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| | SoundStage! Georg Tintner - Bruckner |
 | | Tintner, in his lucid and enlightening liner note (would that other conductors did likewise), points out that the Haas edition, for all its lack of strict musicological integrity, presents us with the "best of both worlds." He goes on, however, to note that the 1887 version "written without interference from anyone...shows an almost primitive spontaneity." |
 | | The adagio is, for Tintner, "with that of Beethoven's Ninth Symphony, the greatest symphonic slow movement ever written." With a sure hand, he shapes its half-hour extent magnificently, with each climax carefully judged and the dynamics beautifully molded so that the whole forms an enormous arch during which the attention never falters for a moment. |
 | | Tintner yields to none in his architectural feel for the movement (and the work as a whole), yet there is no lack of detail nor excitement. |
| www.soundstage.com /music/reviews/rev093.htm (1357 words) |
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