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| | Country Music Article - Time reveals all for Gillian Welch, September 2001 |
 | | Welch says within the songs is "incorporated aÉrock and roll sensibility," and that "much larger arrangements are continuously implied" in the songs, meaning that whatever the two musicians couldn't directly convey was sonically hinted at, with the intriguing result that the presence of only a pair of players belies what meets the ear. |
 | | Welch was initially drawn to bluegrass because of "its rawness." "I was listening to really raw early rock-n-roll and...early punk," says Welch; when she first listened to the Stanley Brothers, she heard music that was "equally raw" and "unprettied up," but "the sound was ecstatic - the harmonies." |
 | | When Moss retired, says Welch, she "mourned the loss of a record man." She is careful to distinguish between "label executives," who make the music industry commercially driven and artistically vapid, and "record men," who care about artist development and creative autonomy, and of whom Moss was, in Welch's view, the last one. |
| www.countrystandardtime.com /d/article.asp?fn=gillianwelch3.asp (1584 words) |
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