Tashlin joined Leon Schlesinger's cartoon studio at Warner Bros. in 1936, where his diverse interest and knowledge of the industry brought a new understanding of camerawork to the Warners directors.
In the 1960s, Tashlin's films lost some of their spark, and his career ended in the latter part of that decade, along with that of most of the stars he had worked with.
en.wikipedia.org /wiki/Frank_Tashlin (387 words)
Frank Tashlin -- Facts, Info, and Encyclopedia article(Site not responding. Last check: 2007-10-08)
FrankTashlin (February 19, 1913 - May 5, 1972) was an (The technician who produces animated cartoons) animator, (Someone who writes screenplays) screenwriter, and (Someone who supervises the actors and directs the action in the production of a show) director.
Tashlin drifted from job to job after dropping out of high school in (A Mid-Atlantic state on the Atlantic; one of the original 13 colonies) New Jersey at age 13.
In the (The decade from 1960 to 1969) 1960s, Tashlin's films lost some of their spark, and his career ended in the latter part of that decade, along with that of most of the stars he had worked with.
FrankTashlin's cartoons were among the very best of the many wonderful Looney Tunes and Merrie Melodies that emerged from the Leon Schlesinger studio in the early forties.
Tashlin was warming up for the career in live-action films he had always wanted; he was, as he said, 'writing stories at home and trying to sell them for features,' so in his cartoons he was thinking … in feature-film terms.
Tashlin: No. No, I think all Leon was concerned about—I don't know how much he got for those cartoons, but we must have made them for a price, he made that profit in between, and that was it, and he made it on fifty-two cartoons a year, that was it.
The Films of Frank Tashlin(Site not responding. Last check: 2007-10-08)
One gets the impression that Tashlin works within the shot as long as it is graceful, but if it is simpler and less conspicuous to cut to move to a different region of the garden, he will do so.
Tashlin uses a less traditional version of classical editing in two outdoor sequences, one at the airport, the other in front of Tony Randall's home.
Tashlin was a hero to early auteurist critics, such as Godard and Peter Bogdanovich.
Tashlin's taste for the language of feature films was evident from the very beginning in his first stint as an animationdirector at Warners in 1936.
Tashlin's final three films have in common the fact that they were all intended as comedic vehicles for stars who had lost much of their lustre.
Tashlin's film career has three distinct segments: the first is comprised of his animated work; the second, of his career as a screenwriter and gagman; the third, as a feature director (though he did do some writing only work even after becoming a director).
FrankTashlin (1913-1972) was a unique figure in Hollywood cinema.
As a Hollywood comedy film director from the late 1940s onwards, Tashlin was a major transitional figure, the link between the screwball comedies of Hawks and Sturges, and the modern comedy film.
Frank and Me Away back in 1993, I was hired for one of the more significant freelance jobs of my life, to provide the "documentation" in support of a major retrospective of the work of FrankTashlin to be presented the following August (1994) by the Locarno Film Festival in Locarno, Switzerland.
Will Success Spoil Rock Hunter? (1957)(Site not responding. Last check: 2007-10-08)
Too often ill-served by either his material, his stars, or both at once, Tashlin's reputation rests on his cartoons (of course) and flashes of brilliance in otherwise so-so live-action movies.
Even Tashlin's better pictures, like SON OF PALEFACE and THE GIRL CAN'T HELP IT, tend to be mediocrities occasionally enlivened by his outlandish visual slapstick.
By the way, the only mistake I saw was in the discussion about Carl Stalling, where Tashlin says, "...of course the film library we had at Warners was enormous...," when he obviously meant the music library.
His answer was that Tashlin was the one who "escaped." Bob told me that he felt that he and Avery (and I suppose by extension, Jones, although he didn't mention him) were trapped in cartoons, and that Tashlin somehow was lucky enough to be able to jump from animation to live action.
It certainly seems from the interviews that you post (especially Tash's) that the directors never thought they were doing anything too important at the time of their creation, so I would be very interested to see how the public interest for these films changed over time...hearing an early '70s view of this would be interesting.
Arts - Animation - Artists - Directors - Tashlin, Frank - Newsletter - News - Reviews - Education - Ratings(Site not responding. Last check: 2007-10-08)
FrankTashlin Wrote and drew a syndicated comic strip between 1934 and 1938 based on show more) Sometimes Credited As: Frank TashTish Tash IMDbPro Professional Details Filmography as:Director, Writer, Producer, Miscellaneous Crew Director filmography (1990s 1960s 1950s 1940s 1930s 34;The Bugs n Daffy Show" 1996) TV Series (original material...
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TASHLIN FRANK (in MARION)(Site not responding. Last check: 2007-10-08)
The Alphabet murders [videorecording] / Metro-Goldwyn-Mayer ; directed by FrankTashlin ; produced by Lawrence P. Bachmann.
The Lemon drop kid [videorecording] / a Paramount picture ; Hope Enterprises Inc. ; screenplay by Edmund Hartmann, Robert O'Brien and FrankTashlin ; songs by Jay Livingston and Ray Evans ; produced by Robert L. Welch ; directed by Sidney Lanfield.
Rock-a-bye baby [videorecording] / a Paramount picture ; screen story and screenplay by FrankTashlin ; produced by Jerry Lewis ; directed by FrankTashlin.
We pick the top 11 movies for every mood, including 'Kiss Kiss, Bang Bang' for those looking for a hilarious, sexy, original, action-packed films starring Val Kilmer and Robert Downey Jr.
From the opening strains of Bill Haley and His Comets' “Rock Around the Clock” in Blackboard Jungle (1955), the power of rock and roll on film was obvious.
Hollywood, however, treated the new music as a fad, which directorFrankTashlin spoofed in The Girl Can't Help It (1956), the story of a talentless singer (played by Jayne Mansfield) who is transformed into a...
Think of rock and television as one of those couples plainly destined to get together but often at odds until the shotgun wedding arranged by MTV (Music TeleVision) finally got them to the altar in 1981.
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Frank Finlay and Susan Penhaligon star in Andrea Newman's heated TV saga of incest and emotional flmail.
Something of a cause celebre when it was first broadcast on ITV, Bouquest and its sequel achieved the kind of audience ratings that executives can only dream about today.
Films by FrankTashlin on DVD & VHS - MovieMail UK Empty
Featherweight comedy from ex-cartoonist Tashlin, which exploits Jayne Mansfield's simple (and ample) charms as a tone-deaf moll being groomed for singing stardom.
A riotous remake of the classic fairytale, with Jerry Lewis playing the lead role.
The Disorderly Orderly | Used(Site not responding. Last check: 2007-10-08)
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Editorial Product Review: essential video:The hugely successful collaboration between Jerry Lewis and directorFrankTashlin (including Artists and Models and The Geisha Boy) came to an end with this knockabout hospital comedy, which contains a raft of Tashlin's patented sight gags.
Jerry plays an orderly with a strange fixation on a depressed patient (Susan Oliver), but the point of the movie is watching Lewis wrestle with laundry bags or contorting with agony as he empathizes with the intestinal maladies of patients.
