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Topic: Friedrich Wilhelm Schadow

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	Friedrich Wilhelm Schadow
		Schadow did not at first take up the ideal fresco, as did the masters at Munich, but devoted himself to oil-painting; nor did he attempt great historical subjects, but the more modest forms of art.
		Schadow held fast to the principle of the Romantic school, that more weight should be placed upon the conception than the form.
		It should, however, be remarked that Schadow, notwithstanding his study from nature, never fully overcame the weakness of the Romantic school, and although he was three times in Italy, where he studied the masters, he exhibited less original force than a graceful talent.
	www.catholicity.com /encyclopedia/s/schadow,friedrich_wilhelm.html (752 words)

	Friedrich Wilhelm Schadow - Wikipedia, the free encyclopedia
		Friedrich Wilhelm Schadow (September 7, 1789 - March 19, 1862), a German Romantic painter, was the second son of Johann Gottfried Schadow.
		Schadow was in 1819 appointed professor in the Berlin Academy, and his ability and thorough training gained devoted disciples.
		Schadow died at Düsseldorf in 1862, and a monument in the square which bears his name was raised at the jubilee held to commemorate his directorate.
	en.wikipedia.org /wiki/Friedrich_Wilhelm_Schadow (553 words)

	ART / 4 / 2DAY
		Under his teacher, Friedrich Georg Weitsch, he quickly became a skilled portrait painter, and by 1810 he was commissioned to paint portraits of members of the Prussian royal family and of the Empress of Austria.
		In 1810 Schadow went with his brother, sculptor Ridolfo Schadow [09 Jun 1786 – 31 Jan 1822] to Rome, where in 1813 he became a member of the Lukasbrüder and, in 1814, a Catholic.
		Schadow’s decorative painting was often combined with an idealistic and intellectual element, as in Poetry (1825), a winged figure standing on clouds over a coastal landscape writing the names of poets on a tablet while gazing upwards.
	www.safran-arts.com /42day/art/art4sep/art0906.html (5432 words)

	Biography of SCHADOW, Ridolfo in the Web Gallery of Art (Site not responding. Last check: 2007-10-03)
		In 1810, with his brother Wilhelm Schadow, Ridolfo moved to Rome, in 1811 taking over the Roman sculpture studio of Christian Daniel Rauch.
		From this point Schadow’s work is markedly individual: he brought a realistic, genre treatment to his figures, which drew on both classical tradition and the formal language of idealizing early 19th-century painting.
		Under the influence of his brother Wilhelm and of Friedrich Overbeck, Schadow converted to Catholicism in 1814.
	www.wga.hu /bio/s/schadow/ridolfo/biograph.html (287 words)

	Schadow, Johann Gottfried - HighBeam Encyclopedia (Site not responding. Last check: 2007-10-03)
		SCHADOW, JOHANN GOTTFRIED [Schadow, Johann Gottfried], 1764-1850, German sculptor of the neoclassical school.
		Among his best-known works are the tomb of Count Alexander von der Mark in Berlin; the Quadriga on the Brandenburg Gate, Berlin; statues of Leopold von Dessau and Frederick the Great; and monuments to Blücher at Rostock and to Luther at Wittenberg.
		Another son, Friedrich Wilhelm von Schadow-Godenhaus, 1789-1862, German religious and historical painter, was one of the Nazarenes.
	www.encyclopedia.com /doc/1E1-schadow.html (228 words)

	Neue Pinakothek [Sammlung - Rundgang]
		The young Wilhelm Schadow, a painter from Berlin, travelled with his older brother, the sculptor Rudolph Schadow, in 1811 to Rome - a trip financed through a stipend arranged by Alexander von Humboldt.
		Schadow identified so intensively with Nazarene ideals that he converted to Catholicism.
		In 1819 Schadow was named professor at the Academy in Berlin, and in 1826 took over Peter Cornelius' post as Director of the Academy in Dusseldorf.
	www.pinakothek.de /neue-pinakothek/sammlung/rundgang/rundgang_inc_en.php?inc=kuenstler&which=3179 (132 words)

	Thomas's Glassware Tour --- Berlin (D)
		Elector Friedrich III (Friedrich I as King in Prussia since 1701) commissioned Andreas Schlüter and later Johann Friedrich Eosander von Göthe to enlarge the residence in splendid Baroque style.
		The gate, commissioned by Friedrich Wilhelm II as a sign of peace, was built by Carl Gotthard Langhans in 1788–1791 in early Classicist style.
		When Friedrich III in 1701 was crowned King in Prussia (Friedrich I), the castle was enlarged to become a splendid residence.
	www.thomasgraz.net /glass/gl-091.htm (4681 words)

	NCAW Autumn 03 \| Lionel Gossman on The Nazarene Painters of the Nineteenth Century (Site not responding. Last check: 2007-10-03)
		In the Nazarenes' case, revolutionary impulse and impulse toward conversion are similarly connected as a desire to transform the individual and to transform culture itself, to begin anew—in their case, as in that of the neoclassical artists, by reconnecting with an earlier past.
		In Friedrich's view, this ruled out the use of traditional religious images and forms from an earlier time, since it was the character of the new age to be "am Rande aller Religionen" ("at the outer boundary of all religions").
		The two founders of the Vienna student group were Johann Friedrich Overbeck, son of a senator from the old Hanseatic free city of Lübeck and later its Bürgermeister, and Franz Pforr, a member of a family of painters, from the imperial free city of Frankfurt am Main.
	19thc-artworldwide.org /autumn_03/articles/goss.html (9219 words)

	artnet.com: Resource Library: Schadow (Site not responding. Last check: 2007-10-03)
		(1) Johann Gottfried Schadow was primarily a sculptor, active in Berlin from the 1780s to the 1820s at the court of three successive Prussian kings, becoming head of sculptural works to Frederick William II in 1788.
		Johann Gottfried’s son (2) Ridolfo Schadow was also a sculptor, from 1810 active in Rome, where he died at an early age in 1822.
		His younger brother, (3) Friedrich Wilhelm Schadow, was a painter, writer and teacher, holding the post of director of the Düsseldorf Kunstakademie from 1826 until 1859.
	www.artnet.com /library/07/0763/T076368.asp (247 words)

	Courtly Lives - Karl Friedrich Schinkel
		It was said that the work of Friedrich Gilly (1772-1800) so influenced the sixteen year old Karl Friedrich Schinkel (then a student of Berlin's Gymnasium zum Graven Kloster) that he gave up his ambitions in music and painting for that of architecture.
		He studied Pliny's villas, Christian basilicas, and medieval castles on the Rhine as was the passion of Friedrich Wilhelm IV, his patron.
		The tomb of Karl Friedrich Schinkel is in the Corotheenstaedt cemetary in the Chaussesstrasse, Berlin center.
	www.angelfire.com /mi4/polcrt/Schinkel.html (1442 words)

	Arte nel Mondo : La grande retrospettiva dei Nazareni (Site not responding. Last check: 2007-10-03)
		The painters Johann Konrad Hottinger, Friedrich Overbeck, Franz Pforr, Joseph Sutter, Ludwig Vogel, and Joseph Wintergerst were barely twenty but their goal was no less than to use art to free their age of rationalization and loss of meaning.
		They were guided by the wish to create a new basis for art among the people and by the utopia of uniting art and life—a utopia that would reoccur repeatedly in the twentieth century, under various ideologies.
		Friedrich Willhelm Schelling also helped set the direction: by liberating the art work from the task of imitating nature, he cleared the path for the Nazarnes and modern art, for the imitation of art and artistic processes of appropriation.
	www.artfaq.it /modules/news/article.php?storyid=526 (801 words)

	Schadow Wilhelm von Reproduction Master Works Art Gallery (Site not responding. Last check: 2007-10-03)
		In 1810 Schadow went with his brother Ridolfo Schadow to Rome, where in 1813 he became a member of the Lukasbrüder and, in 1814, a Catholic.
		Schadow’s decorative painting was often combined with an idealistic and intellectual element, as in Poetry (1825; Potsdam, Neues Palais), a winged figure standing on clouds over a coastal landscape writing the names of poets on a tablet while gazing upwards.
		Schadow's fame rests less on his own creations than on the school he formed.
	www.masterworksartgallery.com /SCHADOW-Wilhelm-von (353 words)

	ART / 4 / 2DAY
		1862 Friedrich Wilhelm Schadow, German painter, teacher, and writer, born on 06 September 1788.
		— {were shadows prominent in his pictures?}— Son of sculptor Johann Gottfried Schadow [20 May 1764 – 27 Jan 1850].
		— Friedrich Ludwig Prince of Prussia [1794-1863] and His Half-Brother Wilhelm Prince of Solms-Braunfels in 1830 (round; 164kb) — (060318)
	www.safran-arts.com /42day/art/art4mar/art0319.html (9898 words)

	The State Hermitage Museum: Hermitage News
		More than 40 of the drawings on display were part of the so-called collection of Dr. Friedrich Lukanus.
		One can see in the exhibition a work by the director of the Dusseldorf Academy of Arts Wilhelm Schadow and drawings of his first students: Julius Huebner, Ferdinand Theodor Hildebrandt, Carl Ferdinand Sohn, Eduard Bendemann and Carl Friedrich Lessing.
		From among works by Berlin masters, ther is a landscape by Karl Friedrich Schinkel.
	www.hermitagemuseum.org /html_En/11/2006/hm11_4_211.html (351 words)

	CATHOLIC ENCYCLOPEDIA: Index for S (Site not responding. Last check: 2007-10-03)
		Schlegel, Friedrich von - Poet, writer on aesthetics, and literary historian, the 'Messias' of the Romantic School, b.
		Schwarzenberg, Friedrich, Prince of - Cardinal and Prince-Archbishop of Prague, b.
		Spee, Friedrich Von - A poet, opponent of trials for witchcraft, born at Kaiserswerth on the Rhine, 25 February, 1591; died at Trier 7 August, 1635
	www.newadvent.org /cathen/s.htm (16410 words)

	SCHADOW, Friedrich Wilhelm von
		SCHADOW, Friedrich Wilhelm von, deutscher Maler des 19.
		Jahrhunderts, tätig auf dem Gebiete der religiösen Malerei, * 1789 in Berlin als Sohn des Bildhauers und Akademiedirektors Johann Gottfried Schadow.
		Bis 1810 entstanden bedeutende Porträts, die von der Berliner Bildnistradition seit Chodowiecki und Antonie Pesne beeinflußt waren, wie z.B. das posthume Bildnis der Königin Luise und als Pendant dasjenige ihres Gatten Friedrich Wilhelm III.
	www.bautz.de /bbkl/s/s1/schadow_f_w.shtml (1152 words)

	artnet.com: Resource Library: Schadow: (2) Ridolfo Schadow (Site not responding. Last check: 2007-10-03)
		In 1810, with his brother (3) Wilhelm Schadow, Ridolfo moved to Rome, in 1811 taking over the Roman sculpture studio of Christian Daniel Rauch.
		Schadow’s first Roman work, a statue of Paris (destr.; several copies, e.g.
		Schadow: (1) Johann Gottfried Schadow, §2: Maturity, 1798–1826
	www.artnet.com /library/07/0763/T076375.asp (419 words)

	19 March: This Date in History
		The commander of the German Home Army, Gen. Friedrich Fromm, is shot by a firing squad for his part in the July plot to assassinate the Fuhrer.
		Claus von Stauffenberg was given the task of planting a bomb during a conference that was to be held at Hitler's holiday retreat, Berchtesgaden (but was later moved to Hitler's headquarters at Rastenburg).
		Fromm, chief of the Home Army (composed of reservists who remained behind the front lines to preserve order at home), was inclined to the conspirators' plot, but agreed to cooperate actively in the coup only if the assassination was successful.
	www.geocities.com /quermaz/history/h4mar/h4mar19.html (7755 words)

	Opera Directory (Site not responding. Last check: 2007-10-03)
		Etymology of the word based on a Greek term meaning "speculation, doubt".
		The publishing house of Ferdinand Schöningh at Paderborn was founded by Ferdinand Friedrich Joseph Schöningh.
		A place for the teaching and practice of ecclesiastical chant, or a body of singers banded together for the purpose of rendering the music in church.
	portal.opera.com /web/?cat=39602 (11393 words)

	MUNICHFOUND CITY MAGAZINE
		Born in Düsseldorf in 1783, Peter Cornelius developed, early on in his life, strong technical skills, a lofty imagination and a desire to cultivate an art of a heroic scale.
		In October 1811 he traveled to Rome, where he quickly gained prominence among a circle of German painters—the so-called Nazarenes—that included Johann Friedrich Overbeck, Wilhelm Schadow, Philipp Veit and Ludwig Vogel.
		Back then Germany had no national school of art.
	www.munichfound.de /new.cfm?news_ID=1897 (794 words)

	Wilhelm Friedrich SCHADOW von Art Auction Sales and Market Information by artprice.com
		Wilhelm Friedrich SCHADOW von Art Auction Sales and Market Information by artprice.com
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	web.artprice.com /artistdetails.aspx?idArti=MTA1MDIwMzI5Njc3NjY=&src=2 (92 words)

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