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A History of German Rock Music |
 | | German musicians also excelled the ambient and atmospheric variant of techno/industrial music, marked by slower tempos and sophisticated arrangements: Project Pitchfork, with the romantic and exoteric Entities (1992); the tender, delicate minimalism of Bionaut (Joerg Burger), for example on Ethik (1993); Haujobb's charming lounge-techno on Solutions For A Small Planet (1996); etc. |
| | German electronic musician Pete Namlook (Peter Kuhlmann), one of the most prolific musicians of all times (not a compliment), focused on the untapped potential of analogue synthesizers, often developing or extending the instruments in his own laboratory. |
| | German guitar trio Maeror Tri (2) pioneered music for guitar-drones, although their white-noise hurricanes, particularly on the monumental Myein (1995), recorded in 1992 and 1993, were reminiscent of both Glenn Branca's symphonies and Throbbing Gristle's industrial nightmares. |
| www.scaruffi.com /history/german.html (7887 words) |
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