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| | Raoul Ruiz |
 | | However, as the bizarre story unfolds, his new benefactor (and lover) is revealed to be the ghost of his victim who had reassumed a physical form in order to be able to exact retribution on her cold-blooded murderer. |
 | | Raoul Ruiz creates a deliriously irreverent, exquisitely intricate, and modern-day comic fable on predestiny, human will, and folly of manipulative (and exploitive) psychological study in Genealogies of a Crime. |
 | | In the end, it is Ruiz's sophisticated, intelligent, and infectiously playful anti-intellectualism that transforms the seemingly rote psychological drama on instinctuality and compulsion into a sublime and effervescent exposition on the interconnection between art and life, the foibles of rationalized, amoral behavior, and the innate recursiveness of human history. |
| www.filmref.com /directors/dirpages/ruiz.html (620 words) |
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