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| | mayhem |
 | | But the most memorable and distinctive feature of the Ghoulardi show involved the lexicon of audio, film and blue screen drop-ins he and his crew developed to artfully disrupt any linear experience the audience might hope for, and to generally punk out the proceedings. |
 | | The B-movie was for Ghoulardi a canvas, an open invitation to spread mayhem, and generally engage in ransacking any sense of good taste, worthiness or respectability that local TV might aspire to. |
 | | Certainly we, the Ghoulardi Kids, could have, and eventually did, encounter this form of sur-reality in various literary and art traditions, but we were introduced to the basics from some guy on the TV, at a young age, unencumbered with the baggage of pretension, elitism or dogma. |
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