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| | Giorgio Moroder: From Here to Eternity: Pitchfork Review (Site not responding. Last check: 2007-11-06) |
 | | From Here to Eternity was Moroder's third solo LP (after 1972's underrated, if redundantly titled Son of My Father, and 1976's Knights in White Satin), and is a marvel for disco historians, and a perfect nugget of dance music for anyone else. |
 | | The second half of From Here to Eternity loses some of the charge, if only due to its comparatively conventional, disconnected structure. |
 | | Still, the dark vocoder intro and rising intensity of soprano harmonies during the chorus of "I'm Left, You're Right, She's Gone" is a interestingly compact specimen of Moroder's way with a pop song, and only suffers when you compare it to his work with Summer from the same period. |
| www.pitchforkmedia.com /record-reviews/m/moroder_giorgio/from-here-to-eternity.shtml (1008 words) |
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