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| | Hacking Your Own Ghost: Mythology in the Science Fiction Films of Oshii Mamoru as Sites of Resistance |
 | | Ghost in the Shell and Avalon, on the other hand, are more serious meditations on how myth and religion are still important in the world today. |
 | | In Ghost in the Shell, technology is brought to the interior of the person — Kusanagi is a cyborg, her body consisting mainly of robotic parts, but in the end, Kusanagi’s body is rendered irrelevant after she merges with the Puppet Master, becoming one with the Net. |
 | | In Ghost in the Shell, Kusanagi questions whether or not she, as a cyborg, possesses a “ghost,” an amorphous thing never precisely defined in the film, but which can be likened to the Christian concept of the soul. |
| www.animeresearch.com /Articles/Oshii/hackingghost.html (1819 words) |
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