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Topic: Gerrit Rietveld


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In the News (Mon 16 Nov 09)

  
  Gerrit Rietveld - Wikipedia
Gerrit Thomas Rietveld (Utrecht, 24 juni 1888 - Utrecht, 26 juni 1964) was een Nederlandse architect en meubelontwerper.
Op een opmerking, dat deze stoel vanwege het houten zitvlak niet comfortabel zou zitten, antwoordde Rietveld: "zitten is ook een werkwoord".
Wikiquote heeft een collectie citaten gerelateerd aan Gerrit Rietveld.
nl.wikipedia.org /wiki/Gerrit_Rietveld#Levensloop   (621 words)

  
 Gerrit Rietveld - Great Buildings Online
Schroder House, at Utrecht, The Netherlands, 1924 to 1925.
Gerrit Thomas Rietveld was born in Utrecht in the Netherlands in 1888.
Between 1942 and 1948, Rietveld taught at several institutions in the Netherlands.
www.greatbuildings.com /architects/Gerrit_Rietveld.html   (292 words)

  
  Gerrit Rietveld Zig-Zag Chair   (Site not responding. Last check: )
Gerrit Rietveld was born in the Netherlands in 1888.
Gerrit Rietveld’s original of the Zig Zag Chair was constructed of oak and brass fittings, and was commissioned by Metz & Company, Amsterdam until 1955.
Gerrit Rietveld was born in Utrecht, the Netherlands in 1888.
www.bauhaus2yourhouse.com /gerrit-rietveld-zigzag-chair.html   (216 words)

  
  Gerrit Rietveld
Gerrit Rietveld (Utrecht June 24, 1888- Utrecht June 26, 1964), was a Dutch architect and cabinet maker.
Rietveld designed the Red Blue Chair in 1917, influenced by the De Stijl movement, of which he became a member in 1919, the same year in which he became an architect.
Rietveld broke with De Stijl movement in 1928 and switched to the Nieuwe Zakelijkheid[?].
www.ebroadcast.com.au /lookup/encyclopedia/ge/Gerrit_Rietveld.html   (123 words)

  
 Gerrit Rietveld Biography: Gerrit Rietveld’s materials, methods and forms proved to be deeply influential to many ...
Gerrit Rietveld Biography: Gerrit Rietveld’s materials, methods and forms proved to be deeply influential to many of the mid-century masters of design.
Rietveld became a part of the De Stijl (the Style) group around 1919 after his "Red/Blue" chair from the preceding year was featured in the magazine and won their favor as one of the icons of the new interior look.
Rietveld wrote that his aim was that the "work in its entirety must be able to stand freely and brightly on its own two feet, and the form must triumph over the material." Certainly, the sparsely geometric form and the precise color scheme exalt the simple plywood structure.
www.r20thcentury.com /bios/designer.cfm?article_id=85   (540 words)

  
 Gerrit Rietveld Summary
Gerrit Thomas Rietveld (1888-1964), architect and furniture designer, was a member of the group of Dutch artists and architects known as de Stijl.
Rietveld designed the Red and Blue Chair in 1918, influenced by the 'De Stijl' movement, of which he became a member in 1919, the same year in which he became an architect.
Rietveld broke with the 'De Stijl' movement in 1928 and switched to the Nieuwe Zakelijkheid.
www.bookrags.com /Gerrit_Rietveld   (763 words)

  
 Gerrit Rietveld Online
Gerrit Rietveld copyright requests handled by the Artists Rights Society.
Note: The full version of the article is available only if you follow this link.
All images and text on this Gerrit Rietveld page are copyright 2007 by John Malyon/Artcyclopedia, unless otherwise noted.
www.artcyclopedia.com /artists/rietveld_gerrit.html   (150 words)

  
 Gerrit Rietveld
As the fame of De Stijl rapidly spread, Rietveld’s reputation grew from that of a local craftsman to an architect recognized in avant-garde circles across Europe.
After the war, the country and Rietveld gradually returned to normality, and Rietveld continued his work until he died at an age of 76.
Gerrit Rietveld’s designs are to be found in the most important museum collections over the world.
www.modernity.se /Designer/Gerrit-Rietveld/ID/121/Gerrit-Rietveld.aspx   (361 words)

  
 Gerrit Rietveld - Red and Blue Chair
In 1918, the architect Gerrit Thomas Rietveld designed a chair and in 1919 became one of the first members of the De Stijl movement.
Rietveld's "Red and Blue" chair design was first published in "De Stijl" magazine and in 1923.
Rietveld was born in Utrecht, the son of a cabinetmaker, later he worked in his father's workshop at around the age of eleven and later to become an independent cabinetmaker
www.cafeliving.co.uk /designer_chairs/reitveld_chair.html   (91 words)

  
 Gerrit Rietveld
By 1934, Rietveld’s search for a reductive simplicity had reached its peak in the Zig-Zag chair, an interpretation of the cantilever principle in wood using bolted triangular joints to maintain rigidity.
Throughout his career, Rietveld continued to experiment with unusual naturals and techniques, and his designs include a series of armchairs ranging from the single-sheet aluminum chair of 1942 to the UNESCO chair of 1958, entirely upholstered in foam rubber.
Rietveld drew his inspiration directly from the material, in the manner of a sculptor, rather than drawing up plans at a drawing board.
www.eurstyle.com /designer_bio.php?bio_id=11   (231 words)

  
 Equipment for utopia - furniture designer and architect Gerrit Rietveld, Hessenhuis, Antwerp, Belgium Art in America - ...
Gerrit Thomas Rietveld (1888-1964) is known best as the author of a handful of iconic furniture and architectural designs linked to the modernist fine art tradition and closely associated with De Stij.(1) Of these, the most familiar are his Red Blue Chair (ca.
Since Rietveld became involved with left-wing politics shortly after starting his own business, his political beliefs may well have played a role in his decision to be a designer rather than a fine artist.
Rietveld himself sometimes wrote about his furniture as if it were sculpture, although more often he represented it as somewhere between function and symbol.
www.findarticles.com /p/articles/mi_m1248/is_n1_v82/ai_14935477   (873 words)

  
 Van Gogh Museum - Gerrit Rietveld
Gerrit Thomas Rietveld (1888-1964) was an architect and furniture designer.
Rietveld was the first to apply the principles of this movement to architecture.
Rietveld became increasingly interested in the social role of architecture.
www3.vangoghmuseum.nl /vgm/index.jsp?page=13910&lang=en   (335 words)

  
 Rietveld
Typical features are the use of the Stijl colours red, blue and yellow, in combination with white, grey and fl, the relation between interior and exterior and the unity between the free-standing pieces of furniture and the fitted parts of the interior.
Gerrit Thomas Rietveld lived and worked in Utrecht the whole of his life, as did many of his clients.
Today the Rietveld collection of the Centraal Museum and Rietveld’s building projects in Utrecht are the destination of countless lovers of art and architecture worldwide.
www.rietveldschroderhuis.nl /rshEng.jsp   (456 words)

  
 Trapholt - Gerrit Rietveld 1888 - 1964
In 1918 the Dutch cabinetmaker, Gerrit Rietveld, created an unusual wooden chair, which was very untraditional and hence a true provocation to all previous furniture due to its extremely simplified ideom.
Furthermore, Rietveld worked as an architect and as such also created a number of radical architectural works, where an innovative and flexible perception of form and space introduced a new way of living.
The Rietveld Schröder house and the multi-floor building, Erasmuslann 9, are part of the museum, and both are open to the public.
www.trapholt.dk /printpage.asp?id=555   (449 words)

  
 RIETVELD-by-rietveld
Ries Seijler (age 1) sitting on the lap of his great-grandfather, Gerrit Rietveld.
Rietveld by Rietveld is an initiative by Egbert Rietveld (1961) — a grandson of Rietveld — and great grandson Ries Seijler (1962).
On 25 June 2004, exactly 40 years after the death of Gerrit Rietveld, they started their company Rietveld by Rietveld.
www.rietveld-by-rietveld.com /src_home.asp?taal=engels   (83 words)

  
 Gerrit Rietveld at ArBITAT Architects
Gerrit Thomas Rietveld was born in Utrecht in the Netherlands in 1888.
Between 1942 and 1948, Rietveld taught at several institutions in the Netherlands.
In 1963 he was elected an honorary member of the Bond van Nederlandse Architecten and in 1964 he received an honorary degree from the Technische Hochschule in Delft.
architects.arbitat.com /rietveld/index.htm   (180 words)

  
 Gerrit Rietveld in de KB
Gerrit Rietveld in de KB Home Exposities and collectiesUitgelichtUitgelicht in 2004Gerrit Rietveld in de KB
Ter gelegenheid van de veertigste sterfdag van Rietveld op 25 juni 2004 worden enkele van deze handschriften getoond in de vitrine naast de ingang van de KB.
Het is een ontwerp voor het dorp Nagele dat niet is uitgevoerd.
www.kb.nl /uitgelicht/vitrine/2004/rietveld/rietveld.html   (231 words)

  
 Gerrit Rietveld, Vitra, Vitra Chair
One of the founding theorists of the design principles that culminated in the birth of the modern classics, Dutch designer Gerrit Thomas Rietveld (1888—1964) was always ahead of his time.
Around 1917 Rietveld created his groundbreaking Red Blue Chair that won him instant recognition in the design world and led in 1919 to his association with the De Stijl (The Style) group, from which he drew lifelong inspiration.
Through his life Rietveld designed many more houses in Utrecht, where in the 1950s he was honored with a lifetime retrospective.
www.spacify.com /Designer_product.asp?Designer_id=10   (294 words)

  
 MoMA.org | The Collection | Gerrit Rietveld. Red Blue Chair. c. 1923
In the Red Blue Chair, Rietveld manipulated rectilinear volumes and examined the interaction of vertical and horizontal planes, much as he did in his architecture.
Rietveld believed there was a greater goal for the furniture designer than just physical comfort: the well-being and comfort of the spirit.
Rietveld and his colleagues in the de Stijl art and architecture movement sought to create a utopia based on a harmonic human-made order, which they believed could renew Europe after the devastating turmoil of World War I. New forms, in their view, were essential to this rebuilding.
www.moma.org /collection/browse_results.php?criteria=O:AD:E:4922&page_number=1&template_id=1&sort_order=1   (448 words)

  
 ArtandCulture Artist: Gerrit Thomas Rietveld   (Site not responding. Last check: )
When Rietveld translated a Piet Mondrian painting into a three-dimensional, useful object, it was clear that all the rules relating to style and taste were up for question.
Rietveld never guessed that his "Red Blue Chair" of 1918 would become an icon -- a monument to the audacity of the new artists, architects, and designers of the movement.
Their collective aim was simple, if not profound: to achieve perfect balance between humanity and society at large, and between society and nature through humanity's physical relationship to its space.
www.artandculture.com /cgi-bin/WebObjects/ACLive.woa/wa/artist?id=324   (325 words)

  
 Schroder House Utrecht by Gerrit Rietveld
Gerrit Rietveld belongs to the De Stijl movement.
Gerrit Rietveld was able to meet all the criteria and created a masterpiece by paying a lot of attention to details, including the paint color on the wall.
Rietveld designed the house with that in mind, with a window on the upper floor that opens up the corner of that floor to the exterior.
www.galinsky.com /buildings/schroder/index.htm   (581 words)

  
 Gerrit Rietveld (1888 - 1964), Defining New Forms in Wood
Gerrit Rietveld was born in Utrecht, Netherlands and lived and worked there all his life.
Rietveld's most important architectural work, the Schroder House in Utrecht (1924), correlates closely with his furniture designs.
The chair is a pure statement of modernist seating and expresses the cantilever principle in a clear form.
www.dezignare.com /newsletter/gerrit-rietveld.html   (322 words)

  
 Gerrit Rietveld artist and art...the-artists.org
Rietveld's most important design the red/blue chair was not produced until 1918.
The name De Stijl, title of a magazine founded in the Netherlands in 1917, is now used to identify the abstract art and functional architecture of its major contributors: Mondrian, Van Doesburg, Van der Leck, Oud, Wils and Rietveld.
De Stijl achieved international acclaim by the end of the 1920s and its paintings, buildings and furniture made fundamental contributions to the modern movement.
www.the-artists.org /ArtistView.cfm?id=239B6463-C5CF-11D4-A93800D0B7069B40   (429 words)

  
 Nakomelingen van Jelle Jurjens Zoethout (Nauta) Gerrit Rietveld Zoethout   (Site not responding. Last check: )
Gerrit married Jeltje Fokkema on 19 May 1861 in Sneek.
Nakomelingen van Jelle Jurjens Zoethout (Nauta) Gerrit Rietveld Zoethout
Died: 11 Jan 1875, Sneek, at age 46
www.xs4all.nl /~jozo/zoethout/Jelle%20Jurjens%20Zoethout-Descendants/2180.htm   (40 words)

  
 Gerrit Rietveld's Red and Blue Chair and What I learned about Rest and Motion in Myself
Rietveld's "Red and Blue" chair is now in the collection of the Museum of Modern Art, and it is a chair I love.
Rietveld was not interested in conventional ideas of comfort (the 19th century armchair that relaxes you so much that you spill your coffee or fall asleep over your book).
"I am constantly concerned," Rietveld said, "with this extraordinary idea of the awakening of the consciousness." That is why he came to design the most influential chair of the 20th century--and even he was surprised at the big effect his Red and Blue chair had.
www.terraingallery.org /Anthony-Romeo-Chair.html   (1052 words)

  
 Gerrit Rietveld, Designer/Architect - Timeline Index
In 1917, collaborating with the architects J. Oud and Jan Wils, van Doesburg founded the group De Stijl and the periodical of the same name; other original members were Vilmos Huszár, Piet Mondr...
In 1918, the architect Gerrit Thomas Rietveld designed a chair that affected not only furniture design, but the history of architecture.
Rietveld's "Red and Blue" chair is now in the collection of the...
www.timelineindex.com /kidsweek/view/1352   (260 words)

  
 Gerrit Thomas Rietveld - Encyclopedia.com   (Site not responding. Last check: )
Rietveld, Gerrit Thomas, 1888-1965, Dutch architect and furniture designer.
At first a cabinetmaker, Rietveld created (c.1917) a chair that was an important contribution to modern furniture design.
Moving away from the established heavy, closed furniture style, he emphasized a dematerialized effect.
www.encyclopedia.com /doc/1E1-Rietveld.html   (343 words)

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