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| | BMRCL Fall 2002, Vol. 3, No. 2 |
 | | Agamben relates this to Heidegger’s own understanding of the meaning of death, and the difference between a human death and the corpse that is fabricated. |
 | | Agamben is drawn to paradoxes, enigmas, aporias, impossible possibles in the way in which a moth is drawn to light. |
 | | Despite the brevity and compactness of Agamben’s study, he touches on grand themes--the nature of the human and the inhuman, language and speech, the basis of ethics and politics, the meaning of witnessing, archive, and testimony. |
| www.brynmawr.edu /bmrcl/Fall2002/Agamben.html (1440 words) |
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