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| | Crola-The Brocken on a May Morning |
 | | Geognosy was so widely well known that two of Friedrichs paintings are informed by it: Der Watzmann (Berlin, Nationalgalerie, Staatliche Museen Preussicher Kulturbesitz, 1825) and Die Hochgebirge (formerly Berlin, Nationalgalerie, 1824, destroyed 1945). |
 | | An artist must express the history and structure of mountains through their form (geognosy), as well as paint the other elements of the scene in such a manner that it reveals the laws of nature inherent in their form. |
 | | Informed by geognosy, it is not surprising that Goethe also made a drawing during one of his trips, depicting the Brocken (The Brocken, Weimar, Goethe Nationalmuseum), the highest of the Urgebirge, the very same mountain that would move Crola to draw it over thirty years later. |
| www.arthistory.upenn.edu /ashmolean/Crola/Crola_entry.html (1516 words) |
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