| |
| | The Austin Chronicle Arts: Review - Waiting for Godot |
 | | The Gate boast Irish artist Louis le Brocquy's stage design as requested by Beckett, an accomplished Beckett cast, and Beckett buddy Walter D. Asmus in the director's chair. |
 | | The performers in Austin Musical Theatre’s revival of A Chorus Line dance and sing and act, well, like they have been doing this on Broadway stages all their careers. |
 | | There was so much to enjoy in the Gate Theatre of Dublin's production of Samuel Beckett's play Krapp's Last Tape, most particularly David Kelly's poignant, honest, simple, straightforward, performance as Krapp, but understanding the tape itself was so difficult that it almost destroyed the experience. |
| www.austinchronicle.com /gyrobase/Issue/review?oid=oid:78809 (663 words) |
|