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| | Paul Benedict Grant: "The Poet Kept Smiling": Gallows Humour or Nabokov's Last Laughs (Site not responding. Last check: 2007-10-11) |
 | | Freud's theory provides a model for the way in which Nabokov's humour functions not only during the instances of execution which appear in his fiction, but also, in a more general way, throughout his work. |
 | | Gallows humour has many guises, and Nabokov's prisons are as figurative as they are literal. |
 | | The impossibility of doing so, the "utter degradation, ridicule, and horror of having developed an infinity of sensation and thought within a finite existence" (Speak, Memory), suggest that, in a sense, all of Nabokov's humour might be termed "gallows" humour: an evasion of reality, amusement stolen in the midst of this unalterable truth. |
| www.ssees.ac.uk /grant.htm (415 words) |
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