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Topic: Fujiwara no Teika

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Fujiwara clan

Fujiwara family

Fujiwara no Yoritada

Fujiwara Regents

Fujiwara no Michinaga

Fujiwara no Motozane

Fujiwara no Yoshifusa

Fujiwara no Kanemichi

Fujiwara no Mototsune

Fujiwara no Tadamichi

Fujiwara no Tadahira

Fujiwara no Michitaka

In the News (Thu 16 Feb 12)

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	Fujiwara family - encyclopedia article about Fujiwara family (Site not responding. Last check: 2007-10-17)
		In 668 Emperor Tenji (reigned 668-671), bestowed the kabane Fujiwara no Ason on Kamatari.
		The surname passed to the descendants of Fujiwara no Fuhito (520-605), the second son and heir of Kamatari, who was prominent at the court of several emperors and empresses during the early Nara period.
		Fujiwara no Yorinaga sided with the retired emperor in a violent battle in 1158 against the heir apparent, who was supported by the Taira and Minamoto.
	www.dr-science.org /wiki/Fujiwara_family (1971 words)

	2001 Waka - Teika
		Fujiwara no Sada'ie (better known to history as Teika) (1162-1241) is one of the four greatest Japanese poets.
		Teika's relationship with Gotoba was to sour, leading to a decline in his fortunes, but his poetic reputation remained high, and he was rehabilitated after Gotoba was exiled by the Shogunate in 1221.
		Teika also, like his father, championed the Genji Monogatari, and his work produced the texts upon which are based modern editions of the Genji, the Ise Monogatari and, indeed, the Kokinshû itself.
	www.temcauley.staff.shef.ac.uk /teika.shtml (333 words)

	Waka - Biocrawler (Site not responding. Last check: 2007-10-17)
		The waka in the Man'yōshū had no fixed form, but already poets in the late 7th century, in the time of the empress Saimei began to create Choka and Tanka in the form we know today.
		Nukata no Okimi, Kakinomoto no Hitomaro, Yamabe no Akahito, Yamanoue no Okura, Otomo no Tabito and his son Yakamochi were the greatest poets in this anthology.
		He also praised Minamoto no Sanetomo, the third Shogun of Kamakura Shogunate, who was a disciple of Fujiwara Teika and made waka in a style much like that in the Man'yōshū.
	www.biocrawler.com /encyclopedia/Choka (2767 words)

	Waka - Encyclopedia, History, Geography and Biography
		Fujiwara no Shunzei and his son Fujiwara no Teika, and Emperor Go-Toba.
		Newly created haikai no renga featuring the hokku as the opening verse (of which haiku was a late 19th-century revision) was the favored genre.
		He also praised Minamoto no Sanetomo, the third Shogun of the Kamakura Shogunate, who was a disciple of Fujiwara Teika and composed waka in a style much like that in the Man'yōshū.
	www.arikah.net /encyclopedia/Waka (3096 words)

	Fujiwara no Teika Criticism and Essays
		A member of the influential Fujiwara clan, Teika belonged to the Mikohidari branch of this aristocratic family whose members were part of a long literary tradition, enjoyed multitudinous links to the Japanese imperial court, and were notorious for their affinity for political intrigue.
		Teika's connection with the group would culminate in 1193 with his contributions to the Roppayakuban uta-awase, a sizable and decisive contest that pitted Teika's innovative poetics against the more established and traditional works of his conservative contemporaries, the Rokujō poets, and brought Teika unprecedented attention as a writer.
		Teika's writings can be divided into three general categories: original works of poetry and poetic sequences, anthologies and critical pieces, and literary prose, including a diary and a lengthy romantic tale.
	enotes.com /classical-medieval-criticism/fujiwara-no-teika/introduction (2139 words)

	Fujiwara no Teika - Wikipedia, the free encyclopedia
		Teika's grandfather was the venerable poet Fujiwara no Toshitada.
		Teika was asked to participate in a poem competition on the 13th of the second month; Teika declined, citing as a reason the anniversary of his mother's death 26 years previous, in 1194.
		Teika researched old documents and recovered the earlier system of deciding between interpretations of kana, and developed a systematic orthography which was used until the modern Meiji period.
	en.wikipedia.org /wiki/Fujiwara_no_Teika (7150 words)

	Fujiwara no Teika
		Teika was born to a minor and distant branch of the aristocratic and courtly clan, the Fujiwara, in 1162, sometime after the Fujiwara regents had lost their political pre-eminence in the Imperial court during the Hōgen Rebellion.
		Teika's goals as the senior male of his branch were to inherit and cement his father's position in poetry, and to advance his own reputation (thereby also improving the political fortunes of his own clan in the court).
		Teika probably referred to himself as Sadaie, and his father probably called himself Toshinari, but the Sino-Japanese versions of their names were used by their contemporaries, and this practice is still observed." pg 681-692, note 2 of Seeds in the Heart: Japanese Literature from Earliest Times to the Late Sixteenth Century, Donald Keene.
	www.danceage.com /biography/sdmc_Fujiwara_Teika (7132 words)

	Tale of Genji
		One was Minamoto no Mitsuyuki (died 1244), whose work was completed in 1255 by his son Chikayuki (died 1277).
		Teika wrote in his diary that his copy had disappeared in the 1190s and that he had therefore begun collecting and collating others.
		From the standpoint of the nonspecialist, especially the reader of a translation, there is no striking discrepancy between the Kawachi-bon and Aboyoshi-bon lines, but study of the beppon may yet yield insight into an earlier state of the text.
	us.penguingroup.com /static/packages/us/taleofgenji/introduction5.html (263 words)

	pmjs archive: "no" used in personal names
		I was recently told that one uses "no" with Fujiwara but not with Nijo or Kyogoku because "no" is used with uji (clans) and dropped when the name specifies a certain lineage.
		Fujiwara no Teika does sound a bit much, but I somehow prefer Fujiwara no Sadaie to dropping the no in that case.
		Fujiwara no Teika, Fujiwara no Toshinari no Musume, and Fujiwara no Michitsuna no Haha.
	www.meijigakuin.ac.jp /~pmjs/archive/2001/noinnames.html (2143 words)

	TWWH CHAPTER ONE
		Ono no Komachi was not only one of the immortal poetess of Japan, she was a legendary beauty.
		The Lady Shikibu, (Chief Maid of Honor for Sohshi, chief consort of the Emperor Ichijoh) was a great-granddaughter of the poet Fujiwara no Kanesuke and daughter of the Lord of Echigo.
		A Noh play was written of her life and titled, Teika, which suggests a connection between her and Fujiwara no Teika, but sources deny rumors of a romance or liaison between the two.
	www.ahapoetry.com /twchp1.htm (3663 words)

	Features: Akiko Tsukamoto
		Fujiwara-no Teika states that Honkadori must not be 'stealing', but the difference between a genuine Honkadori and a false one lies, in his view, in the effect on the reader (or listener, if the poem is recited).
		Teika’s aesthetics always assumes an objective reader possessing full knowledge and the ability to grasp well-made allusions and references.
		Of course, if an actual reader does not know the original poem he may fail to grasp and appreciate it, but Japanese court poetry was intended for a class of connoisseurs, which of course is the only context in which this sort of use of quotation can play the desired role.
	www.poetrylives.com /SimplyHaiku/SHv2n4/features/Akiko_Tsukamoto.html (4114 words)

	Simply Haiku: Quarterly Journal of Japanese Short Form Poetry ~ Feature
		He happened to be affiliated with the noble Reizei house (descendants of Fujiwara no Teika) at a time when another faction was dominant at court; and also he managed to somehow offend the shogun, Ashikaga Yoshinori.
		Furthermore, since it was the conservative standards of the Nijō tradition (also claiming descent from Teika) that dominated critical discourse throughout the Warring States and Edo periods, his work was also kept off the lists of "recommended reading" for poets for that reason—especially, again, for younger readers.
		No doubt some people find this strange, but I believe that a close look at the originals shows that most uta "unfold" toward a final punch-line or revelation or conclusion of some sort which maintaining the original image order helps to approximate.
	www.poetrylives.com /SimplyHaiku/SHv4n2/features/Carter_interview.html (3342 words)

	Ceramics - The Twelfth Month
		Each plate in Ogata Kenzan's set of twelve was painted in delicate tones on the front, with indigo-blue wisteria patterns around the side.
		Each plate represents a specific month and includes images related to poems-composed in 1214 by Fujiwara no Teika-which Kenzan copied on the reverse.
		Fujiwara no Teika was court poet to the abbot of the temple Ninnaji in Kyoto.
	www.lacma.org /japaneseart/ceramics/twelfth.htm (377 words)

	2001 Waka - Shunzei
		Fujiwara no Toshinari (better known to history as Shunzei) (1114-1204) was, perhaps, the most influential poetic figure of his age.
		In his youth he studied widely, spending time learning from both Fujiwara no Mototoshi and Minamoto no Shunrai.
		As the compiler of the Senzaishû, he was able to include gifted younger poets such as Saigyô, Fujiwara no Teika and Princess Shokushi and was thus able to champion new concepts and styles in waka composition and inaugurate the second great age of Japanese poetry, represented by the Shinkokinshû
	www.temcauley.staff.shef.ac.uk /shunzei.shtml (140 words)

	artnet.com: Resource Library: Fujiwara (ii) (Site not responding. Last check: 2007-10-17)
		The Fujiwara clan was founded by Nakatomi no Kamatari (614–69), who had assisted Prince Naka no Oe (later Emperor Tenji, reg 661–72) in the coup of 645 that eliminated the rival Soga family.
		The Fujiwara reached the height of their power with the regent Fujiwara no Michinaga (966–1028), after whose time Fujiwara dominance at court began to decline.
		(1) Fujiwara no Sari and (2) Fujiwara no Kozei, along with ONO NO MICHIKAZE, were renowned as the Sanseki (‘three brush traces’; Three Masters), so designated because of their accomplishments in both Chinese- and Japanese-style calligraphy, but several other members of the family also achieved fame as calligraphers or painters.
	www.artnet.com /library/03/0301/T030130.asp (402 words)

	Fujiwara Tatsuya Fujiwara - Filmography, Awards, Biography, Agent, Discussions, Photos, News Articles, Fan (Site not responding. Last check: 2007-10-17)
		Chris Fujiwara is the author of Jacques Tourneur: The Cinema of Nightfall, published by Johns Hopkins University Press, with a foreword by Martin Scorsese.
		Fujiwara Nobuzane art links/last verified October 3-4, 2004 All images and text on this Fujiwara Nobuzane page are copyright 1999-2004 by John Malyon/Artcyclopedia, unless.
		Fujiwara no Fuhito, the son and heir of Kamatari was prominent at the.
	www.99hosted.com /names8876.html (390 words)

	Rare poems turn up in Jimbocho bookstore (Site not responding. Last check: 2007-10-17)
		A seller of secondhand books in Tokyo's Jimbocho district has obtained a book containing two poetry collections copied by the noted poet and critic Fujiwara no Sadaie (1162-1241), the Mainichi has learned.
		Fujiwara no Sadaie, a leading scholar of his day, helped compile a famous anthology of classical poetry known as
		Under the copyright law of Japan, use of all materials on this website, except for personal and noncommercial purposes, is prohibited without the express written permission of the Mainichi Newspapers Co.
	www.hartford-hwp.com /archives/55a/402.html (196 words)

	Japan to 1615 by Sanderson Beck (via CobWeb/3.1 planetlab2.cs.virginia.edu) (Site not responding. Last check: 2007-10-17)
		The power of the Fujiwara clan increased by marrying their daughters to emperors and by means of their great wealth and estates in the provinces.
		Her father Tametoki was in the Fujiwara clan and became governor of Echizen about 996 and later of Echigo; in 1016 he retired from government and became a Buddhist priest, outliving his daughter Murasaki.
		Fujiwara Seika (1561-1619) was a Buddhist monk until he was 37; but after meeting the Korean war captive Kang Hang (1567-1618), he became devoted to the Neo-Confucian philosophy.
	www.san.beck.org.cob-web.org:8888 /3-11-Japanto1615.html (17271 words)

	Teika's Famous Poem (Site not responding. Last check: 2007-10-17)
		Teika alludes to two traditional subjects, the cherry blossoms of spring and the changing maple leaves of autumn, but instead of celebrating them directly, he describes a setting in late autumn or early winter in which they are conspicuously absent.
		The setting itself, a monochromatic scene of a lowly fisherman's hut by the bay, is untraditional and suggests some of the new tastes of the medieval age.
		But his explanation makes no mention of Tendai Buddhism and instead posits "new tastes of the medieval age." LaFleur would regard these new tastes as distinctly Buddhist.
	www.east-asian-history.net /textbooks/480/teika_poem.htm (222 words)

	Japan Sessions (Site not responding. Last check: 2007-10-17)
		Makura no sôshi has been used to rationalize within Japanese literary histories a linear development of the zuihitsu (literally, "following the brush," roughly equivalent to essay or miscellany) genre within the vernacular tradition, as well as the position of female writing within the history of Japanese literature.
		As a result, Makura no sôshi plays an uneasy role of heading a group of male-authored texts of largely didactic nature, of which it, the female-authored text, appears to be the primitive prototype.
		Extant manuscripts of Eifukumon-in’s jikaawase contain no judgments; however, it asks to be appraised—not only because of the poetry’s quality but also because of the format she chose for presentation.
	www.aasianst.org /absts/2005abst/Japan/j-205.htm (1175 words)

	Dai Ichi Arts, Ltd.
		Under the insightful (and influential) eyes of the great Tea masters and taste-makers Shuko (1448-1474) and especially the legendary Sen no Rikyu (1522-1591), Bizen ware was elevated to the realm of art.
		To Sen no Rikyu the earthy, yet elegant, qualities of Bizen ware complemented the aesthetics of the Tea ceremony as he intended to see it practiced: restrained, austere, sincere, pure.
		This aesthetic is known as "wabi-sabi" and celebrates that which is poor, desolate, imperfect, and impermanent.
	www.daiichiarts.com /bizen_text.html (1114 words)

	Royall Tyler Interview
		She was called to serve as a lady-in-waiting to the Empress, Shôshi.
		Apparently, it was under the patronage of the Empress and her father, the great statesman Fujiwara no Michinaga, that she wrote a lot of the tale, but we don't know how much.
		The text read by everyone today is the one by compiled by a great man of letters, Fujiwara no Teika, in about 1200.
	www.csse.monash.edu.au /~jwb/tylerinterview.html (2229 words)

	Yugen - The real meaning from Timesharetalk wikipedia (Site not responding. Last check: 2007-10-17)
		In the criticism of Japanese waka poetry, it was used to describe the subtle profundity of things that are only vaguely suggested by the poems, and was also the name of a style of poetry (one of the ten orthodox styles delineated by Fujiwara no Teika in his treatises).
		In the treatises on the Noh theatre by Zeami Motokiyo it refers to the grace and elegance of the dress and behaviour of court ladies.
		On the Art of the No Drama : The Major Treatises of Zeami.
	www.timesharetalk.co.uk /wiki.asp?k=Yugen (223 words)

	poem
		The real Way of Tea has degenerated in the hands of so many who seek to use it as a toy, a plaything of their prosperity.
		What we see now coming is a shallow tea, and if I live long, I alone will enjoy the tea of the grass hut, and no one will come to share it with me. How sad it is.
		In tranquil meditation, no margin divides their hearts.
	www.urasenkeseattle.org /poem (1031 words)

	[No title]
		When her idle husband refuses to go into the mountains to collect firewood, the wife loses her temper and threatens to do him in with a sickle, declaring there is no point in him being alive.
		In Kyogen, which is believed to have developed during the Muromachi Period, many of the characters are city or farming men, women, parents, children, etc., who have no family names.
		Until the beginning of the middle ages, it was customary for men to be received into the households of their brides.
	unpan1.un.org /intradoc/groups/public/documents/APCITY/UNPAN021949.htm (3585 words)

	2001 Waka - The Shinkokinshu (via CobWeb/3.1 planetlab2.cs.virginia.edu) (Site not responding. Last check: 2007-10-17)
		1183-1198), and compiled by a team of poets, of whom Fujiwara no Teika is the most renowned.
		Gotoba took a considerable interest in the compilation process, having a number of disagreements with Teika over it, and even going so far as to produce his own version of the collection later.
		As its name suggests, the Shinkokinshû was envisaged as a successor to the Kokinshû, and follows its 20 book pattern, but also includes a substantial representation of older poets among the new.
	www.temcauley.staff.shef.ac.uk.cob-web.org:8888 /shinkokinshu.shtml (212 words)

	Genji Monogatari (Site not responding. Last check: 2007-10-17)
		As the first stage of this project, the original text of Genji monogatari, a romanized version, and a modern Japanese translation are to be made available.
		We will begin with Chapter 1, "Kiritsubo," and continue to the end at Chapter 54, "Yume no Ukihashi." In the second stage, we plan to supply annotation, commentary, and criticism of the text.
		In the original version, we chose a manuscript text edited by Fujiwara no Teika, which is widely considered to be the most reliable among older texts.
	etext.lib.virginia.edu /japanese/genji/MurGenj.editorial.html (545 words)

	Japanese Culture - Arts - Literature and Writers up to 1868 (via CobWeb/3.1 planetlab2.cs.virginia.edu) (Site not responding. Last check: 2007-10-17)
		It was compiled by the poet Fujiwara Teika but one of the major figures included is the priest Saigyo.
		Basho Matsuo (1644-94) was a Zen lay priest and his haiku often form part of travel journals and were written on the road, capturing his mood and surroundings in various parts of the country as he traced the footsteps of earlier literary greats such as Saigyo and Sogi.
		It tells of Basho's almost 1,500 mile pilgramage with his disciple Sora from Edo to northern Japan, undertaken when he was 48 and shortly before his death.The two other great haiku poets of this period were Yosa Buson, a painter and Kobayashi Issa, a peasant villager.
	www.japan-zone.com.cob-web.org:8888 /culture/literature.shtml (1074 words)

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