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Topic: Gill Sans


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  Gill Sans Pro - Fonts.com
In the 1920s he turned his creativity to type design and, in 1928, Gill Sans was born.
Gill spent much of the 1930s further developing the Gill Sans family and the result is one of his most successful and widely used typeface designs
One of reasons for the enduring success of Gill Sans is that it is based on Roman character shapes and proportions and is unlike virtually any other sans serif typeface.
www.fonts.com /FindFonts/RecentReleases/2005/GillSansPro.htm   (404 words)

  
 Gill Sans - Wikipedia, the free encyclopedia
Gill Sans is a humanist sans-serif typeface designed by Eric Gill in the period 1927–30, and released by the Montoype Corporation Ltd. in 1930.
Gill was a well established sculptor, graphic artist and type designer, and the Gill Sans typeface takes inspiration from Edward Johnston’s Railroad Gothic typeface, which Gill had worked on while apprenticing to Johnston.
The uppercase of Gill Sans is modeled on the monumental Roman capitals like those found on the Column of Trajan, and the Caslon and Baskerville typefaces.
en.wikipedia.org /wiki/Gill_Sans   (436 words)

  
 Monotype Imaging: The Monotype Foundation   (Site not responding. Last check: 2007-10-14)
Eric Gill (1882–1940) was active in many different fields, from wood engraving to sculpture, yet he always proclaimed his love for one of his earliest skills, letter-cutting in stone, which he continued to practice throughout his life.
Gill turned to type designing in the 1920s when the Monotype Corporation commissioned him to draw the Perpetua® typeface, a design based on his stone-cut letters.
The Gill Sans® design, Gill’s most widely-used typeface, was released by Monotype in 1928 as a set of capitals, to which lowercase letters were added the following year.
www.monotypeimaging.com /aboutus/gillarticle.aspx?prn=yes   (201 words)

  
 creativepro.com - Agfa Monotype Announces Gill Sans as the Typeface for the 2004 Olympic Games
Gill, in addition to being a lettering artist, considered himself a stone carver, which is written on his gravestone.
Gill Sans was modeled in part by Gill's early work as an apprentice for Edward Johnston, the British calligrapher credited with designing the alphabet for the London Underground system.
Gill Sans, considered to be the first successful sans serif typeface based on the humanist models of the Renaissance, offers a more pronounced contrast in stroke widths than most serifless fonts, resulting in a design that's been judged as more appealing to the eye, and ultimately more readable than monoweight alternatives.
www.creativepro.com /story/news/21776.html   (703 words)

  
 Typeface of the month: Gill Sans : Journal : Mark Boulton
Gill Sans is a beautifully designed typeface which, unfortunately, has suffered at the hands of software, and to a certain extent, its own popularity.
It should be noted that gills sans takes its form in a large part from the earlier humanist forms along with the more modern geometric forms -it is this mix of history and modernity that is just one of the many reasons that makes gill so special in many peoples hearts.
Gill Sans is beggging for a redraw to address the bold problem - it’s amazing that it hasn’t happened; a foundry should step in and create a usable Gill Sans family with depth.
markboulton.co.uk /journal/comments/typeface_of_the_month_gill_sans   (2721 words)

  
 Gill Sans® : Fonts & Typefaces : Matton
Gill´s alphabet is more classical in proportion and contains what have become known as his signature flared capital R and eyeglass lowercase g.
Gill Sans is a humanist sans serif with some geometric touches in its structures.
Gill Sans is also available as Value Pack for Macintosh, PC or as Hybrid CD with both platforms.
www.matton.com /fonts/family/gill_sans_   (179 words)

  
 Monotype: Gill Sans
Because the characters of the Gill Sans alphabet are based on classic roman letterforms and not geometric shapes, they are remarkably legible.
Gill Sans also has a more pronounced contrast in stroke widths than most serifless fonts, making the design more appealing to the eye, and ultimately more readable, than its monoweight cousins.
Gill Sans reflects Eric Gill’s craftsmanship ethos, even though it was developed by “industrialized” methods-the result is an entire family of true typographic gems.
www.monotypefonts.com /Library/HiddenGems.asp?show=gillsans   (524 words)

  
 Typotheque: Eric Gill got it wrong; a re-evaluation of Gill Sans by Ben Archer
Gill obliterated the terminus endings of the vertical stroke in ‘b’, ‘d’, ‘p’ and ‘q’; the Monotype drawing office again came to his assistance and revised the forms so that they were preserved in the medium weight (this can be seen on early samples of the series 262).
Gill Sans Light (series 362) may equate to the book, normal or even the regular weight in other typefaces, just as Gill Sans Medium (series 262) looks like boldface in comparison, and Gill Sans Bold (series 275) is already well on the way to what Gill himself called Gill Sans Double Elefans.
With uppercase E and F, Gill standardised the length of the lower and middle arms to match the width of the topmost arm, narrowing the overall widths of both letters to compensate.
www.typotheque.com /articles/re-evaluation_of_gill_sans   (2698 words)

  
 typoGRAPHIC   (Site not responding. Last check: 2007-10-14)
Gill Sans is a sans serif typeface designed by Eric Gill in 1928.
Gill Sans' forms are simple and clean while paying homage to traditional typographic values.
The italic is a true sans serif as opposed to a sloped roman, and was a revolutionary achievement in its time.
www.rsub.com /typographic/timeline/gillsans.html   (88 words)

  
 Veer: Products: Type: Gill Sans Std 1
Designed by Eric Gill and released by the Monotype Corporation between 1928 and 1930, Gill Sans is based on the typeface Edward Johnston, the innovative British letterer and teacher, designed in 1916 for the signage of the London Underground.
Gill’s alphabet is more classical in proportion and contains his signature flared capital R and eyeglass lowercase g.
Gill Sans is a trademark of The Monotype Corporation registered in the US Patent and Trademark Office and may be registered in certain other jurisdictions.
www.veer.com /results.asp?image=ADT0003251   (173 words)

  
 Record: Library acquires Gill collection
Born in Brighton, England, in 1882, Gill — the son of a nonconformist minister — was apprenticed to a London architect in 1899.
Gill invented 11 different typefaces, including his most well-known, Gill Sans.
A rubbing from one of Gill's inscriptions that was carved in stone.
record.wustl.edu /news/page/normal/4642.html   (701 words)

  
 text
The Gill Collection encompasses the genres of drawing, sculpture, lettering, engraving, and printing, as well as the intellectual pursuits of art theory, religion, and social philosophy.
Gill's professional early career began by carving letterforms in stone for numerous tombstones and memorials within and around London.
Gill and his associates banded together to not only work together on creative projects, but to live together as a community of faith.
www.nd.edu /~jsherman/gill/ndCollection.html   (684 words)

  
 Graphic Exchange News
Eric Gill, the British typographer, sculptor and engraver created the design in 1937 as part of the Gill Sans typeface family he designed for The Monotype Corporation Limited.
Inspired by the sans serif lettering by the calligrapher Edward Johnston in 1916 for the London Underground public transportation system, the Gill Sans typeface has been considered Gill’s most famous creation and enduring legacy to typography.
Gill Sans fonts are also part of the Mac OS X operating system which runs in millions of Macintosh computers.
www.gxo.com /more.php?id=651_0_1_0_M   (468 words)

  
 Gill Sans™ font family : MyFonts
Gill Sans™ is a Linotype font family with 15 styles priced from $24.00.
The roots of Gill can be traced back to Old Face typefaces and more directly to his teacher Edward Johnston’s London Underground type.
Gill has such similarly-proportioned strokes that the eye cannot tell the difference.
www.myfonts.com /fonts/linotype/gill-sans   (155 words)

  
 Gill Sans™ font. Fonts for Windows and Mac
Gill Sans™ is a font from Linotype library.
Gill's roots can be traced back to Old Face typefaces and more directly to his teacher Edward Johnston's London Underground type.
Linotype license allows you to use the Gill Sans™ typeface on up to five CPUs and one printer connected with these CPUs.
www.paratype.com /fstore/fonts/Gill-Sans.htm   (155 words)

  
 DAVIDSON GALLERIES - Eric Gill
Eric Gill was a master wood engraver and woodcut printer.
Known partially as a famous type-face designer (think “Gill Sans”), Gill produced an enormous body of engraved work, including illustration designs for over 100 books.
Working exclusively with the contrast of light and dark to create his designs, Gill’s prodigious energy and creativity are aptly presented through the selection of 100 designs chosen to illustrate the book Engravings by Eric Gill.
www.davidsongalleries.com /artists/gill/gill.html   (161 words)

  
 Gill Sans Fonts and Typefaces - Faces
This influenced Gill who later experimented with sans serif designs, and in due course produced a set of capital letters.
Gill Sans is a twentieth century sans serif that has a simplicity of form which does not reject traditional forms and proportions, and gives the face a humanist feel.
The lighter Gill Sans fonts remain highly readable in text and suitable for magazine and book work, whereas the heavier weights are best used for display in advertising, packaging and labels.
www.faces.co.uk /topfonts/gill_sans.cfm   (236 words)

  
 Gill Sans
Gill Sans is a pure and simple but not and artificial sans serif.
It is based on the typeface Edward Johnston designed in 1916 for the signage of the London Underground.
Gill's type is more classical in proportion and contains his signature flared capital 'R' and
abc.planet-typography.com /20th/gill.html   (60 words)

  
 Gill Sans + XPress = Crazy Printing | Ask MetaFilter
I would recommend tracking down all possible Gill Sans files and making sure Suitcase is only opening the one you need.
I did take a moment to see which file Suitcase was activating as Gill Sans.
It's the only Gill Sans font on the machine, in any folder.
ask.metafilter.com /mefi/34474   (546 words)

  
 Typeface Web Site: Gill Sans: Introduction
Here again the verticality seems to disappear and the letter forms that changed in the above italic fonts are the same in this font.
These must have been considered exotic fonts--there certainly are many current fonts that build on the example set in these fonts.
It seems that Eric Gill introduced certain letter form distinctions in the Extra Bold font and carried them even further in these two fonts.
msp.sfsu.edu /instructors/rsellers/spring_1998/f16a.html   (412 words)

  
 creativepro.com - Monotype Imaging Releases the Gill Sans OpenType Pro Typeface on Fonts.com
The Gill Sans Pro package, available for $690 with individual fonts starting at $42 and weights ranging from light to ultra bold, can be viewed, purchased and downloaded from
The Gill Sans Pro typeface family enables users to take advantage of several OpenType capabilities, including extended character sets and the automatic insertion of ligatures and small caps.
The Gill Sans typeface was released in 1928 for The Monotype Corporation Limited by British designer Eric Gill, who spent most of the 1930s further developing the typeface, considered by many as his finest typeface creation and enduring legacy to typography.
www.creativepro.com /story/news/23230.html   (408 words)

  
 Your Date: Gill Sans
Suddenly, a woman of startling proportions strides towards you, looking you straight in the eye.
Gill Sans was designed by Eric Gill in England, 1928.
The G has a crisp, square corner, the a has a calligraphic bowl, and the R has a broad curving leg.
www.papress.com /thinkingwithtype/the_personals/gill.htm   (74 words)

  
 Gill Sans® Font - Fonts.com
Gill Sans is a twentieth century sans serif that has a simplicity of form which does not reject traditional forms and proportions, and gives the face a humanist feel.
The lighter Gill Sans fonts remain highly readable in text and suitable for magazine and book work, whereas the heavier weights are best used for display in advertising, packaging and labels.
The light and medium Gill Sans fonts are good for text and all weights look good in display work.
www.fonts.com /findfonts/detail.asp?pid=201914   (245 words)

  
 free free gill sans mt fonts
has recently begun to employ Gill Sans as the font for its Common Worship texts...
Gill Sans® Ascender Corp. Font Family — 4 styles.
Gill Sans MT Ext Condensed Bold Font Sample
www.free-fonts.com /font/free_gill_sans_mt.html   (268 words)

  
 Speak Up › Saab or Dodgeball?
I see designers using it all the time and I smile and say, "Oh yeah, Gill Sans." The smile though is a fake smile, like when I have to pose for a picture for more than 2 seconds.
To be fair, Saab does a fine job with it as their sole typeface.
They use just one weight and actually make it seem very premium, however Gill Sans is paired with the Saab reputation and great beauty-shots.
www.underconsideration.com /speakup/archives/002029.html   (295 words)

  
 SVG in Gnome
I am coordinating Gill, which is the Gnome Illustration app.
Gill is named in honor of type designer, artist, and stonecutter Eric Gill.
Eric Gill's most well-known typeface is Gill Sans, although Perpetua and Joanna are also very beautiful designs.
www.levien.com /svg   (426 words)

  
 2003 Redesign: [viewed best in gill sans] (Aaron Swartz: The Weblog)   (Site not responding. Last check: 2007-10-14)
Others (like Gill Sans) only work on OS X. Goals: more content, more whitespace, more Gill Sans, more clarity.
My homepage has also been rewritten, providing a clearer focus on what I’ve done, who I am, how to talk to me and what I’m doing.
I am in desperate need of a button that says “Viewed Best in Gill Sans”, set in Gill Sans (of course!).
www.aaronsw.com /weblog/000704   (199 words)

  
 Download Gill Sans Font - AscenderFonts.com
Eric Gill studied under the renowned calligrapher, Edward Johnston, the designer of the London Underground sans serif typeface.
A twentieth century sans serif that has a simplicity of form which does not reject traditional forms and proportions, and gives the face a humanist feel.
The lighter weights are highly readable in text and suitable for magazine and book work, whereas the heavier weights are best used for display in advertising, packaging, and labels.
www.ascendercorp.com /msfonts/gill_sans.html   (135 words)

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