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	George Inness - Wikipedia, the free encyclopedia
		George Inness was a United States painter, born in Newburgh, New York on May 1, 1825, and who died at Bridge of Allan, Scotland, on August 3, 1894.
		Inness was the 5th of 13 children of a grocer.
		Inness spent a year in Italy as well as a year in France before returning to the United States.
	en.wikipedia.org /wiki/George_Inness (346 words)

	George Inness Biography
		Inness began his career in 1841 as an apprentice in a map engraver's firm in New York City, where he worked for one year.
		Inness seems to have had an inner restlessness, for he moved frequently and made numerous trips to England, Italy, and France, where he was exposed to the Barbizon School.
		Inness was fond of New Hampshire and kept a studio on the second floor of the North Conway Academy for several years before 1876.
	whitemountainart.com /Biographies/bio_gi.htm (270 words)

	Inness, George on Encyclopedia.com (Site not responding. Last check: 2007-10-20)
		Newburgh, N.Y. His father intended Inness to be a grocer, but he showed artistic talent at an early age and was apprenticed to an engraver.
		The early work of Inness is in the manner of the Hudson River school.
		Inness was a Swedenborgian and consistently sought the mystical in nature.
	www.encyclopedia.com /html/I/Inness-G1.asp (447 words)

	George Inness Online
		George Inness at the Detroit Institute of Arts, Michigan
		George Inness at the Metropolitan Museum of Art, New York City
		George Inness in the Los Angeles County Museum of Art Database
	www.artcyclopedia.com /artists/inness_george.html (338 words)

	George Inness Biography / Biography of George Inness Biography Biography
		The American artist George Inness (1825-1894) was primarily a landscape painter, who developed a personal, subjective form of impressionism.
		George Inness was born May 1, 1825, near Newburg, N.Y. His family moved in 1829 to Newark, N.J., where Inness was educated and took painting and drawing lessons.
		Inness was in Rome from 1870 to 1872 and in France for the next 2 years.
	www.bookrags.com /biography-george-inness/index.html (701 words)

	George Inness and the Visionary Landscape - MicroUse.com Shopping
		The landscape painter George Inness (1825-1894) was one of the foremost American artists of his generation.
		During a trip to Italy in the early 1870s, Inness began to structure his landscapes around geometric forms, a development that may have reflected the Swedenborgian idea that the natural world corresponds to the spiritual world and that geometric forms possess spiritual identities.
		George Inness and the Visionary Landscape includes forty color reproductions of Inness's most important paintings and presents both a chronological overview of Inness's life and a more focused treatment of the artist's main philosophical and religious preoccupations.
	shopping.microuse.com /products/detail/c/0807615250 (302 words)

	George Inness
		"George Inness, born near Newburgh, New York, was the fifth of thirteen children.
		From the age of sixteen, Inness served a two-year apprenticeship as an engraver with the New York mapmaking firm of Sherman and Smith.
		Inness married Elizabeth Hart in 1850, and the following February the couple departed for a fifteen-month stay in Italy made possible by Haggerry's financial support.
	www.artchive.com /artchive/I/inness.html (739 words)

	Untitled Document
		George Inness, one of the foremost American landscape painters, was the son of a grocer, born in Newark, New Jersey.
		Inness became a Swedenborg in the mid-1860s, eventually developing a highly poetic style that enabled him to communicate the spiritual side of nature.
		In the foreground, at the bottom of the slope, is the tunnel known as the Arco Oscuro, with a gate in a wall to its left.
	www.nbmaa.org /Gallery_htmls/inness.html (480 words)

	George Inness (Site not responding. Last check: 2007-10-20)
		Inness was a prominent figure in American landscape painting in the 19th century.
		Inness was a follower of Swedish philosopher Emanuel Swedenborg, who emphasized connections between the physical and the spiritual worlds through nature.
		Inness painted evocative scenes popular with American travelers on the Grand Tour like this for a Boston paintings dealer who made possible his extended travels in Italy in the 1870s.
	mattatuckmuseum.org /collections/art/inness.htm (150 words)

	George Inness - Permanent Collection - Springfield Museum of Art (Site not responding. Last check: 2007-10-20)
		By the time of his death in 1894, George Inness was considered one of America's greatest landscape painters.
		Born on a farm near Newburgh, New York in 1825, Inness was the son of a prosperous merchant of Scotch descent.
		Inness' early paintings were marked by a failed attempt at elaborate detail and technical proficiency.
	www.spfld-museum-of-art.org /collection/inness.html (416 words)

	George Inness - Hudson Valley - Featured Painting - Spanierman Gallery, LLC (Site not responding. Last check: 2007-10-20)
		Inness stayed in New Hampshire until the early fall, when he returned to Boston, remaining there for the rest of the year.
		Since George Inness apparently did not visit the Hudson River Valley region at any point during 1875, Hudson Valley was probable rendered, in part, on the basis of past memory which Inness combined with aspects of present experience (notably the development of a more expressive, coloristic style).
		To be sure, George Inness was perhaps above all else a painter who was always open to artistic invention, a concept that formed an important part of this aesthetic outlook.
	www.spanierman.com /feature/wu_inness.htm (713 words)

	Art/Museums: George Inness and the Visionary Landscape at the National Academy of Design (Site not responding. Last check: 2007-10-20)
		In contrast with the clarity of the Hudson River School aesthetic, the flourishes of the Impressionists and the boldness of the abstract artists, Tonalism is poetic, lush, rapturous and intimate.
		Inness alluded to this identity when he explained, `The greatness of art is not in the display of knowledge, or in material accuracy, but in the distinctness with which it conveys the impressions of a personal vital force, that acts spontaneously, without fear or hesitation.'"
		Although Inness is frequently identified as a Tonalist artist, I would suggest that this geometric organization of compositional space distinguishes his work from that of his Tonalist contemporaries such as John Francis Murphy and Dwight William Tryon.
	www.thecityreview.com /inness.html (3109 words)

	George Inness (Site not responding. Last check: 2007-10-20)
		Inness was not interested in realism, or scientific studies of nature, but instead had a philosophical approach to landscape.
		Inness believed that it was the artist’s role to capture on canvas these spiritual qualities of nature in order to help other people see them as well.
		Inness described the balance of the observed with the inferred in his paintings: "Whatever is painted truly according to any idea of unity possesses both the subjective sentiment—the poetry of nature—and the objective fact." Thus, what he sees is combined with what he feels.
	www.albrightknox.org /ArtStart/Inness.html (615 words)

	George Inness
		GEORGE INNESS was a frail man who was often subject to epileptic attacks.
		Inness termed his work "civilized landscapes" and tried to implement Swedenborgs view that humankind was integral to nature’s spirit and processes.
		In Inness’ realm, clouds are usually on the verge of downpour, or dusk is approaching.
	www.dangheno.net /pwritingspg2.htm (689 words)

	GEORGE INNESS 1825
		The poetic quality is not obtained by eschewing any truths of fact or of Nature which can be included in a harmony or real representation." To Inness the poetic representation of reality consisted in the same facts of nature as reality itself: color, distance, air, space, and contrasts of light and dark.
		Inness painted according to a fairly fixed artistic method, working "in mass from generals to particulars" and finishing with "glazing, delicate painting, and scumbling." In the last years of Inness's life this method did not change, but his productive energy did.
		Inness himself would probably be surprised at the resurrection of canvases that he had thrown aside and forgotten."" Announcing the result of the sale in February 1895
	www.butlerart.com /pc_book/pages/george_inness_1825.htm (431 words)

	MSN Encarta - Search Results - George Inness (Site not responding. Last check: 2007-10-20)
		Inness, George (1825-1894), American landscape painter, born near Newburgh, New York.
		In his Sundown (1894, Smithsonian American Art Museum), landscape painter George Inness also departed from the reassurance provided by Durand’s...
		Gershwin, George (1898-1937), American composer, whose musicals and popular songs are among the finest in those genres and whose compositions in...
	ca.encarta.msn.com /George_Inness.html (114 words)

	Berkshire landscapes of George Inness (1825-1894) at The Clark Art Institute, Williamstown, MA::newberkshire.com (Site not responding. Last check: 2007-10-20)
		Because Inness employed a Berkshire theme at different points in his career, the exhibition traces the development of the artist’s style.
		Born in Newburgh, N.Y., George Inness spent his younger years in Newark, N.J. Early on, his use of color and light was influenced by Barbizon artists Camille Corot, Jean-François Millet, and Theodore Rousseau.
		In 1878, Inness settled in Montclair, N.J. It was toward the end of his life (and after his death) that he gained his greatest fame, exerting tremendous influence over American landscape painting.
	www.newberkshire.com /05cart-inness.php (642 words)

	George Inness and the Visionary Landscape
		For not only did Inness strive to develop a form of landscape painting that articulated his own vision of metaphysical realities as manifested in the earthly sphere, but the styles and techniques he innovated in the process were in themselves visionary," says the Museum's chief curator, D.
		It also reveals Inness to have been one of the finest painters of his generation, an artist constantly in search of new pictorial techniques to serve as new forms of expression.
		During the late 1870s and 1880s, Inness created some of his most expressive paintings, leaving visible traces of his brushstrokes on the surface of the canvas, thereby reinforcing the viewer's awareness of the artist's presence as creator of the landscape.
	www.tfaoi.com /aa/4aa/4aa135.htm (1328 words)

	Magazine Antiques: GEORGE INNESS and the San Francisco art world in the 1890s - painter
		Inness visited California for about three months in the spring of 1891, during which time he exhibited many of these contradictions.
		George Inness (1825-1894) in a photograph of c.
		The hotel owned thousands of acres of the surrounding forest, and wandering a short distance from the groomed lawns would have taken Inness and Keith into the sort of oak grove that was perfectly tailored to a painting in the Barbizon aesthetic.
	www.findarticles.com /p/articles/mi_m1026/is_5_158/ai_67161982 (1485 words)

	George Inness' landscapes reveal more than portrayal of nature, author says
		Throughout his career, which stretched roughly from the mid- to late-19th century, Inness was possessed by the desire to discover techniques and strategies for making visible that which was invisible to the eye.
		Although Inness is often mentioned in the same breath today with such 19th-century landscape painters as Frederic Church and Thomas Cole – members of the so-called Hudson River School –; he doesn’t really belong in that group, DeLue argues.
		The younger Inness also became a painter, and one day he returned to his studio and noticed one of his paintings was missing.
	www.news.uiuc.edu /news/05/0324inness.html (928 words)

	Montclair Art Museum Gallery Will Be Dedicated to Works by George Inness
		Inness' considerable contribution to American art at the turn of the century greatly influenced 20th century art movements, and brought recognition to American artists in their own right as peers of their European counterparts.
		The Museum's Inness collection is comprised of 17 oil paintings, spanning the years 1848 through 1894, 2 watercolors, 1 etching, and Inness ephemera, including his palette, brushes and paints, letters, and a bronze bust of the artist by his son-in-law, Jonathan Scott Hartley.
		Inness, whose body was laid in state at the National Academy of Design upon his death in 1894, was even more famous in 1900 and, furthermore, he could no longer challenge the Department as he had done in 1889.
	www.tfaoi.com /aa/2aa/2aa574.htm (4461 words)

	AllRefer.com - George Inness (American Art, Biography) - Encyclopedia
		George Inness[in´is] Pronunciation Key, 1825–94, American landscape painter, b.
		In his later works his subjects, covering a wide range of light effects, became a vehicle for the expression of a consistently romantic mood.
		Inness was a Swedenborgian and sought the mystical in nature.
	reference.allrefer.com /encyclopedia/I/Inness-G.html (370 words)

	Haber's Art Reviews: Sanford Robinson Gifford and George Inness
		For both Gifford and Inness, however, the course of civilization does not end in America, and the fascination of Europe does not begin or end in Paris.
		Inness buries both a solitary figure and the full moon in heavy brushwork.
		Inness has exactly one scale of space and time, and it weighs heavily on the imagination.
	www.haberarts.com /gifford.htm (2187 words)

	GEORGE INNESS (Site not responding. Last check: 2007-10-20)
		As an adherent to the principles of the nineteenth-century philosophy of Swedenborg, Inness believed that one could find correspondences for inner emotions and feeling in the natural world.
		He translated this concept into a style of painting referred to as Tonalism, in which mood is expressed through gradations of closely related colors.
		In a letter regarding the Swope's painting, Inness' wife reported that "It is a Spring effect.
	www.swope.org /main/collection/018coll.htm (99 words)

	Publisher description for Library of Congress control number 2004004953 (Site not responding. Last check: 2007-10-20)
		George Inness (1825-94), long considered one of America's greatest landscape painters, has yet to receive his full due from scholars and critics.
		Throughout his career, Inness struggled to make visible what was invisible to the human eye by combining a deep interest in nineteenth-century scientific inquiry--including optics, psychology, physiology, and mathematics--with an idiosyncratic brand of mysticism.
		This lavishly illustrated work reveals Inness as profoundly invested in the science and philosophy of his time and illuminates the complex manner in which the fields of art and science intersected in nineteenth-century America.
	www.loc.gov /catdir/description/uchi051/2004004953.html (317 words)

	eBay - george inness, Paintings, Mixed Media items on eBay.com (Site not responding. Last check: 2007-10-20)
		George Inness THE LACKAWANNA VALLEY Xmas by Krebs 2003
		George Inness and the Visionary Landscape by Adrienn...
		George Inness and the Science of Landscape by George...
	search-desc.ebay.com /search/search.dll?query=george+inness&newu=1&... (319 words)

	George Inness Painting
		During a burglary of a home in West Los Angeles, thieves took a Persian rug, Russian icons, and artworks by Simeon Solomon, Marino Marini, and George Inness.
		Although he was reimbursed by Sotheby's, he was sad to part with the artwork since he was a collector of George Inness art.
		An expert in George Inness art valued the painting at $100,000-$150,000 at the time of its recovery.
	www.lapdonline.org /get_involved/stolen_art/cases/inness_george.htm (221 words)

	Timken Museum: George Inness
		He painted primarily in Rome and its environs, finding many of his subjects among the scenic lakes and deep valleys of the Alban Hills and the hilltop towns.
		The geometry of the town is balanced by three horizontal elements: the long bridge in the foreground, the horizon, and the strata of thin clouds.
		Inness captures the characteristic light at the end of the day, a time of stillness and tender melancholy to which he returned in his later work.
	www.timkenmuseum.org /1-american-inness.html (120 words)

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