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Topic: Gilles Binchois


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In the News (Fri 27 Nov 09)

  
  Binchois, Gilles
Binchois is often considered to be the finest melodist of the fifteenth century, writing carefully shaped lines that are easy to sing, and utterly memorable; his tunes continued to appear in copies decades later, and were often used as sources for Mass composition by later composers.
Most of his secular songs are 'rondeaux', which had become the commonest song form of the century; but Binchois rarely writes simple strophic form, instead shaping his melody almost independent of the rhyme scheme of the verse.
Binchois wrote music for the court, secular songs of love and chivalry, music that was expected by the Dukes of Burgundy and that was evidently loved by them.
www.newworldencyclopedia.org /entry/Gilles_Binchois   (521 words)

  
 Classical Net - Composers - Binchois
Binchois was a contemporary of Guilliame Dufay, and the leading composer at the court of Burgundy during the middle third of the fifteenth century.
Binchois is remembered primarily for his secular chansons, for which composition he was known during his lifetime as at least the equal of Dufay.
Binchois' output represents one of the highest points in French secular composition in the 15
www.classical.net /music/comp.lst/acc/binchois.html   (195 words)

  
  GILLES BINCHOIS, Biography, Discography
(c.1400 - 1460) Binchois was a contemporary of Guilliame Dufay, and the leading composer at the court of Burgundy during the middle third of the fifteenth century.
Binchois is remembered primarily for his secular chansons, for which composition he was known during his lifetime as at least the equal of Dufay.
Binchois' output represents one of the highest points in French secular composition in the 15th century, every song being a carefully crafted masterpiece.
www.goldbergweb.com /en/history/composers/10315.php   (103 words)

  
 Gilles Binchois - Wikipedia, the free encyclopedia
Binchois is often considered to be the finest melodist of the 15th century, writing carefully shaped lines which are easy to sing, and utterly memorable; his tunes continued to appear in copies decades later, and were often used as sources for mass composition by later composers.
Most of his secular songs are rondeaux, which had become the commonest song form of the century; but Binchois rarely writes simple strophic form, instead shaping his melody almost independent of the rhyme scheme of the verse.
Binchois wrote music for the court, secular songs of love and chivalry, music that was expected by the Dukes of Burgundy and that was evidently loved by them.
en.wikipedia.org /wiki/Gilles_Binchois   (439 words)

  
 HOASM: Gilles Binchois   (Site not responding. Last check: 2007-10-27)
He was also a canon at a church in Mons together with Dufay, whom he undoubtedly came to know in middle life.
Binchois is known to have written some twenty-eight Mass sections, four Magnificats, some thirty motets and hymn settings and around 55 chansons.
His chansons are particularly remarkable, and he ranks with Dufay as a major exponent of the form.
www.hoasm.org /IIID/Binchois.html   (145 words)

  
 Gilles Binchois - A discography
Binchois' songs are constructed according to a standard pattern, with a main line in the highest voice and accompaniment in the lower two.
Binchois' reputation today rests almost entirely on his songs, and especially on their continued use as the basis for extended contrapuntal settings by the next generation of composers.
Binchois' most famous settings, such as Triste plaisir and Dueil angoisseux, have a special grace and sublimated passion about them which have come to typify the courtly conventions which were soon swept aside by the rising humanism of the Renaissance.
www.medieval.org /emfaq/composers/binchois.html   (2116 words)

  
 Rais Gilles de - Search Results - MSN Encarta   (Site not responding. Last check: 2007-10-27)
Rais, Gilles de (1404-1440), French baron, made marshal of France by Charles VII, who through his extravagant lifestyle was reduced to alchemy and...
Satanism seems in great part a survival of the worship of demons, for it does not regard the Devil as beneficent or ill-treated but as a fiend more...
With the English composer John Dunstable and the Burgundian Guillaume Dufay, Binchois is...
uk.encarta.msn.com /Rais_Gilles_de.html   (114 words)

  
 Composers [Binchois, Gilles de Bins dit]   (Site not responding. Last check: 2007-10-27)
Along with Dunstable and Dufay, Binchois was one of the leading musical figures of the early 15th century.
He was the organist of Ste Waudru, Mons from 1419 and was allowed to move to Lille in 1423 where he apparently entered the service of Willian Pole, Earl of Suffolk.
In Soignies he was appointed provost of the collegiuate church of St Vincent in 1452 while still receiving a pension from the Burgundian court.
www.rmjs.co.uk /composer/cbinchoi.htm   (128 words)

  
 Famous Belgians - Gilles Binchois
From 1430 on, he was at the court of Burgundy during its most brilliant epoch.
Although Binchois wrote some sacred music, his masterpieces are his 50 or more secular French Chansons for solo voice and two accompanying instruments.
The solo voice carries the melodic line, the lowest instrument establishes a feeling of key, and the middle instrument fills in the other essential notes in the chord, all characteristics that are remarkably advanced for the time.
www.famousbelgians.net /binchois.htm   (111 words)

  
 A Selection of Renaissance Music
The musical Renaissance is usually taken to begin with the generation of Gilles Binchois (c.1400-1460) and Guillaume Dufay (1397-1474), although most of the 15th century is placed in the medieval period by some historians.
Of course, the musical idioms of this century are as distinct from those of the 16th as they are from those of the 14th, just as the same can be said of any century.
Binchois and Dufay were largely responsible for defining the new style of song-writing.
www.medieval.org /emfaq/beginlst/renaiss.htm   (1994 words)

  
 Edmund Brownless
Edmund Brownless wirkt auf zahlreichen Aufnahmen, vor allem mit Sequentia Köln (Benjamin Bagby), Ensemble Gilles Binchois (Dominique Vellard), Clemencic Consort (René Clemencic) und Joshua Rifkins The Bach Ensemble mit.
As a soloist he has performed throughout Europe and North America and sings on many recordings, notably with the Bach Ensemble (Joshua Rifkin), Sequentia Köln (Benjamin Bagby), Ensemble Gilles Binchois (Dominique Vellard), and the Clemencic Consort (René Clemencic).
Partecipa a numerose registrazioni, specialmente di Sequentia, Ensemble Gilles Binchois, Clemencic Consorte del Joshua Rifkins Bach Ensemble.
www.edmundbrownless.de   (388 words)

  
 Table of contents for Library of Congress control number 00028823   (Site not responding. Last check: 2007-10-27)
Table of contents for Binchois studies / edited by Andrew Kirkman and Dennis Slavin.
Binchois and Sacred Music at the Burgundian Court, Barbara Haggh
Binchois and England: Some Questions of Style, Influence, and Attribution in his Sacred Works, Peter Wright
www.loc.gov /catdir/enhancements/fy0610/00028823-t.html   (191 words)

  
 Dufay: Mass for St Anthony Abbot & Binchois: Motets
This is thought to be the long-lost, and long-sought, work known to have been bequeathed by Dufay to the great cathedral at Cambrai, always his spiritual home however far afield his astonishing international career took him.
Primarily known as a composers of secular songs, Binchois’ large corpus of sacred music is gradually being unearthed — and meeting with the approbation it surely deserves.
'The Binchois Consort have by now established themselves as pre-eminent interpreters of Dufay's sacred music.
www.hyperion-records.co.uk /details/67474.asp   (289 words)

  
 BBC - Radio 3 - Composer of the Week - 1. Two of a Kind
Guillaume Dufay (c1400 - 1474) and Gilles Binchois (c1400 - 1460)
Donald Macleod begins a week-long survey of the music of two figureheads from the 15th century, Guillaume Dufay and Gilles Binchois.
Today, a look at Dufay's early career, including his musical responses to the various political upheavals through which he lived.
www.bbc.co.uk /radio3/cotw/pip/dvm4h   (82 words)

  
 Black Sabbath songs covered by medieval music band Rondellus
His interest in early music and chant lead him from the Stockholms Schola gregoriana Holmiae to Ensemble Gilles Binchois, one of the foremost in this field of singing, which he has toured and performed together with.
Miriam Andersén, Swedish singer and harper, studied singing, medieval harp and medieval performance practice at the Schola Cantorum Basiliensis in Switzerland.
She performs throughout Europe, in North America and in Australia and has recorded a number of CD´s with renowned ensembles for medieval music such as Sarband, Ferrara Ensemble and Ensemble Gilles Binchois as well as with her regular ensembles ALBA and Belladonna.
www.sabbatum.com /band   (604 words)

  
 Binchois, Gilles - HighBeam Encyclopedia   (Site not responding. Last check: 2007-10-27)
From about 1430 until his death Binchois served Philip the Good of Burgundy.
Find newspaper and magazine articles plus images and maps related to "Binchois, Gilles" at HighBeam.
More information is at your fingertips at HighBeam Research:
www.encyclopedia.com /doc/1E1-binchois.html   (139 words)

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