico.
		One of the performances we gave on that tour was for a Mass in S. Giovanni in Laterano.
		One of the pieces we sang was a polyphonic Mass ordinary by Francesco Soriano, who was maestro di cappella at the Lateran from 1599 to 1601.
	ionarts.blogspot.com /2003_11_01_ionarts_archive.html (11995 words)

	Web-MC assignments
		Madrigals do not take their name from the melody of the composition but rather from its text and [12] verse, as do the following: dialogues, stanzas, sestinas, sonnets, canzonas, and canzonettas.
		For “madrigal” is the name of a poem, not a composition, the texts of which are generally taken from Francesco Petrarca, [Giovanni] Boccaccio, Pietro Bembo, and Dante [Alighieri].
		Sacred texts written in so many rhymes or lines and set by composers are referred to as spiritual madrigals.
	mus5711-01.su00.fsu.edu /assignments.html (12504 words)

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