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| | The New York Review of Books: The Master |
 | | George Balanchine: The Ballet Maker is by Robert Gottlieb, former editor in chief of Simon & Schuster, Knopf, and The New Yorker, currently dance critic for The New York Observer, former board member of the New York City Ballet, and audience member of Balanchine's enterprise since its inception in 1948. |
 | | For Balanchine, love, eroticism, and a vision of the divine were inextricably interwoven, and while he delighted in portraying both the Madonna and the Whore in his ballerinas, it was the woman dressed in white with flowing tresses that brought him deepest into his destiny—and his despair. |
 | | Balanchine taught his audience and his dancers how to bear loss with grace, and the serene sadness evident in Kistler's enigmatic face is the visage of a woman whose loss indeed has been great. |
| www.nybooks.com /articles/17774 (3172 words) |
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