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| | From British Drama 1890 to 1950 |
 | | Ghosts* was a play that proved its point—that convention haunts the living from the grave—by eliciting the very response from some of its critics that it exposed as ghost-ridden in the play. |
 | | These plays are remarkable in their attempt, not entirely successful, to avoid melodrama, to break down character stereotypes, and, in the longer plays, to give more depth and variety to the plot than was usual in melodrama and farce. |
 | | The play is the story of a charming lady who, instead of forgiving a philandering but abjectly apologetic husband, as the worldly-wise raisonneur would counsel, decides to retaliate with a little romantic adventure of her own. |
| chuma.cas.usf.edu /~dietrich/britishdrama2.htm (13988 words) |
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