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	Franciabigio - LoveToKnow 1911 (Site not responding. Last check: 2007-10-02)
		Franciabigio paid much attention to anatomy and perspective, and to the proportions of his figures, though these are often too squat and puffy in form.
		In the court of the Servites (or cloister of the Annunziata) in Florence he painted in 1513 the "Marriage of the Virgin," as a portion of a series wherein Andrea del Sarto was chiefly concerned.
		The friars having uncovered this work before it was quite finished, Franciabigio was so incensed that, seizing a mason's hammer, he struck at the head of the Virgin, and some other heads; and the fresco, which would otherwise be his masterpiece in that method, remains thus mutilated.
	www.1911encyclopedia.org /Franciabigio (337 words)

	Top Literature - Franciabigio
		Franciabigio (1482-1525) was a Florentine painter of the Renaissance.
		Franciabigio paid much attention to anatomy and perspective, and to the proportions of his figures.
		Franciabigio attends more to linearity and balance in fresco recalling Massacio, while the complexity and Sarto's paintings reflect an understanding of the dissipating velvety colorful fabric of molding that characterizes Venetian work, and the development of sway that will "mannerize" art in the decades to come.
	encyclopedia.topliterature.com /?title=Franciabigio (497 words)

	Painters Of Florence - Franciabigio
		When Andrea went to France, Franciabigio was invited to continue his series in the cloisters of the Scalzo, and painted two subjects, the Baptist taking leave of his parents, and his meeting with Christ in the desert.
		Franciabigio assisted Ridolfo Ghirlandajo to design triumphal cars and arches for the wedding of Duke Lorenzo, in 1518, and painted a fresco of the Triumph of Cicero at Pope Leo's villa of Poggio a Caiano.
		One of Franciabigio's best pupils was Francesco Ubertini, surnamed Bacchiacca, who began by learning of Perugino, when he was in Florence, but soon joined Franciabigio, and followed in the steps of Andrea del Sarto, whose smooth colouring and grey flesh-tones he adopted.
	www.oldandsold.com /articles36/florence-painters-26.shtml (1063 words)

	Franciabigio - Biocrawler (Site not responding. Last check: 2007-10-02)
		Such are the Madonna del Pozzo, in the Uffizi Gallery; the half figure of a Young Man, in the Louvre; and the famous picture in the Fuller-Maitland collection, a Young Man with a Letter.
		These two works show a close analogy in style to another in the Pitti gallery, avowedly by Franciabigio, a Youth at a Window, and to some others--which bear this painter's recognized monogram.
		You can find it there under the keyword Franciabigio (http://en.wikipedia.org/wiki/Franciabigio)The list of previous authors is available here: version history (http://en.wikipedia.org/w/index.php?title=Franciabigioandaction=history).
	www.biocrawler.com /encyclopedia/Franciabigio (543 words)

	Franciabigio (Getty Museum)
		Scholars know little about the training of Franciabigio, the son of a Milanese linen weaver, except that he assisted in the studio of a follower of Fra Bartolommeo.
		When the friars of a church unveiled both their murals the same morning, not realizing that Franciabigio's was unfinished, the artist "almost died of grief." Giorgio Vasari reported that he tore into the wall "with a bricklayer's hammer." Franciabigio's damaged Marriage of the Virgin,still on view, testifies mutely to his rage.
		Franciabigio's introspective portraits captured his sitters' spirit and mood along with their physical appearance.
	www.getty.edu /art/collections/bio/a3099-1.html (187 words)

	The Last Supper by FRANCIABIGIO
		The convent where Franciabigio painted the whole back wall with a representation of the Last Supper used to be called S.Giovanni alla Porta di San Pier Gattolino.
		Franciabigio was a Florentine painter, a minor master of the High Renaissance style.
		He was a pupil of Marinotto Albertinelli and collaborated with Andrea del Sarto (on the frescoes in the Annunziata church in Florence), who was the dominant influence on his style, as may be seen in his frescoes of this Convent.
	www.wga.hu /html/f/franciab/lastsup.html (101 words)

	ARTMUSEUM.CZ Franciabigio
		Podle záznamů se Franciabigio učil několik měsíců v malířské dílně Marinotta Albertinelliho, i když největší vliv na jeho tvorbu měl Andrea del Sarto, se kterým se poprvé setkal v roce 1505 a se kterým sdílel dílnu na Piazza del Grano.
		Franciabigio také vytvořil velké množství fresek, na kterých pracoval se stejným zápalem jako na menších deskových obrazech.
		Franciabigio byl známý také svou prchlivou povahou a puntičkářstvím, což se projevilo když v roce 1513 pracoval pro bratrstvo Servitů v jejich klášteře Annunziata ve Florencii na freskách Sňatku Panny.
	www.artmuseum.cz /umelec.php?art_id=1265 (404 words)

	Franciabigio [1525] - Featured Artist on Artfact.com
		In December 1508 the names of Franciabigio and Andrea del Sarto, who sometime between autumn 1506 and 1509 set up a joint workshop, were entered in the registration book of the Arte de’ Medici e Speziali, to which painters were required to belong.
		This is the first in a series of male portraits typical of Franciabigio: the subjects, each of whom wears a hat, are mostly placed in front of a landscape, with their gaze fixed meditatively or piercingly on the onlooker.
		Yet Franciabigio’s connection with Andrea del Sarto was the determining factor in his career.
	www.artfact.com /features/viewArtist.cfm?aID=25438 (509 words)

	Franciabigio (Site not responding. Last check: 2007-10-02)
		Franciabigio (1482 - 1525) was a Florentine painter of the Renaissance.
		He was born in Florence, and worked under Albertinelli until about 1506.
		As years went on, and he received frequent commissions for public paintings for festive occasions, his diligence merged in workmanly offhandedness.
	www.abcworld.net /Franciabigio.html (525 words)

	LIECHTENSTEIN MUSEUM Wien
		Francesco di Cristofano, known as Franciabigio addressed the popular Renaissance motif of the "Madonna dell’Umiltà" in several paintings.
		This explains why in 1805 the work in the Princely Collections was still thought to be by Raphael before Franciabigio’s monogram was discovered on the hem of Mary’s robe, permitting attribution to the Florentine painter.
		Franciabigio had his own particular way of integrating Christ’s future suffering and death into his image: the Christ Child’s strangely unstable pose is explained by a dark fissure in the ground at his feet, a subtle allusion to his rocky tomb.
	www.liechtensteinmuseum.at /en/pages/artbase_main.asp?module=browse&action=m_work&lang=en&sid=674245627&oid=W-147200412195342094 (262 words)

	FRANCIABIGIO (Site not responding. Last check: 2007-10-02)
		Franciabigio lenkte viel Aufmerksamkeit zur Anatomie und zur Perspektive und auf die Anteile seinen Abbildungen, obwohl diese häufig in der Form zu untersetzt und geschwollen sind.
		Verschiedene Arbeiten, die Raphael zugeschrieben worden sind, werden bekannt jetzt oder angemessen gemeint, um zu sein von Franciabigio.
		It is licensed under the GNU free documentation license.
	www.faktedon.com /wiki/de/fr/Franciabigio.htm (426 words)

	Franciabigio Online
		Franciabigio in the Louvre Museum Database, Paris (only available in French)
		Franciabigio at the National Gallery, London, UK Portrait of a Knight of Rhodes
		All images and text on this Franciabigio page are copyright 1999-2005 by John Malyon/Artcyclopedia, unless otherwise noted.
	www.artcyclopedia.com /artists/franciabigio.html (190 words)

	FRANCIABIGIO (Site not responding. Last check: 2007-10-02)
		Franciabigio pagou muita atenção ao anatomy e ao perspective, e às proporções de suas figuras, embora estes são frequentemente demasiado squat e puffy no formulário.
		Os friars que descobrem este trabalho antes que estêve terminado completamente, Franciabigio foram assim que cabeças incensed que, apreendendo o martelo de um mason, golpeou na cabeça do virgin, e algumas outras; e o fresco, que seria de outra maneira seu masterpiece que método, remains mutilado assim.
		Os vários trabalhos que foram atribuídos a Raphael são sabidos agora ou julgados razoavelmente para ser por Franciabigio.
	www.faktoport.com /wiki/pt/fr/Franciabigio.htm (433 words)

	Franciabigio, adopted name of Francesco di Cristofani Bigi - Hutchinson encyclopedia article about Franciabigio, ...
		Franciabigio, adopted name of Francesco di Cristofani Bigi
		Franciabigio, adopted name of Francesco di Cristofani Bigi (1482–1525)
		This information should not be considered complete, up to date, and is not intended to be used in place of a visit, consultation, or advice of a legal, medical, or any other professional.
	encyclopedia.farlex.com /Franciabigio%2c+adopted+name+of+Francesco+di+Cristofani+Bigi (156 words)

	FRANCIABIGIO (1482–1525) - Online Information article about FRANCIABIGIO (1482–1525) (Site not responding. Last check: 2007-10-02)
		FRANCIABIGIO (1482–1525), Florentine painter, The name of this artist is generally given as Mercantonio Franciabigio; it appears, however, that his only real ascertained name was See also:
		work before it was quite finished, Franciabigio was so incensed that, seizing a See also:
		Raphael are now known or reasonably deemed to be by Franciabigio.
	encyclopedia.jrank.org /FRA_GAE/FRANCIABIGIO_14821525_.html (687 words)

	Franciabigio
		Der Artikel Franciabigio gehört zur Kategorie: Mann, Maler, Geboren 1482, Gestorben 1525
		Franciabigio [] (* 1482 in Florent; † 24.
		Franciabigio, eigentlich Francesco di Cristofano Bigi, studierte bei Mariotto Albertinelli und wurde der Freund Andrea del Sartos.
	www.katastrophenalarm.de /Franciabigio.html (241 words)

	Private Art Collection
		Der Florentiner Maler Francesco di Cristofano, genannt Franciabigio, hat als Altersgenosse des Raffael dessen für ihn übermächtig erscheinendes Vorbild stets vor Augen gehabt, doch aus einer tief verwurzelten Angst des eigenen Scheiterns heraus einen direkten Kontakt nie gesucht.
		Franciabigio erhielt seine Ausbildung bei Mariotto Albertinelli und später bei Piero di Cosimo.
		Franciabigio hat in Florenz vor allem Fresken und Altarbilder geschaffen, seine sensiblen künstlerischen Fähigkeiten sprechen jedoch eher noch aus seinen Porträts, die zu den besten Florentiner Leistungen auf diesem Gebiet im ersten Drittel des 16.
	www.privateartcollection.net /pac/display/artist.do?grouptype=&groupid=&artisttype=A000000A&aoid=&sort=&lang=de_DE&aotype=&artistao=&genericid=&artistid=A00000PE (164 words)

	FRANCIABIGIO (1482-1525) - Online Informationsartikel ungefähr FRANCIABIGIO (1482-1525) (Site not responding. Last check: 2007-10-02)
		Arbeit freilegt wurden, bevor sie durchaus beendet wurde, Franciabigio waren, also incensed, daß, den See also:
		Raphael zugeschrieben worden sind, werden bekannt jetzt oder angemessen gemeint, um zu sein von Franciabigio.
		Verbindungen zu den Artikeln und zum Home Page werden immer angeregt.
	encyclopedia.jrank.org /de/FLE_FRA/FRANCIABIGIO_1482_1525_.html (675 words)

	Franciabigio (1484 - 1525) Artwork Images, Exhibitions, Reviews
		The only information that scholars know about Franciabigio’s early training was that he was an assistant in Fra Bartolommeo’s studio and also studied Raphael’s murals in on trips to Rome.
		In 1506, he founded a workshop with Andrea del Sarto and influenced many Florentine artists.
		In addition to murals, Franciabigio painted portraits that were known for giving an accurate depiction of the sitter’s mood, spirit, and physical appearance.
	www.wwar.com /masters/f/franciabigio.html (110 words)

	Rodolfo Ghirlandaio, del: "Portrait of a Man wearing a Cap" at Thomas Williams Fine Art Ltd - Artwork details (Site not responding. Last check: 2007-10-02)
		647 (as Franciabigio) (previously published in 1956 and 1976)
		Susan Regan McKillop, Franciabigio, Berkeley/London, 1974, p.237 (as an attributed drawing)
		Dizionario Enciclopedico Bolaffi dei Pittori e degli Incisori Italiani, Turin, 1974, vol.5, p.144 (as Franciabigio)
	www.artnet.com /Galleries/Artwork_Detail.asp?G=&gid=160405&which=&ViewArtistBy=online&aid=424472252&wid=424472253&source=artist&rta=http://www.artnet.com (213 words)

	Franciabigio as fine canvas art prints or oil painted reproductions on demand
		Franciabigio as fine canvas art prints or oil painted reproductions on demand
		Art Bestellers: art prints prefered by our art lovers
		Mount your art canvas on stretcher bars to look even more like the original or order your fine art print on artist canvas with high quality varnish and simulate the look of the old masterpieces.
	www.myartprints.co.uk /UK/artist/-Franciabigio-289.html (206 words)

	Francesco di Cristofano called Franciabigio @ The Uffizi Gallery (Site not responding. Last check: 2007-10-02)
		Francesco di Cristofano called Franciabigio @ The Uffizi Gallery
		Francesco di Cristofano called Franciabigio @ The Uffizi Gallery of Florence, Italy
		Francesco di Cristofano called Franciabigio - Detailed Paintings List
	www.virtualuffizi.com /uffizi1/artista.asp?Autore=Francesco+di+Cristofano+called+Franciabigio (64 words)

	Francesco di Cristofano called Franciabigio: Madonna af the Well (Site not responding. Last check: 2007-10-02)
		Francesco di Cristofano called Franciabigio: Madonna af the Well
		Francesco di Cristofano called Franciabigio - Madonna af the Well @ The Uffizi Gallery of Florence, Italy
		Francesco di Cristofano called Franciabigio - Madonna af the Well
	www.virtualuffizi.com /uffizi1/cercals1.asp?Contatore=143 (62 words)

	Der Uriasbrief - Franciabigio eigentl. Francesc (Site not responding. Last check: 2007-10-02)
		All art prints sorted by subject or keywords (A to Z) Homepage
		All fine art prints & posters by this artist" class="link3" href="a/franciabigio-eigentl-fran.html"> Franciabigio eigentl.
		Caution: for technical reasons, the Internet thumbnail image may look discoloured.
	www.myartprints.com /cgi-bin/map?HTML=list/main_list.htm&INCLUDE=SHOW&VS_COUNTRY_ID=2250&VS_MOTIV_ID=112358297512136&orig=0&pid=777 (303 words)

	Franciabigio Franciabigio / Virgin Mary Standing in Profile / mid-16th century
		Franciabigio Franciabigio / Virgin Mary Standing in Profile / mid-16th century
		This image is one of over 118,000 from The Art Museum Image Consortium Library (The AMICO Library™), a growing online collection of high-quality, digital art images from 39 museums around the world.
		Media Metadata Rights: Copyright The Art Institute of Chicago, 2000
	www.davidrumsey.com /amico/amico149165-4841.html (295 words)

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