| | Elliott Smith: From a Basement on the Hill: Pitchfork Record Review (Site not responding. Last check: 2007-11-03) |
 | | Unsurprisingly, From a Basement on the Hill-- Smith's posthumous sixth solo album-- doesn't break form: Released uncomfortably close to the one-year anniversary of his death, the album is riddled with helpless proclamations and self-incriminating taunts, clanging guitars and foggy, jumbled arrangements. |
 | | And perhaps surprisingly, From a Basement on the Hill is perfectly coherent and cohesive, without any sense of being slapped together from half-finished parts. |
 | | Still, the most disheartening thing about From a Basement on the Hill is its plainness-- it's neither a perfect record (and not one of Smith's best) nor the kind of colossal disaster that could be angrily pinned on money-hungry handlers and desperate fans. |
| www.pitchforkmedia.com /article/record_review/21818/Elliott_Smith_From_a_Basement_on_the_Hill (679 words) |