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| | Satya |
 | | The Commissioner is given free reign to eradicate the gangsters and a bloody full-scale police-gangster-politician war ensues. |
 | | I liked how the film wasn’t partial to either side, and although much of the movie was a gangster tale, it didn’t portray the police as gratuitously evil, stupid, or one-dimensional — they are dedicated to their jobs in a world they have little control over, and they too have families and loved ones. |
 | | Satya, however, portrays women differently than other gangster films where women are portrayed as burdens, excess baggage, the ball and chain, an obstacle to a man’s career, a hapless victim that is used for kidnapping and extortion, wrecker of brotherhood, and other tedious stereotypes. |
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