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| | A Comparison of Free Jazz to 20th-Century Classical Music |
 | | On the contrary, free jazz is an intensely communicative--as opposed to self-absorbed--musical genre in which "the members of a group are forced to listen to each other with intensified concentration"(Jost, 23) and in which meaning is created through interaction and not just merely through individual expression or a group of such self-operating individuals. |
 | | Next, the different means of expression in free jazz utilized in the absence of functional tonality will then be considered, followed by an analysis of the new approaches to overall formal structure used to encapsulate these means of expression--which, as is also often true of 20th-century composition, are merely extensions of traditional forms. |
 | | Free use of mode mixture as in "India" can also be found in many classical pieces, as for example in Bartók's "Stars, Shine Brightly," which, though in the key of F minor, has many unflattened sonorities that suggest a major quality. |
| ccrma-www.stanford.edu /~blackrse/freejazz.html (7368 words) |
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