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	Gary - Wikipedia, the free encyclopedia
		The word Gary is a local term used by people in the Midlands of the United Kingdom to refer to a Chav or Townie.
		The usage of Gary as a male given name in America is interestingly intertwined with the success of the actor Gary Cooper.
		According to the Social Security Administration, Gary was relatively rare as a given name in the 1900-1920s period (e.g., in the 1910s it was the 677th most frequent name, given to less than 0.01% of the babies born in that decade).
	en.wikipedia.org /wiki/Gary (491 words)

	Gary Bartz: Music Is His Sanctuary
		Gary Bartz is one top-notch jazz musician whose profile has suffered because he dared to believe that jazz and other fl music genres are not separate, but rather are pieces of a great whole.
		Bartz was part of Davis’s anti-funk/anti-jazz band, but didn’t do much recording with Davis, though he can be heard on some live recordings such as Live-Evil and Isle of Wight.
		Bartz should be one of the most recognizable figures in post-1960s jazz, but his interest in playing beyond the confines of what saxophonist Courtney Pine has called ‘the jazz room’ effectively derailed his career for a time—proof positive that rewriting jazz history to suit an ulterior agenda is dangerous business.
	www.jazzitude.com /gary_bartz.htm (1199 words)

	Print Article: Gary Bartz Quartet (Site not responding. Last check: 2007-10-21)
		Such was the furnace of power and passion stoked up by saxophonist Gary Bartz and his quartet.
		Bartz was so taken by McAll's playing that he invited the Australian to join his permanent band.
		Now Bartz is back to headline at this weekend's Wangaratta Festival, and McAll is a vital part of what might be the finest jazz band to visit this year.
	www.smh.com.au /cgi-bin/common/popupPrintArticle.pl?path=/articles/2003/10/31/1067566080377.html (321 words)

	MTV.com - Gary Bartz
		Alto saxophonist Gary Bartz attended the Juilliard Conservatory of Music and became a member of Charles Mingus' Jazz Workshop from 1962-1964 where he worked with Eric Dolphy and encountered McCoy Tyner for the first time.
		In addition, Bartz also formed his own bands at this time and recorded a trio of albums for Milestone, and continued to tour with Max Roach's band.
		Bartz formed the NTU Troop that year as well, an ensemble that fused soul and funk, African folk music, hard bop, and vanguard jazz into a vibrant whole.
	www.mtv.com /bands/az/bartz_gary/bio.jhtml (316 words)

	Gary Bartz - Wikipedia, the free encyclopedia
		Gary Bartz (born in 1940) is an American alto and soprano saxophonist.
		Since graduating from The Juilliard School he has worked with Charles Mingus, Art Blakey and the Jazz Messengers, Miles Davis, McCoy Tyner, Max Roach, and Jackie McLean, as well as performing and recording with his own groups, among them the Ntu Troop, which combined soul, funk, African folk music, hard bop, and avant-garde jazz.
		In 2005, Bartz won a Grammy for playing on McCoy Tyner's album Illuminations.
	en.wikipedia.org /wiki/Gary_Bartz (147 words)

	BBC - Jazz Review - Gary Bartz, I've Known Rivers And Other Bodies
		Though much of altoist Gary Bartz's seventies output has been reissued, this live date from the 1973 Montreux festival has remained as rare as rocking horse droppings until now.
		Though initially inspired by Charlie Parker, Bartz eventually proved himself to be one of the few alto saxophonists to successfully draw on John Coltrane's legacy.
		Bartz's dedications to Malcolm X and Coltrane give some indication of the band's political and musical intent.
	www.bbc.co.uk /music/jazz/reviews/bartzgary_rivers.shtml (706 words)

	Gary Bartz/NTU Troop: I've Known Rivers & Other Bodies
		Gary Bartz certainly hasn’t gotten the respect he deserves over the years since he first came to the attention of the public as Miles Davis’s replacement for Wayne Shorter.
		Bartz is clearly operating under the spell of John Coltrane’s A Love Supreme, as were many other young musicians of the day.
		Bartz’s clear, sharp, inventive alto and soprano sax work is nearly always front and center, and despite the electronics and RandB trappings, you still get plenty of straight out, inspired jazz blowing.
	www.jazzitude.com /fantasy_bartzrivers.htm (512 words)

	gary bartz : International JAZZ PRODUCTIONS.com
		Gary was born in Baltimore, Maryland, USA, in 1940.
		His parents used to run a Jazz Club in the city, a fact that was seminal in Gary's career.
		During this period Gary recorded an imposing number of LP's, such as "Another earth", "Home" (1969), "JuJu", "Street Long" (1972), "I have known rivers" (1973), "Singerella" (1974) or "Betcha by Golly Wow", with Norman Connors (1976).
	www.internationaljazzproductions.com /gbartz.html (471 words)

	»Artist Profile »Bartz, Gary (Site not responding. Last check: 2007-10-21)
		Things were fresh." Back then, Gary could regularly be found drinking Cokes in the all ages "peanut gallery" of Birdland, enjoying a marathon bill of performers.
		In 1968, Bartz began an association with McCoy Tyner, with whom he still performs and records with to this day.
		During his first two years with Tyner, Gary was also touring with Max Roach then in 1970, Bartz received a call from Miles Davis.
	www.candidrecords.com /artist_profile/bartz,_gary.shtml (460 words)

	Jazz Music Promotion Magazine: Gary Bartz : Adult music, Free CD, promotion on the internet - FREE Music Promotion Tips ...
		Bartz received a call from Miles Davis in 1970; work with the legendary horn player marked Gary's first experience playing electric music.
		Bartz followed those impressive works in 1995 with the release of his debut Atlantic album, The Red and Orange Poems, a self-described musical mystery novel and just one of Gary's many brilliantly conceived concept albums.
		Back when Bartz masterminded the much-touted I've Known Rivers album, based on the poetry of Langston Hughes, his concepts would be twenty years ahead of those held by some of today's jazz/hip hop and acid jazz combos.
	music.ela.cc /bio_-Gary_Bartz_-Jazz.html (824 words)

	Gary Bartz - Page 2 - Jazz Bulletin Board
		I used to see Gary Bartz quite regularly in the late 1980's when he played a regular gig in our hometown of Baltimore at a now closed club called the Jazz Closet.
		Bartz has managed to maintain a high level of quality throughout his recordings of the last twenty years.
		When I spoke with Bartz several years ago, he allowed that Libra was his favorite among his discs.
	forums.allaboutjazz.com /showthread.php?p=94572 (1018 words)

	Billy Taylor's Jazz
		Gary Bartz is one of the most commanding, yet undersung jazz alto saxophonists on the scene today.
		Bartz hooked up with Miles Davis, during some of his earliest electric fusion bands, while at the same time, leading his own Afrocentric fusion funk combo, The NTU Troop.
		On this edition, Dr. Taylor welcomes the outstanding Gary Bartz to engage in some informative conversation and for him join his trio in bright renditions of "The Blues," Miles Davis' "Half Nelson," Duke Ellington's "Come Sunday," and Cole Porter's "What Is This Thing Called Love."
	www.npr.org /programs/btaylor/archive/bartz_g.html (289 words)

	Gary Bartz : Another Earth - Listen, Review and Buy at ARTISTdirect (Site not responding. Last check: 2007-10-21)
		This out-of-print LP (one of several from the Prestige and Milestone catalog that are long overdue to be reissued on CD) was one of the finest of altoist Gary Bartz's early years.
		The 24-minute multi-movement "Another Earth" is a stormy affair matching Bartz with trumpeter Charles Tolliver, the fiery tenor Pharoah Sanders, pianist Stanley Cowell, bassist Reggie Workman and drummer Freddy Waits.
		The flip side of the record has three quartet outings by Bartz, Cowell, Workman and Waits, including the mysterious ballad "Dark Nebula" and an uptempo blues, "UFO," plus a Bartz-Workman duet on "Lost in the Stars." Well worth searching for, this adventurous music is quite colorful and always holds one's interest.
	www.artistdirect.com /nad/store/artist/album/0,,48910,00.html (185 words)

	Gary Bartz
		Gary continues to perform and record with McCoy to this day.
		Bartz followed those impressive works in 1995 with the release of his debut Atlantic album THE RED AND ORANGE POEMS, a self-described musical mystery novel and just one of Gary's brilliantly conceived concept albums.
		This initial release on his own OYO label bares testimony to Gary's continuing growth as a composer, group leader, and master of both the alto and soprano saxophones.
	garybartz.com /bartzhome.html (858 words)

	Gary Bartz : Juju Man - Listen, Review and Buy at ARTISTdirect
		Although altoist Gary Bartz's career was beginning to become a bit aimless during this period (as if he were searching for commercial success), and his recordings tended to be erratic, this mostly straight-ahead outing was a major exception.
		Bartz teams up with pianist Charles Mims, bassist Curtis Robertson and drummer Howard King for a stimulating set of music.
		This was Gary Bartz's best jazz session as a leader until he re-emerged on Mapleshade in 1987; it is a pity that the Catalyst label's LPs are difficult to find.
	www.artistdirect.com /nad/store/artist/album/0,,48916,00.html (214 words)

	Gary Bartz - Jazz Bulletin Board
		i've only had the privilege of hearing gary bartz as a sideman, but what i've heard is consistently excellent.
		When Bartz was younger, he was one of the first alto players, along with the equally underappreciated Sonny Fortune, who reflected something of a Jackie McLean influence.
		But Bartz himself was very good, of course, I just wish it had been a better show.
	forums.allaboutjazz.com /showthread.php?t=6045 (587 words)

	Blogcritics.org: Gary Bartz and the Third Trio From the Sun at the Jazz Bakery
		Gary Bartz and the Third Trio From the Sun at the Jazz Bakery
		Gary Bartz and the Third Trio from the Sun begin with an enlightening medley of sound.
		In the case of Gary Bartz, not only are you given his history, but all of the new nuances to the music that he gets from his younger band mates as well.
	blogcritics.org /archives/2004/09/05/123858.php (1377 words)

	NPR : Gary Bartz
		The Tavis Smiley Show, May 22, 2002 · Tavis Smiley gets a jazz retrospective from musician Gary Bartz.
		Bartz is a composer and Grammy Award-winning saxophonist.
		His music spans six decades of jazz innovations and was influenced by all the great jazz musicians before and during his time.
	www.npr.org /templates/story/story.php?storyId=1143756 (111 words)

	Deep Groove Encyclopedia - Gary Bartz
		Gary Bartz was one of many jazz artists to wade in the commercial waters of fusion, earning the wrath of purists but gaining a larger audience courtesy of the rare groove classics "Music Is My Sanctuary" and "Celestial Blues."
		A change of labels to Capitol only confirmed Bartz's break from straight jazz, especially when he recorded Coltrane's "Giant Steps" in a disco syle.
		Shocked many people at the time of its release, but Bartz has worked in a similar style in the ensuing years.
	www.allthingsdeep.com /dge/bartz.htm (354 words)

	JFLC: Spheres of Influence (Site not responding. Last check: 2007-10-21)
		GARY BARTZ AND KENNY BARRON IN A DUET ON THE HUDSON, FOR THIS JAZZ FROM LINCOLN CENTER.
		PERFORMED BY GARY BARTZ ON ALTO SAXOPHONE AND KENNY BARRON ON PIANO, AT THE STANLEY KAPLAN PENTHOUSE.
		In Gary's case, // the physical exists to, to liberate the emotional.
	www.jazzatlincolncenter.org /radio/scripts/bbartz.html (1145 words)

	Gary Bartz News (Site not responding. Last check: 2007-10-21)
		News about Gary Bartz continually updated from thousands of sources around the net.
		Jazz with Eric in the Evening Tune in for a look back at the 40-year career of saxophonist Gary Bartz, who has performed and recorded with the likes of Miles Davis, McCoy Tyner, and Max Roach.
		Why jazz is no longer as political as in the days of "Fables of Faubus" and "Alabama" has been the subject of much recent Internet chatter.
	rss.topix.net /who/gary-bartz (194 words)

	Jazz Gary Bartz Music Promotion Magazine: Adult music, Free CD, promotion on the internet - FREE Music Promotion Tips - ...
		Jazz Gary Bartz Music Promotion Magazine: Adult music, Free CD, promotion on the internet - FREE Music Promotion Tips - Design - Music Promotion, New Music Releases
		Gary Bartz first came to New York in 1958 to attend the Julliard Conservatory of Music.
		Gary has recently reformed his group of the 70s, NTU Troop with the new name NTU Troop 2000.
	music.ela.cc /artist_-Gary_Bartz_-Jazz.html (224 words)

	Vancouver Jazz Forum - Gary Bartz and Peter Leitch
		I attended the Nov. 1 show by Gary Bartz and Peter Leitch in North Van and found I was one of only about 50-55 people in the audience.
		I'm used to this kind of poor attendance at jazz shows in Kelowna, where I live, but I was surprised to find the same thing in Vancouver, especially for Gary Bartz and Peter Leitch.
		At The Cellar, I attributed the poor turnout to the fact it was Halloween night and people had parties to go to.
	vancouverjazz.com /forums/showthread.php?t=135 (276 words)

	Disco Music .com Gary Bartz
		Disco Music Home > Disco Records A-Z Index > Disco Records B > Gary Bartz
		GEMM for Used Gary Bartz Records and CDs
		Gary Bartz : Shake Your Body (It's The Joint)
	www.discomusic.com /print.php/4786_0_2_0 (58 words)

	Lades: John Campbell Trio->Three Tenors->Malachi Thompson-Gary Bartz (Site not responding. Last check: 2007-10-21)
		The group was actually a quartet edition of Malachi Thompson's Freebop band with the great altoist-sopranoist, Gary Bartz as guest.
		While Bartz's appearances are always a treat I didn't call him a "special" guest because he and Billy Harper have come to the mid-west to play with Thompson's group on a number of occasions, and made guest appearances on some of the tracks on those Delmark discs.
		After an intermission, the group played Malachi's piece, "Nubian Call." After explaining how and why this piece was written, he mentioned that it makes use of his knowledge of Slonimsky's Thesaurus of Scales, which he had studied in college because he had heard about how 'Trane had devoured it.
	www.angeltowns.com /town/ladenso1/CampbellBartz.html (1049 words)

	Gary Bartz NTU Troop - I’ve Known Rivers and Other Bodies - Jazzmatazz review
		Gary Bartz NTU Troop - I’ve Known Rivers and Other Bodies - Jazzmatazz review
		Bartz came to New York an anticipatory disciple of Bird, and left in search of Trane.
		The music speaks to fl America’s aspirations, turning funky as Bartz exhorts the listener with “Uhuru Sasa”, an Africanized Les McCann funk with great body:
	home.att.net /~jazzmatazz/reviews/03/r0311d.html (175 words)

	Gary Bartz guitar tabs, bass tabs, drum tabs, chords and notation @ Bandlink.net (Site not responding. Last check: 2007-10-21)
		Gary Bartz guitar tabs, bass tabs, drum tabs, chords and notation @ Bandlink.net
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		Whether you are searching for chords, guitar tabs, bass tabs, drum tabs or even piano notation, you will almost certainly be able to find what you are looking for at one of these sites.
	www.bandlink.net /tabs/069/02/gary-bartz.html (120 words)

	Jazz Bulletin Board - Gary Bartz
		September 14th, 2004 06:40 AM i've only had the privilege of hearing gary bartz as a sideman, but what i've heard is consistently excellent.
		September 15th, 2004 07:08 AM I recently caught a TV recording of a gig where he was the saxophonist with JoAnne Brackeen's band.
		December 9th, 2004 03:21 AM Bartz appears on Grachan Moncur III's new one, "Exploration".
	forums.allaboutjazz.com /printthread.php?t=6045 (638 words)

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