Franco-Flemish School

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Topic: Franco-Flemish School

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	Atelier Marc Ducornet: introduction to our instruments
		These are offered in basic versions, like the Franco-Flemish model, or simplified, like the French Hemsch school, certain Flemish models and the Silbermann spinet, each with many possible options.
		Note especially our French Double after Hemsch, the Flemish which is an exact copy of the Colmar Ruckers, the North German school harpsichord, the exact copy of the Silbermann spinet, and the muselaar.
		They are finished individually with few options apart from decorative ones, and normally delivered with table stand, light dust cover, etc..
	www.ateliermarcducornet.com /english/amdeintroduction.html

	Culture in francophone Belgium
		A second view of Francophone culture in Belgium began to take shape from the 1920s onwards, mainly under pressure from Flemish authors writing in French.
		Raison d'�tre Given this context we can easily understand why the first definition of Belgian culture was Flemish and Francophone.
		Though this literary school originated in France, its most notorious representatives were Flemish viz.
	www.toudi.org /cultur/gbcult.htm

	Franco Flemish School
		1440-1521) the so-called " France Flemish School " is the third of the three " Netherlands Schools."
	www.music.vt.edu /musicdictionary/textf/FrancoFlemishSchool.html

	Obrecht, Jakob --� Britannica Concise Encyclopedia�Online Article
		one of the three leading composers (with Jakob Obrecht and Josquin des Prez) of the Flemish school in the late 15th century.
		Swiss Humanist, poet, and music theorist known especially for his publication Dodecachordon (Basel, 1547).
	concise.britannica.com /ebc/article?eu=399136

	Franco-Netherlandish school --� Encyclop�dia Britannica
		also called Flemish, Franco-Flemish school, or Netherlands school style of musical composition that dominated European music from c.
		The vice-president of Brazil, Itamar Franco, became acting president on Oct. 2, 1992, and was sworn in as president on Dec. 29, 1992, as the impeachment trial...
		Italian director and producer Franco Zeffirelli earned distinction for his work in a variety of media—opera, theater, motion pictures, and television.
	www.britannica.com /eb/article?eu=35799

	Toccata Music Shop - Naxos - 8.554516 Oh Flanders Free Music Of The Flemish Renaissance
		During the 15th and 16th centuries the Franco-Flemish alliance brought to that part of Europe a prosperity in which the arts flourished.
		Music from native Flemish composers was taken around Europe, and the region attracted musicians from far afield to work in the major cities.
		Toccata Music Shop - Naxos - 8.554516 Oh Flanders Free Music Of The Flemish Renaissance
	www.toccata.nu /cd-label/nax_f/554516.html

	SAPC Performance - The Polyphony Project
		The Burgundian and Early Franco-Flemish School - 2006
		Josquin de Prez and the Late Franco-Flemish School - 2008
		William Byrd and the English School - 2007
	www.seventhavenuechurch.org /Performances/polyphony.html

	Richard Edwards - Classical Composers Database
		His five surviving songs, of which the most famous is In going to my naked bed, show the influence of the Franco-Flemish style on English music before the arrival of the Italian madrigal.
		English composer, also playwright and poet; wrote words of madrigal 'In going to my naked bed', and probably the music of it-as he certainly did to other verse of his own.
		English composer and poet, who became Master of the Children of the Chapel Royal in 1561 and wrote two plays for them.
	www.classical-composers.org /cgi-bin/ccd.cgi?comp=edwards_richard (708 words)

	Music at Emory University
		The English School; The Burgundian School; The Franco-Flemish School; Mass composition; Music printing; National Styles (Chanson, Madrigal, etc.); Instrumental Music in the Late 16th Century; the Reformation; the Counter-Reformation
		The exams cover each period of music history and each major school of thought in music theory.
		For the history portion, please review all major composers, compositions, and terms in each of the six major eras.
	www.music.emory.edu /degree/grad.exams.html (708 words)

	YourArt.com >> Encyclopedia >> Flanders
		For examples, Flemish Primitives is synonym for early Netherlandish painting, Franco-Flemish School for Dutch School, and it is not uncommon to see Mosan art categorized as Flemish art.
		In history of art, the adjectives Flemish, Dutch and Netherlandish are commonly used to designate all the artistic production in this region.
		Flemish weavers had gone over to Worstead and North Walsham in Norfolk in the 12th century and established the woollen industry.
	www.yourart.com /research/encyclopedia.cgi?subject=/Flanders (2838 words)

	Summi et Aeterni ORDER
		Arcadelt Jacques Arcadelt (also Jacob Arcadelt) (1504 or 1505 — October 14, 1568) was a Franco-Flemish composer of the middle to late Renaissance, principally of madrigals and chansons.
		The music of the Roman School can be seen as the culmination of a development of polyphony through the infusion of music of the Franco-Netherlandish school during the last hundred years.
		Franco-Netherlandish composers had long been coming to Italy to live and work—Josquin, Obrecht, Arcadelt, and many others made the long journey, and their musical style was decisive on the formation of the Italian styles.
	jeff.ostrowski.cc /productions/summi/order.htm (14952 words)

	Obrecht, Jakob -- Encyclopædia Britannica
		Obrecht also spelled Hobrecht composer who, with Jean d'Ockeghem and Josquin des Prez, was one of the leading composers in the preeminently vocal and contrapuntal Franco-Flemish, or Franco-Netherlandish, style that dominated Renaissance music.
		one of the three leading composers (with Jakob Obrecht and Josquin des Prez) of the Flemish school in the late 15th century.
		He was one of the founders of projective geometry, a branch of mathematics dealing with the relationships between geometric figures and their projected images on a surface or line.
	www.britannica.com /eb/article-9056656?tocId=9056656 (14952 words)

	Obrecht, Jakob -- Encyclopædia Britannica
		Obrecht also spelled Hobrecht composer who, with Jean d'Ockeghem and Josquin des Prez, was one of the leading composers in the preeminently vocal and contrapuntal Franco-Flemish, or Franco-Netherlandish, style that dominated Renaissance music.
		one of the three leading composers (with Jakob Obrecht and Josquin des Prez) of the Flemish school in the late 15th century.
		More results on "Obrecht, Jakob" when you join.
	www.britannica.com /eb/article?tocId=9056656 (14952 words)

	Baldassare Donato - Wikipedia, the free encyclopedia
		Cipriano de Rore, and Claudio Merulo, who tended to follow the Franco-Flemish style which was predominant most everywhere else in Europe until after mid-century.
		Donato represented a progressive trend in the Venetian school, which was already a progressive tradition compared to the other major contemporary Italian musical styles (especially as compared to the Roman School).
		The first record of Donato is as a singer at St. Mark's in Venice in 1550, and he was given charge of the musical training of the boys there in 1562.
	en.wikipedia.org /wiki/Baldassare_Donato (14952 words)

	Renaissance music - Wikipedia, the free encyclopedia
		In the early 16th century, there is another trend towards simplification, as can be seen to some degree in the work of Josquin des Prez and his comtemporaries in the Franco-Flemish school, then later in that of G.
		The Burgundian School of composers, led by Guillaume Dufay, demostrated charactersistics of both the late Medieval era and the early Renaissance (see Medieval music).
		It was in the opening decades of the next century that music felt in a tactus (think of the modern time signature) of two semibreves-to-a-breve began to be as common as that with three semibreves-to-a-breve, as had prevailed prior to that time.
	www.wikipedia.org /wiki/Renaissance_music (14952 words)

	Renaissance music - Wikipedia, the free encyclopedia
		In the early 16th century, there is another trend towards simplification, as can be seen to some degree in the work of Josquin des Prez and his comtemporaries in the Franco-Flemish school, then later in that of G.
		The Burgundian School of composers, led by Guillaume Dufay, demostrated charactersistics of both the late Medieval era and the early Renaissance (see Medieval music).
		It was in the opening decades of the next century that music felt in a tactus (think of the modern time signature) of two semibreves-to-a-breve began to be as common as that with three semibreves-to-a-breve, as had prevailed prior to that time.
	www.wikipedia.org /wiki/Renaissance_music (14952 words)

	Summi et Aeterni ORDER
		1510 to 1515 — 1555 or 1556) was a Franco-Flemish composer of the Renaissance.
		Many of the later composers of the Roman School continued to write in the polyphonic style of the 16th century, known then as the stile antico, or the prima prattica, in distinction to the newer styles of monody and concertato writing which defined the beginning of the Baroque era.
		Franco-Netherlandish composers had long been coming to Italy to live and work—Josquin, Obrecht, Arcadelt, and many others made the long journey, and their musical style was decisive on the formation of the Italian styles.
	jeff.ostrowski.cc /productions/summi/order.htm (14952 words)

	Gimell CDGIM 026
		Brumel is important to modern commentators because he was one of the few leading members of the Franco-Flemish school to be genuinely French, which is to say that he was born outside the boundaries of the Burgundian Empire, somewhere near Chartres.
		Brumel's masterpiece did not inaugurate a fashion for massive compositions; but it did quickly establish a formidable reputation for itself, admired throughout central Europe in the 16th century as an experiment which could not easily be repeated.
		Brumel's only surviving set of Lamentations, one of the most beautiful in the repertory, is also one of the most sombre, building up a rare mood of desolation by low scoring and slow harmonic movement.
	www.gimell.com /Database/ReleaseNotes/026notes.html (14952 words)

	Venetian School - Wikipedia, the free encyclopedia
		Members of the conservative branch tended to follow the style of Franco-Flemish polyphony, and included Cipriano de Rore, Zarlino, and Claudio Merulo; members of the progressive group included Donato, Giovanni Croce, and later Andrea and Giovanni Gabrieli.
		Gioseffo Zarlino, one of the most influential writers on music of the age, called Willaert "the new Pythagoras," and Willaert's influence was profound, not only as a composer but as a teacher, since most of the Venetians who followed studied with him.
		Friction between the two groups came to a head in 1569 with a dramatic, public fight between Donato and Zarlino during the Feast of St. Mark.
	en.wikipedia.org /wiki/Venetian_School (683 words)

	Vincenzo Ruffo - Wikipedia, the free encyclopedia
		Franco-Flemish school, but when he in 1563 became maestro in the cathedral of Milan under Carlo Borromeo, he began composing in the Tridentine style of which Borromeo was a strong supporter.
		In 1572 he became the maestro at Pistoia, and then Milan again and he died in 1587 as the maestro of the cathedral in Sacile.
		His music during this time was strongly influenced by the
	en.wikipedia.org /wiki/Vincenzo_Ruffo (683 words)

	1490
		Adrian Willaert, Franco-Flemish composer, the founder of the Venetian school (approximate date)
		Charles John Amadeus of Savoy becomes Duke of Savoy at age 1, mother Blanche of Montferrato is regent.
		Tirant Lo Blanc by Joanot Martorell, Martí Joan De Galba is published.
	hallencyclopedia.com /1490 (539 words)

	ANTOINE BRUMEL, Biography, Discography
		Brumel is important to modern commentators because he was one of the few leading members of the Franco-Flemish school to be genuinely French, which is to say that he was born outside the boundaries of the Burgundian Empire, somewhere near Chartres.
		Thomas Morley (in A Plain and Easy Introduction to Practical Music, 1597) was probably the last writer to praise Brumel for his skill, the only master he ranked alongside Josquin, making particular reference to his ability in the art of canonic composition.
	www.goldbergweb.com /en/history/composers/10372.php (539 words)

	Mensural notation - Wikipedia, the free encyclopedia
		Mensural notation is most closely associated with the successive periods of the late medieval Ars nova and the Franco-Flemish or Dutch school of Renaissance music.
		Mensural notation was the first system in the development of European music that systematically used individual note shapes to denote temporal durations.
		The most significant difference between Mensural and modern notation in the area of pitch is the use of musica ficta: while some accidentals were written out, most routine chromatic alterations were not notated and left to be supplied by the performer.
	en.wikipedia.org /wiki/Mensural_notation (2968 words)

	Gilles Binchois - ChoralWiki
		Gilles Binchois, a Franco-Flemish composer of the early Burgundian school, was one of the three most famous composers of the early 15th century, along with Guillaume Dufay and John Dunstable.
		Binchois is known to have written some twenty-eight Mass sections, four Magnificats, some thirty motets and hymn settings and around 55 chansons.
		His chansons are particularly remarkable, and he ranks with Dufay as a major exponent of the form.
	www.cpdl.org /wiki/index.php/Gilles_Binchois (200 words)

	History of music - Music Encyclopedia
		The style of the Burgundian composers, as the first generation of the Franco-Flemish school is known, was at first a reaction against the excessive complexity and mannered style of the late 14th century ars subtilior, and contained clear, singable melody and balanced polyphony in all voices.
		By the middle of the 15th century, composers and singers from the Low Countries and adjacent areas began to overspread Europe, moving especially into Italy where they were employed by the papal chapel and the aristocratic patrons of the arts, such as the Medici, the Este family in Ferrara, and the Sforza family in Milan.
		Early music is a general term used to describe music in the European classical tradition from after the fall of the Roman Empire, in 476 CE, until the end of the Baroque era in the middle of the 18th century.
	www.music.bestdownload.biz /music/index.php?title=History_of_music (4746 words)

	University of Oregon School of Music and Dance: About Us: Timothy Pack
		Pack has given several presentations on axial-tenor music and Franco-Flemish polyphony at scholarly conferences in the United States, the Netherlands, and Belgium.
		Pack has won several awards and prizes, including the John Ness Beck Foundation Scholarship and Composition Award, and remains active in recording, composing, and performing (piano, tuba, organ, and keyboard).
		He has recently been invited to serve as co-editor and co-author of three projects, which will be published in Belgium from 2006 to 2007: Philippe de Monte and His Time (2006), Renaissance Music from Northern France (2006), and Jacob Obrecht and His Time (2007).
	darkwing.uoregon.edu /~music/About/bios/packt.htm (301 words)

	Francesco Landini: Works List & Discography
		It did not survive the Franco-Flemish Renaissance; the use of the madrigal form by Landini and other composers of his era is not connected to the flowering of that genre in the 16th century.
		Landini's life and interests reflect the early humanist movement, and indeed some accounts of the Renaissance place the origin of that phenomenon in his time and place, with the school of the painter Giotto di Bondone (1267-1337).
		Musica in Bohemia in tempore Caroli IV Symposium Musicum and Prague Madrigal Singers.
	www.medieval.org /emfaq/composers/landini.html (6018 words)

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